New Canon EF Ultra Wide-Angle Zoom Lenses

[joel_p]

 

<h1 ><strong> </strong></h1>

<p>If the new Canon 16-35mm/f4 beats the corner and distortion performance of my current 17-40, then I will be standing in line to purchase this one.<strong> <br /></strong><br>

Cheers,<br /> Joel<br>

<strong> </strong></p>

<h1 ><strong>Canon Broadens Its Imaging Lineup with Two New EF Ultra Wide-Angle Zoom Lenses and White EOS Rebel SL1 Digital SLR Camera</strong></h1>

 

<p ><em>High Performance Lenses Offer Optical Image Stabilizer and a Refined Compact Design; Lightweight EOS Rebel SL1 SLR Kit in White Available Soon</em></p>

 

 

May 13, 2014 12:37 AM Eastern Daylight Time

<p>MELVILLE, N.Y.--(<a href="http://www.businesswire.com/" rel="nofollow">BUSINESS WIRE</a>)--Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce two new wide-angle lenses and a new white color model of the EOS Rebel SL1 Digital SLR camera, just in time for summer. The introduction of the new Canon EF 16-35mm f/4L IS USM and the EF-S 10-18mm f/4.5-5.6 IS STM wide-angle zoom lenses provides Canon digital SLR camera users with the ability to capture stunning photographs and videos of spacious landscapes and many other iconic scenes. The EF 16-35mm f/4L IS USM lens is the first L-series wide-angle zoom lens equipped with image stabilization, providing professional photographers with expanded creative options, especially in low light. The EF-S 10-18mm f/4.5-5.6 IS STM wide-angle lens is an affordable option for entry-level DSLR users looking to enhance their images and videos with unique and creative perspectives.<br>

Since its introduction in March 2013, the EOS Rebel SL1, the world’s smallest and lightest digital SLR camera¹, has provided photographers of all levels with a high-performance digital SLR in a small, compact camera body. The new white EOS Rebel SL1 Camera Kit is complemented by a matching white EF-S 18-55mm f/3.5-5.6 IS STM lens and offers a stylish alternative for photographers who like to stand out from the crowd.<br>

“Having just reached a milestone of producing 100 million EF lenses, Canon is dedicated more than ever before to its heritage of creating outstanding optics for photographers of all levels,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The EF 16-35mm f/4L IS USM and EF-S 10-18mm f/4.5-5.6 IS STM ultra-wide zoom lenses, when paired with Canon EOS Digital SLR cameras, are powerful tools that can enhance any photographer’s creativity. And new to the U.S. market, the white EOS Rebel SL1 Digital SLR camera with its companion white lens, provides users with high-quality images in a small, compact body that is easy to bring along on all their summer adventures.”<br>

<strong>EF 16-35mm f/4L IS USM</strong><br>

Fully compatible with all EOS Digital SLR cameras including full-frame models like the EOS 5D Mark III and EOS 6D Digital SLR cameras, the compact and lightweight EF 16-35mm f/4L IS USM ultra wide-angle zoom lens offers high image quality and an Optical Image Stabilizer (IS) for shake correction up to four shutter speed steps², making handheld shooting possible in dimly lit scenes where camera shake can occur. In addition, an intelligent CPU in the lens automatically selects the optimal IS mode by recognizing differences between normal handheld shots and panning. This technological advancement supports a greater range of creative expression for photographers in otherwise difficult shooting situations, such as dark indoor scenes where flash photography is prohibited, or in places where a tripod cannot be used, or when shooting at low ISO speeds.<br>

The EF 16-35mm f/4L IS USM ultra wide-angle zoom lens features newly developed, high quality Canon optics that incorporate three GMo (Glass-Molded) aspheric lens elements, including a large-diameter aspheric lens, which help improve image quality by correcting aberrations. Two additional UD lens elements help reduce chromatic aberration from edge to edge throughout the entire zoom range for excellent image quality with high resolution and contrast. The lens also features enhanced fluorine lens coatings on the front and rear lens surfaces to repel dust particles and help ensure superb color balance while minimizing ghosting. The inner focusing and ring USM offer silent, fast and accurate autofocusing. Full-time manual focus adjustment is available in autofocus (AF) mode. A nine-blade circular aperture creates beautiful, soft backgrounds. A new compact four-group zoom system provides a minimum focusing distance of 0.28m/11 inches throughout the zoom range and a maximum magnification of 0.23x at the telephoto end for outstanding performance.<br>

<strong>EF-S 10-18mm f/4.5-5.6 IS STM</strong><br>

Created to be a great companion lens for the Canon EOS 70D, EOS Rebel T5i, EOS Rebel SL1 and other EOS Digital SLR cameras with APS-C size image sensors, the EF-S 10-18mm f/4.5-5.6 IS STM lens expands Canon's line of Stepping Motor (STM) lenses. For entry-level users, this affordable wide-angle lens offers the ability to shoot creative, high-quality images and video in tight indoor locations such as a cozy corner table in a restaurant or unique vacation photos where the subject is close up, yet the surrounding area can still fill the frame.<br>

