scotttyrrell
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A really interesting photo. It is almost uncomfortably intimate. The crop forces my gaze down her top and makes me question the tattoo, if that it what it is. Although i can not see her eyes, i know they are locked on mine, I feel as though I have violated her body. This mood is further enhanced by the gritty, high contrast style, and by the fact that this photo appears not to have been posed. I should note, that all of this makes the photo for me and is not meant negatively. I enjoy being challenged by photography. Thanks
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Hey Jed, I much prefer the composition of this one, it works so much better for me. As before the colours are fantastic and the rippled sand is a perfect foreground. The blurred clouds work well and nicely frame the lighthouse. I have the same lens as you and, at its widest, often have trouble with distortion. Correcting this is easy, although depending on the scene, the results can often be undesirable. I think with this shot, that you have enough space and so few other vertical lines, that you could get that lighthouse and it's reflection perfectly straight without adversely affecting the rest of the image. I mean this in no way as a criticism, as I really love the image and, after all, the "fault" was not yours but the limitations of wide angled lenses. Thanks.
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Paul. I really like this image, the tones are so soft and really work here in engendering mood and atmosphere. I was actually first drawn to your last shot in this series, but even though I liked it, there was something that didn't quite work. As I couldn't adequately quantify what that was, I refrained from posting. This one definitely works, I love it. I used to live in Keswick, and this makes me a little homesick! Great job.
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As regards the backdrop, I guess using something either more textured or with heavier folds would have added that element of highlight and shadow. I wonder why you wanted that though? I find the viewpoint a little odd in this shot. Normally a low viewpoint puts the viewer in a sort of submissive position in regards to the subject, or at least it gives the subject a feeling of power, dominance. Here, your subject looks bored. A direct gaze would have helped, as would a more dynamic posture. The light is nice enough, and well managed, and I guess it fits the mood, such as it is. A bit of fill light from a reflector, stand him a few steps away from the background and use a lower f-stop, focus on the face and the light would make for a nice simple portrait.
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First of all, and very simply, I love this image. It has so much mood and atmosphere, the textures are fantastic, and I love the processing. Have you added a little grain here? It works. A happy accident with the camera shake or planned? or is it neither and just the strong wind on the grass and a relatively low shutter speed? Simple and simply great. Thanks
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A pleasing image Jed with lovely colours and a very interesting foreground. It may just be my eye, but the image "appears" to slope to the right. My only other suggestion, would be playing with the crop a little. As is, there seems to me to be a slight imbalance, perhaps a little too much sky on the right. I think a square aspect crop with the lighthouse positioned in the right third could really help. Perhaps! Anyway, I really like this soft and gentle image.
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The background is, of course, absolutely stunning. Perfectly exposed, great light and sublime natural colours. The reflection is perfect. The foreground just doesn't do this image justice. I bet you hunted around for just a little foreground interest to balance and anchor this shot, and this was the best you could find? I wonder whether perhaps, in this situation with little alternatives available, you could have used a polarising filter and a long exposure to flatten the water, having the tooth if rock suspended in heaven on a bed of water.
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recent Impression in a railway station.
scotttyrrell commented on overdiep's gallery image in Abstract
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