I’ve included only a few of the 40 in exhibition. Q was correct in understanding the content/form post. Which is an age old question in art philosophy. Anyway, apart from the bantering that ensued, I think the body of work was successful ONLY in that each piece was successful and strong enough to hang. In making the work, I thought first of composition, then story, then value, then warmth or coolness when oil coloring. Often, I colored only 1/2 of work, allowing values within composition to reign.