The EF-S 10-18mm f/4.5-5.6 IS STM ultra wide-angle zoom lens features a compact and lightweight design with an Optical Image Stabilizer for shake correction up to four shutter speed steps³, enabling handheld shooting in low light. The lens’ stepping motor and newly designed focus mechanism are ideal for Canon EOS Movie Servo AF (available on EOS 70D, EOS Rebel T5i and EOS Rebel SL1 cameras) to provide smooth, quiet and continuous autofocusing during video shooting, as well as when taking photos.<br>

The EF-S 10-18mm f/4.5-5.6 IS STM ultra-wide zoom lens features one UD lens element to help reduce chromatic aberration throughout the zoom range for excellent image quality with high resolution and contrast. It also features enhanced multi-layer lens coatings to help ensure superb color balance while minimizing ghosting and flare, while a seven-blade circular aperture creates beautiful, soft backgrounds.<br>

Compared to the EF-S 10-22mm f/3.5-4.5 USM wide-angle lens, the EF-S 10-18mm f/4.5-5.6 IS STM ultra wide-angle zoom lens is nearly 20% smaller and 38% lighter. When combined with a compact digital SLR, such as the Canon EOS Rebel SL1 camera, the smaller size makes it very convenient to carry with the camera when traveling. The compact four-group zoom optical system provides a maximum magnification of 0.15x at the telephoto end. The wide-angle zoom range of the new EF-S 10-18mm f/4.5-5.6 IS STM is a perfect complement to the currently available EF-S 18-55mm IS and EF-S 55-250mm IS STM zoom lenses.<br>

<strong>New Lens Availability</strong><br>

The Canon EF 16-35mm f/4L IS USM and the EF-S 10-18mm f/4.5-5.6 IS STM ultra-wide zoom lenses are scheduled to be available in June for estimated retail prices of $1,199.00 and $299.99, respectively. For more information about Canon EF Lenses visit: <a href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.usa.canon.com%2Fcusa%2Fconsumer%2Fproducts%2Fcameras%2Fef_lens_lineup&esheet=50864159&newsitemid=20140512006792&lan=en-US&anchor=www.usa.canon.com%2Fcusa%2Fconsumer%2Fproducts%2Fcameras%2Fef_lens_lineup&index=1&md5=67fe4e6cd734d03f1f40c96631dfef10" rel="nofollow" target="_blank">www.usa.canon.com/cusa/consumer/products/cameras/ef_lens_lineup</a>.<br>

<strong>White EOS Rebel SL1 Kit with EF-S 18-55mm f/3.5-5.6 IS STM Lens Availability</strong><br>

The Canon EOS Rebel SL1 and EF-S 18-55mm f/3.5-5.6 IS STM lens kit in white is scheduled to be available at the end of June for an estimated retail price of $749.99<strong>.</strong> For more information about the white Canon EOS Rebel SL1 Digital SLR Camera kit and the full list of product specifications, visit <a href="http://cts.businesswire.com/ct/CT?id=smartlink&url=http%3A%2F%2Fwww.usa.canon.com%2Feos&esheet=50864159&newsitemid=20140512006792&lan=en-US&anchor=www.usa.canon.com%2Feos&index=2&md5=6677c2b48f718e3844da56d673fb514d" rel="nofollow" target="_blank">www.usa.canon.com/eos</a>.</p>

<p> </p>

[ed_avis2]

<p>I wonder how it compares to Sigma's 18-35 zoom. That is much faster (f/1.8) but doesn't have IS, and is intended for crop sensors (though you can mount it on a full frame body and it works well enough on the 1.3 crop of the 1D series).</p>

[fravin]

<p>I was looking for one of those ultra wide to fit in may 70D: 16:35L - 17-40L -17-55 2.8, but at the camera shop the guy give me that sigma 18-35 1.8 to feel it. After a few test shots I bought it. <br>

Sigma had made a fantastic job with this lens. It's quite sharp at the borders, and impressively sharp at the center. The image are brilliant and well contrasted. Fantastic Lenses. You should try it before buying the new 16-35...</p>

[Marcus Ian]

<blockquote>

<p>If the new Canon 16-35mm/f4 beats the corner and distortion performance of my current 17-40, then I will be standing in line to purchase this one.<strong> </strong></p>

</blockquote>

<p><strong> </strong><br>

<strong><br /></strong>If those MTF charts are any indication, then it will certainly outperform the 17-40/4 ... Though of course I'd wait to see some real world evaluations before dropping a grand on one. </p>

<p>I suppose they added the IS so they could stick w/ f4 in this day and age (and accommodate video demands on FF), though for stills, I can't imagine that it will be much of a 'must have' feature for this focal range... </p>

[jay a. frew]

<p>they are available for pre-order:</p>

<p>http://www.bhphotovideo.com/c/product/1051475-USA/canon_9518b002_ef_16_35mm_f_4l_is.html</p>

