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mauro_franic

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Topics posted by mauro_franic

  1.  

    It all comes down to the print 1 2 3 4 10

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 229 replies
    • 10,331 views
  2.  

    Film vs Digital - Color Rendition 1 2 3 4 16

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 387 replies
    • 22,577 views
  3.  

    Tmax Latitude 1 2

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 31 replies
    • 4,175 views
  4.  

    Resolution: Print, Scanner, Film and Lenses

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 11 replies
    • 784 views
  5.  

    Tmax 100 at EI 3200-6400 1 2

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 26 replies
    • 3,257 views
  6.  

    Interesting short Portra 160 review 1 2

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 26 replies
    • 4,125 views
  7.  

    TMAX 400 and PORTRA 400 - Both EI 1600

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 6 replies
    • 1,148 views
  8.  

    35mm film vs 5DII - Low light performance 1 2 3 4 10

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 229 replies
    • 8,668 views
  9.  

    Ektar 100 - TMX 100 - Velvia 50 1 2

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 30 replies
    • 1,520 views
  10.  

    Film vs Digital - Dynamic Range 1 2 3 4 37

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 900 replies
    • 26,394 views
  11.  

    New Portra 400 - Creative light modifiers 1 2 3

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 51 replies
    • 2,427 views
  12.  

    Memories of detail 1 2 3 4 5

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 102 replies
    • 4,110 views
  13.  

    TMAX 400 Mind Boggling Tight Structure

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 17 replies
    • 1,194 views
  14.  

    Good Old Faithful Velvia 1 2 3 4 10

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 227 replies
    • 9,257 views
  15.  

    Grain is in fashion 1 2

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 49 replies
    • 3,281 views
  16.  

    Standard lenses Compared; Canon 50mm 1.4 and 1.8, Minolta 50mm and 45mm MC and MD 1 2 3

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 69 replies
    • 2,445 views
  17.  

    Standards from the past

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 9 replies
    • 529 views
  18.  

    Brilliant Tones - TMAX 100 35mm at iso 800 - Xtol 8 1/2 min

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 20 replies
    • 1,963 views
  19.  

    Velvia 50 - 14 stops 1 2 3 4

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 94 replies
    • 8,743 views
  20.  

    Poor scans - May explain why some switch to Digital 1 2 3 4 32

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 799 replies
    • 20,732 views
  21.  

    Velvia 50 handheld at night? Yeah baby.

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 5 replies
    • 612 views
  22.  

    35mm TMAX goes to the beach 1 2

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 27 replies
    • 1,133 views
  23.  

    My technique to eliminate dust from B&W scans

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 12 replies
    • 441 views
  24.  

    26 Megapixel 40D Compared to 35mm Film 1 2 3 4 5

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 117 replies
    • 5,559 views
  25.  

    New TMX 400 1 2

    By mauro_franic, in The Wet Darkroom: Film, Paper & Chemistry

    • 32 replies
    • 1,499 views
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