richard van hoesel
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Image Comments posted by richard van hoesel
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Vincent, there's a whole bunch of stuff here that I'd normally think to be a real bad idea; velvia in the middle of the day, added a polarizer to an over-saturated film in bright sun, included lots of people in a nice landscape etc. but it all works rather nicely here. The lower right-hand fragment reminds me of a postcard from the 50's for some reason.
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Real nice Steve - great palette (you know I'm a sucker for low light coastal scenes). Funny how some parts of the water look like a much shorter exposure than 10sec - I've seen that sort of thing on some of my own shots too.
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remarkably good result given you didn't use a grad! good one.
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Very painterly indeed Carol. The tank doesn't detract/distract at all for me. I can't see the suggestion to hide it behind the stump improving the image either; not only would it destroy your diagonal design that works so well here, but I think connecting the stump to the house would be problematic. The placement of the folliage around the stump in the lower RHC is a nicely understated finishing touch too.
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While I'm not partial to the cyan overtones and I think a grad-ND would have been helpful to prevent the sky form blowing out, this is certainly an amazing scene.
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Satire or otherwise Tim, this is likely to offend - but I guess that may have been your intention.
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thanks for clarifying Emil - yes on closer examination I see it's from the same neg, although the results indeed look totally different. I certainly like the rough 'organic' look of the liquid emulsion print but also find myself wishing it would have preserved some of the fine details evident in the straight scan.
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Emil, I'm perpetually amazed at the images you produce - I've not seen anything quite like your work. Do you have any plans to collect these into a book? As to the comparison between the two images For my taste the destruction on this one is getting a little heavy handed - ideally I think I'd like to see something between the two. By the way, it took me a while to find the other version since I didn't know which folder you were talking about ('more killings' in case anyone else has the same problem).
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Yes, I think your crop has substantially improved what was already a good image. Real nice.
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Superb Bob - looks like a piece of Gaudi's architecture in a lightning storm to me.
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I love this one Nana; IMO a perfect capture of a perfect scene!
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Fantastic shot - beautiful composition and skillful treatment of the light. Was it any good in colour?
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This looks great Pearce, couldn't have asked for a better pose! The only improvement for me would have been a touch more space on the left - but it's a minor thing.
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The exposure in the lower half of the image is spot on Donald, but the blown out sky lets the picture down IMO. A perfect candidate for a graded ND filter I think.
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Just when I thought architectural photography was rather dull... this is great. I feel I might have liked just a tiny bit more space at the top, but on the other hand, having that point close to the edge adds a lot of tension.
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Awsome location, beautifully captured Dennis. My personal preference would be without the boat but I know I'm biased against man-made structures in nature shots.
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Great textural shot Mark. Instead of B&W, my suggestion would actually be to push the saturation more, maybe as much as 20% - but then again I do prefer to shoot velvia.
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Looks great John. All the converging lines provide lots of layers and although they perhaps make the image a little busy on this scale, for me they become the coi and make this work on a more abstract level. I too would be tempted to try some burning in towards the horizon, particularly in the top left to contain the image a little better there.
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definately strong enough! looks great to me.
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First of all, yes you certainly captured a beautiful sky in this image. Although I agree the fill looks a little unnatural, the elements where I see most room for improvement are in adjusting the brightness of the rightmost quarter of the image and framing the shot so that the main palm didn't touch the top.
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Fine work again Atle. My only suggestion is in line with the comment that the foreground could be a little brighter. Maybe a 0.9 grad, slightly rotated to follow the direction of the waterline would have been a choice worth trying here.
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beautiful shot with terrific light indeed - I wonder if a vertical, taken a few steps to the right with that branch there prominantly placed in the foreground might have been even stronger?
The Morning
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