Jump to content

johannes_felten

Members
  • Posts

    545
  • Joined

  • Last visited

Image Comments posted by johannes_felten

  1. Don, you have to ask yourself two questions: 1. Is this the best comment I can come up with? 2. Am I able to dispense with patronizing remarks and, instead, offer an intelligent and productive analysis?
  2. Don, you have to ask yourself two questions: 1. Is this the best comment I can come up with? 2. Am I able to dispense with patronizing remarks and, instead, offer an intelligent and productive analysis?
  3. Excellent. Good sense of height due to the other mountains in the background. The composition itself I think is perfect. The climbers are well positioned within the frame. The sky and the background puts everything into context. As to the quality, there is grain, and I'm not too sure about using Gold 100 to start with, but even with scanning my Fuji Reala(100) I also get grain sometimes. Although negative film has greater exposure latitude, from my personal experience I get the best results when I scan slides (Fuji Provia, Velvia). However, these are more expensive to buy, you have to get the right exposure while shooting, and you need a good lab to get them developed professionally, which is also more expensive than the "regular" negative processing. We lead a difficult life.
  4. It wasn't, and if you consider the setting you may realize that there was no need to add a flame artificially. I realize, however, that although we've seen many photos that combine BW with colour, our basic conception perceives a photo to be either one, or the other, but not together. So, having a BW photo with some parts added in colour, perhaps makes those parts appear alien. Overall, I'm not too fond of BW and colour combinations, but sometimes they can create a nice effect if they highlight central elements of the image. In this workshop the fire is a central element and keeping the flame in colour underlines that. This also takes the emphasis away from the nudity. The juxtaposition of nudity with the harsh environment of metal and fire highlights the delicateness of the female body, and it simply adds a humorous touch to the scene.

    Masaai Warrior

          8
    Thank you for your productive comments, so far. I must agree with most of what has been said here. The harsh midday sun combined with the dark skin tone created conditions that were far from ideal. Nonetheless, I didn't want to miss this portrait and I preferred this backlit option to a front lit one with the sun in the warrior's face. This way you still get all the details on his face and his elaborate ornaments without the harsh shadows. The background doesn't play a very important role here so I didn't mind it being overexposed.

    Kai

          7
    It was for me, because I never took a portrait of a Thai girl before, so I guess everything is relative. But after all, nothing is really original. Whatever photo you're going to come up with, someone has probably already done it before, perhaps with slight variations. How original does something have to be to qualify as "original"?

    SpiderForm

          6
    Although there are hardly any details, the "spideriness" comes across very well. Good composition and nice tones. The fact that there are no details perhaps also contributes an air of mystery to this photo.

    Moonrise

          16
    - Probably because of the texture of the sky. It has a very cool, soothing and also mystifying atmosphere about it. The composition is also perfect.

    Masaai Warrior

          8

    Although Africans frequently pose for tourists, this young warrior apparently seemed very

    proud of his status and this, I think, is evident also in his pose which carries a certain

    sense of dignity.

×
×
  • Create New...