Norman 202

<i>I never pretended to be from the Nine [title of her work] or to have lived on the street. I earned their trust over time, and got to know people long before we started making the film. They didn't understand why anyone would care — some people were suspicious, and a few were convinced I must have been with the FBI</i> So, presumably, she got to know some of her subjects more than others. Did this make a difference in the end result?

but u r not b-ing imaginative by quoting every MFOTS. u r coming across as a dull, well trained librarian.

does anyone know why it wasn't called 3/4 system :)

br = b realistic :)

i've never had a problem uploading from iphone or ipad apart from once when it was my fault. although it did take longer this morning (11th) than usual.

Steve, do you return to places and take a picture?

great photo Ian…sometimes the like button is too easy.

man/m'sheep interface

I am unashamedly a member of the first group but I would love to hear your views. Thanks

Following on from the deep and meaningful dizzzzcussion on the Phil of Photography forum, I'd like to gauge members' opinions on how well you know your subjects before you trip the shutter. <br></br> <br></br> Are you, eg, someone who shoots a scene (or subject) as you see it (and edits afterwards) or, do you have some idea of what you want to shoot, some pre-visualization of a scene (based on light, mood- your own and others, equipment available, location, purpose- etc), and, if it's not as you hoped, do you take note and revisit the scene later? <i>Is knowing your scene important?</i>

eminently sensible sun baking