<p>http://www.bhphotovideo.com/c/product/1051476-USA/canon_9519b002_ef_s_10_18mm_f_4_5_5_6_is.html</p>

<p>I hope the new 16-35/4.0L is fantastic, because, it is about $460.00 more than the 17-40/4.0L ~ I sure won't be stepping-up. I have absolutely no reason to replace my 17-40. I think it is a wonderful lens and I don't think IS is worth the extra $$.</p>

<p>Cheers! Jay</p>

[phule]

<p>$300 for the 10-18mm is really nice. For me a SL1 with three EF-S STM lenses (10-18/18-55/55-250) would be a great travel kit.</p>

[fravin]

<p>Yes, I think that 10-18mm is a bargain. But what about IQ? The 10-22 is wonderful...</p>

[Robin Smith]

<p>16-35mm looks a good 'un to me. I'm interested - I'm a bit disappointed it looks to be about the same size as the current 17-40 and 16-35 f2.8 though - I always hope for smaller.</p>

[jerry_cipriano3]

<p><em>"If the new Canon 16-35mm/f4 beats the corner and distortion performance of my current 17-40, then I will be standing in line to purchase this one."</em><br>

<br />The question is: WHY? If one already has the 17-40mm, which is a very good lens, why replace it with a roughly equivalent lens? Stepping up to the more expensive 16-35mm will certainly put more money into Canon's pockets, but it won't make one a better photographer. It's important to look at the big picture and not get lost in the marketing details.</p>

[robin_sibson1]

<p>In fact the new 16~35/4L IS is noticeably longer (113mm v. 97mm) and heavier (615g v. 475g) than the 17~40. Both take 77mm filters and have a diameter of 83mm, but the 17~40 reaches that diameter only at the front end, whereas the 16~35/4L is fat over most of its length, so will seem considerably bulkier. The 16~35/2.8L II is 112mm long and weight 670g, so the new lens is much closer in size and weight to the f/2.8 lens than to the 17~40. The f/2.8 is wider at the front end, taking 82mm filters rather than 77mm filters, but, like the 17~40, the rest of the body is slimmer than the front end.</p>

<p>Interestingly, the new lens takes a new hood size, 82 rather than the 83 fitting common to a number of earlier lenses. Presumably it will have a locking catch like the hood for the 24~70/4.</p>

<p>The computed MTF charts suggest that the new lens will set a benchmark for UWA zoom performance, and it does not seem to be outrageously highly priced, so it is likely to be uch sought agter.</p>

[Ken Katz]

Price seems reasonable, which is a significant departure from more recent Canon "L" lens offerings. Potentially better image quality and IS is a major plus but the purported weight gain over the 17-40L, topping out at almost 22 oz, is going in the wrong direction for me.

[Robin Smith]

<p>Got to agree: however it is lighter than the f2.8 version, and with the IS it should offer 2-3 stops better light gathering capability over that (3-4 stops better than the 17-40mm) - so perhaps that is a more positive way to look at it. They look to be essentially the same size in practice, although as Robin points out their shapes are a little different.</p>

[w_t1]

<p>I'm happy with my 17-40, won't be upgrading but thanks Canon for offering. Why? I and my clients are Happy with my prints, not a pixel peeper and looked at a MFT chart ONCE just for giggles. I <em>would</em> be interested in a fixed 17mm though, non-shift. Miss the Canon FD 17mm...</p>

[JDMvW]

<p>I'm glad to see Canon's offerings too, but I confess that Sigma has already fulfilled my needs in these categories.</p>

[dan_south]

Why make an L lens that isn't resistant to dust or water UNLESS you mount a filter on the front? To reduce the price? To spur sales of

third party filters? It doesn't make any sense. Why wouldn't everyone want dust and water resistance all the time?

[robin_sibson1]

<p>The 70~200 lenses have completely internal zoom and focusing, and so can easily be sealed. But several of Canon's WA zooms move the front element slightly during zooming, although this happens within the overall fixed length of the lens barrel. Presumably it would add to weight/bulk/cost to seal the join between the lens barrel and the front lens group, and Canon have chosen not to do this but rather to leave the user to complete the seal with a filter. Perfectly rational decision, even if you don't agree with it.</p>

[model mayhem gallery]

<p>Absolutely no reason to replace my Canon 17-40 F4L for another F$ lens in basically the same focal length. Why can't Canon come out with a wide angle fast lens with IS. If they came out with a 17-40 or 24-70 F2.8 IS I would be all over it. However, that range is an area I shoot a lot of videos and events. Having F2.8 is more important at those closer distances as it helps reduce flash power and increase battery life. <br>

So, for now I will stick with my Tamron 24-70 F2.8 VC.</p>

[pmind]

<blockquote>

<p>Miss the Canon FD 17mm...</p>

</blockquote>

<p>I did too, now I use mine on an NEX-7...not quite the same though.</p>