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celasun

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Everything posted by celasun

  1. I have spent about an hour looking at your recent Chicago images. I was happy to catch deep traces of good street photography in them. I also like the consistency of your B&W conversions; I believe I can recognize most without even looking at your name. There are a few other friends here with such consistency in their processing. It is as if they physically sign the images. I call them and you my teachers. I chose to comment first on this particular image simply because it speaks to me more. In fact, what draws me into it is something a bit unusual in your images: There is nobody here. An almost perfect rhythm flows nicely in this image and it is accompanied by very rich tonality. We see traces and only traces of people everywhere. I take this image as a statement on what we did for ourselves: An intricate cage in which we can live hidden from each other. There are enough walls, pillars and corners for everybody...
  2. celasun

    Promenade

    Too much love and drama for a single frame...
  3. <p>Thank you very much to you all.<br> The comments and the provided links were most informative.<br> For my particular case (macro shooting under continuous and relaively low light), this means I should be better off using the lens with the widest maxumum aperture (to allow for easier working conditions); without much regard to focal length. </p>
  4. <p>Ellis and Joseph, thank you for your contributions. This correspondence did help my understanding of the issue better.</p> <p>I thought, in the meantime, perhaps it may be better to rephrase my query like below (I admit a picture might have been better):</p> <p>The first hypothetical positioning (from left to right):<br /> Fuji GX680 (stationary)... 80 mm rail and bellows... 100mm lens... object magnified 1:1.<br /> The second hypothetical positioning :<br /> Fuji GX680 (stationary)... 80 mm rail and bellows... 180mm lens... object magnified 1:1.</p> <p>I guess, in the second example the object will be farther away from the camera. That may place it towards the wider part of the now (tilted) cone-shaped DOF. Hence, a longer lens may help achiving more DOF for this particular object which sits entirely within the cone.<br /> However, I can also imagine that the longer lens will have a narrover cone shaped DOF and perhaps this nullifies the above optimistic hypothesis. That is, even if I can put the object farther away than that of the first position, the DOF will not change for the better (as long as the magnification is the same).<br /> Boring? Sorry :(</p>
  5. <p>John, <br> Thank you for your response.<br> The link you provided deserves a detailed reading tonight!<br> Actually, my confusion stems from an illustration at the middle of this page:<br> http://www.cambridgeincolour.com/tutorials/tilt-shift-lenses2.htm</p> <p>As you can see, the DOF (using the Scheimpflug principle) appers to increase dramatically when the subject to lens distance increases. I just wonder if this applies for the increased distance due to the focal length. It may well be independent of it. I just don't know / understand. </p>
  6. <p>I may be a bit confused about selection of a focal length for macro work using Fuji GX680 (II). <br> I know one can employ practically any lens for macro and I have the 80mm rail to allow for this. <br> My project my necessitate using the lens movements at limits (of the GX680 system). <br> We know that for the usual cameras without bellows extensions, longer focal length lenses allow a longer working distance for a given magnification. <br> I wonder if this is true for the GX680 system. <br> I ask this because a longer subject distance can help me use the Scheimpflug principle better allowing for more DOF for the same magnification (that is using the 180mm lens vs the 100 mm).</p> <p>Do I miss something?</p>
  7. <p>Thank you very much. Much appreciated :)</p>
  8. celasun

    winter morning

    Chillingly beautiful.  The rising sun adds much to this one. 
  9. celasun

    Father & Son

    Thank you both for your comments. Carlos, I am pleased to see that this image has caught your attention and it touched a few strings... Incidentally, the place photographed above will likely be replaced by stones, iron and concrete soon... Jack, I know memory re-shapes the past whenever we try to remember it. It is, however, becoming clearer nowadays that one can miss memories of events he/she has never lived thorough. (I was not happy with the earlier heavy frame either. Thanks for mentioning. I had replaced it with a better one).
  10. I will just watch them sleep... ... and will kiss them both when they are awake...
  11. celasun

    Untitled

    Intriguing. I very much liked your decision to make this one blend with the local background. A frameless image! It works nicely indeed.
  12. celasun

    Father & Son

    © Creative Commons

  13. <p>Sigma 70 mm EX Macro f/2.8 is also the lens I love and use most for macros. I also have Pentax SMC F 50mm Macro and Vivitar Series 1 105 mm f/2.5 Macro. For whatever reason, my hand always picks the Sigma!</p>
  14. Two (seemingly) different personalities... together. In spite of... Even though... ... A single (read, lonely) woman just visible at the background. ... Perhaps, it is still better to be together than walk alone. ... Or, is it not?
  15. celasun

    just

    Invites questions... Forces us to build a little story around these... Where am I? What does she think? The placement of the window as a hat fits perfectly to her posture... The cropped hands are intriguing... almost like a sense of submission.
  16. celasun

    Heart Rhythms

    I swear I saw his chest moving slowly, up and down... 
  17. celasun

    Untitled

    The beauty of an elegant puzzle.
  18. Sounds like a cry for help. And, seems like none available!
  19. celasun

    Respite

    Those blocks of stone standing there as close friends and providing whatever that fellow needed. He is visiting his past since the future has darkened already.
  20. I just can't believe how this is even possible! Makes one feel objectified.
  21. Very happy to see your work printed. It is on my list for this year. Congratulations.
  22. celasun

    Strand - Not for Everyone

    I guess she is not for everyone, either :)
  23. celasun

    Balancing Act

    Looks like the man I want to transform into!
  24. <p>Les,<br> Beautiful colors and, somehow, a sense of smile!</p>
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