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john_markanich

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Posts posted by john_markanich

  1. Not all fireproof safes are created equal. Most are fire rated for paper which has a much higher 'point-of-destruction' than other media such as tape or CD/DVD's. What you need is a Data Safe. More expensive, much thicker (meaning less room inside) and comes with its own set of caveats. For example: Should you place the safe in the basement of your home to prevent the safe from falling through burning floors or on an upper floor to keep the data safe from flood damage? If the cold water from a fire hose hits a hot safe it will crack admitting air which will then ignite the oxygen-starved contents.

     

    Multiple copies in different locations seems to be the only answer.

    Do a search on Data Safes for more detailed discussion.

  2. Within PhotoShop CS2 I have been using a Threshold Adjustment Layer sliders to

    find (then shift/click) the black and white points of the image leaving a

    circled 1 and 2 on the image for later reference. However when I create a New

    Layer with Edit>Fill>50%Gray in the difference Blending Mode, then create

    another new Threshold Adjustment Layer in order to find the mid-point of the

    image the resulting threshold sliders just snaps the image over to a total

    black or white lith-like image with no indcation as to where the mid-point

    is. Am I missing something here?

  3. I use 3M positionalble mouting adhesive (PMA). It comes in rolls and is first applied to the back of an untrimed print. I use a manual Coda roller press to insure good adhesion then trim the print to final size. The backing of the PMA can then be removed and the print postitioned on the mount board and "tipped in".

     

    By "tipped in" I mean that the print is rolled onto the mounting board as it is being flatened by (again) the Coda press. You can do this with the plastic burnishing tool they supply but you have to protect the surface of the print while burnishing. Full adhesion may/may not occur if you don't burnish completely. The Coda press is really nice.

     

    I haven't tried mounting all of the various types (matt, glossy, specialty, etc.) of ink jet prints but PMA has worked on everything from the ye'old wet days to date for me.

  4. When making a bevel (window) cut you have to use a piece of chip board underneath. Chip board is nothing more than another piece of mat board. Make sure your blade is set just deep enough to barely, but completely, cut through the mat. It's the tip of the blade in the chip board that keeps the blade from wandering during the cut. The mat is cut from the back. If your chip board starts to get chewed up your blade is set to deep. Chip board is not needed when making a straight (non-beveled) cut. Also, make your cut in one complete motion without stopping or hesitating. Always use quality mat board and sharp blades.
  5. Advice well taken Edward. I should have added that for sure I would NEVER use the rewound roll in a commercial shoot or during any important 'take'. That would be dumb,dumb,dumb. I would use it during a knock-around walk in the park on a Sunday afternoon just to see if my rewind skills are adequate for that day when I'm down to one roll which I just f____d-up. (Of course, on that day I will need to be blessed with a changing bag or a very, very dark closet too).
  6. Thanks for all your help. Yes, I worried about that taped end and the effect it would have during a rewind but now I understand how to 'relieve' any excess bulge that might/will occurr. It isn't the cost of the film that's important, it's acquiring a skill to maybe save the day one day.
  7. I accidentally completely wound on an unexposed roll of 120 size film in a

    Hassy film magazine. Can I reload it as if it were a fresh roll and rewind it

    back to it's original state -or- would it be better to try to do it by hand in

    total darkness.

  8. Just got this from Epson:

     

    Anybody know anything more?

     

    ..."On September 27, we'll unveil our newest professional printer. We want to

    tell you

    about a new printer that's going to get your adrenaline pumping, your heart

    racing

    and your imagination soaring.

     

    For starters, it looks cool. It's sleek, slim, stylish and space efficient.

    Think high-end

    sports car.

     

    But, it's what's inside that will really raise your pulse rate. This

    engineering

    marvel incorporates several radical new technologies. And, of course, it takes

    full advantage of our already industry-renowned Epson UltraChrome K3ル inks.

     

    We've saved the best for last. Wait till you see the price. We think you'll be

    not

    just pleased, but amazed.

     

    So mark your calendar. Set a reminder in your PDA. And, put a note on your

    computer monitor ラ SEPTEMBER 27 ラ it's the official release date of what

    promises to be a huge new leap forward in professional printing.

     

    This is going to be exciting"....

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