LenMarriott
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Everything posted by LenMarriott
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Nikon D5100, 'P' mode, 1\60 @ f5.0, ISO 220, 18-55mm @ 47mm, hand held. -
Canon A540, 'A'perture priority, 1\15 @f4, ISO 200, 13.7mm (82mm FF equiv) Hand held, no flash. Heavily cropped. Best, LM. -
Minolta XG-M, 135mm f3.5 MD, Fuji Superia 200. Exposure not recorded. (likely 1\250 @ f8) Best, LM. -
Canon A540 on 'A'perture priority. 1\50 sec @ f6.3, ISO 80. 23.2mm (140mm FF equiv) Tripod & self timer. Minor tweaking & sharpening in Photoshop. Best, LM. -
canon A540 in 'M'anual mode. 1\20 @ f5.5, ISO 80, 23.2mm (140mm FF equiv) Tripod & self timer. Cloudy Bright. Red saturation slightly reduced in Photoshop. Best, LM. -
Canon A540 P&S, flash @ 1\4 power (used to trigger optical slave on main light), ISO 80, 1\500 @ f5.6, Main light was a Vivitar 283 & shoot-through umbrella. Converted to B&W via photoshop 'Channel Mixer'. Black sheet for background. Best, LM. -
Another rescue from the old shoebox. Technical details lost to antiquity. Probably about 1\125 @ f4 or 5.6 hand held. -
Bronica SQ Ai, 150mm PS, f16 @ time exposure (not recorded) Portra 160NC film, scanned on Epson V500 & converted to B&W in Photoshop via Channel Mixer. Best, LM. -
Bronica SQ Ai, 80mm PS, 1\250 @ f11. Hand held. Kodak Portra 160NC. Converted to B&W in Photoshop. Best, LM. -
'Then' shot about 1974 with Rolleiflex T, likely on Kodak Vericolour film. 'Now' shot on Canon A540 in 2013. Technical details less important than the content in my opinion. Best, LM. -
Minolta XG-M, Tokina 17mm, exposure data lost, Fuji Superia 400 film. Another shoe-box rescue. Best, LM. -
Canon A540, 'A'perture priority, 1\800 @ f5.5, 23.2mm (140mm FF equiv.) Spotted at Barrie's 'Winterfest' festivities. Best, LM. -
Canon A540, 'P' mode. 1\160 @ f5.0, +1 exposure compensation. 18.4mm (111mm FF equiv) Taken during a snow squall. Best, LM. -
Another shoebox rescue. Exposure data lost to antiquity. Taken in the 1980's and I doubt that today (Jan., 2013) that the smoke stack is still standing. I remember thinking at the time that the contrasts shown here were worth recording. I still do. Best, LM. -
Canon A540 Point & Shoot, hand held, ISO 80, 1\80 @ f5.6, 13.7mm (82mm FF equiv). Cropped & enhanced with some Photoshop Hanky Panky on the background. Best, LM. -
Canon A540 Point & Shoot, 'A'perture priority, f4 @ 1\125 hand held. ISO 200. 13.7mm (82mm FF equiv) Converted this mostly monochrome image to B&W in Photoshop. Spotted at the 2012 Collingwood Ontario Ice Sculpture Festival. Best, LM. -
Canon A540 P&S on 'A'perture priority. ISO 400, 1\200@f2.6, 5.8mm (35mm FF equiv) Slight crop plus B&W conversion to emulate Tri-x film in Photoshop via Channel Mixer. Best, LM. -
Canon A540 P&S. 'A'perture mode, 1\25 @ f5.6, -1 exposure comp, ISO 80. 13.7mm (82mm FF equiv) Spotted at a favourite photo haunt. Light Post Processing in Photoshop. Best, LM. -
Canon A540 P&S, 'A'perture priority, 1\500 @ f8, 23.2mm (140mm FF equiv). Subject of opportunity seen while looking for a parking spot at the mall. Slight tweaking in Photoshop to enhance image. Best, LM. -
Minolta XG-M, 50mm f1.4, Fuji 800 film, hand held. Scanned on Epson V500 & cropped & adjusted in Photoshop. -
Canon A540 P&S, 'A'perture Priority, 1\1250 @ f3.5, Auto ISO, 11.8mm (71mm FF equiv) Best, LM. -
Canon A540, 'M'anual mode, ISO 80, 1\500 @ f5.6, 15.8mm (95mm FF equiv) Two Vivitar 283's on white paper background, 1 Vivitar 283 with card (for catch lights in eyes) bounced off ceiling for main light. In truth it's likely the on camera flash that creates the catch lights. Best, LM. -
Canon A540 on Aperture Priority. 1\800 sec @ f 5, 18.4mm (111mm FF equiv) Converted to B&W via Channel mixer to emulate Tri-X film. -
Handheld Rolleiflex T. F3.5 @ about 1\30 or 1\60 sec. (note blur of his moving left hand) Converted from original colour to B&W in PS using Channel Mixer. Best, LM. -
Canon A540, 'A' priority, 1\320 sec @ f5.5, +2\3 exposure compensation, ISO 100. 23.2 mm (140mm FF equiv) Taken seconds after the jump. Since my camera position was mandated by the authorities I felt that the images of the participants exiting the water better told the story of how cold the dip was through the expressions on their faces. Best, LM.
