erin.e
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Posts posted by erin.e
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I've had a Sigma 70-200 2.8 EX HSM for four years now, it is a fine well built and reliable tool with good autofocus and top class optics.
I use it for editorial magazine work among other things, along with three other Sigma EXs, a 50mm macro, a 24-70 2.8 and a 15-30, none of them have malfunctioned over this time and the mag editors have never asked what lenses I use, they just keep sending me cheques on invoice, as usual.
I have used Nikon EDs and Canon Ls as a press photographer and the EX Sigmas are in the same league in the real world.
The EX range does not have the incompatibility problems that the older Sigmas, made in the 1990s, apparanetly do. THe EXs work with all Canon bodies up to the recently introduced 5D without any reported glitches.
Buy the Sigma with confidence it will perform perfectly on your new 20D.
I can't see any evidence of the lenses being held in place with tape in any of my EX lenses, but I can see a few metal lock rings doing that job in all of them!
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Stephen H made a pretty succinct answer to the posters question that I am in entire agreement with.
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Yes, "Dog Features" that wholly inaccurate Sigma EX criticism is well below par for your usually helpful and truthful posts.
The Sigma EX series lenses and especially the Sigma 70-200 2.8 EX HSM has not needed to be rechipped to work with any Canon DSLR from when it was introduced in 2000 to the latest Canon incarnation, the 5D
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And pray to the Lord that it would help you in your service to him if a 70-200 2.8 Canon L IS was to come your way ;-)
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It doesn't have to be Nik or Can, with a Can Do attitude, Sig will do!
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Hmmmmm depends on your palate, <a href="http://www.photo.net/photo/2419770">Green Peppers</a> and Apples do they go together?
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Bill, according to the report, the best selling product was the Leica Geovid BRF Laser rangefinder binos and production for them is on stream. That is the main factor in Leica being able to show this minor improvement, plus Dr Spichtigs ongoing surgery. It does also say that the DRM has been well received by Leica R8 and 9 owners but the full potential has not yet been reached.
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I lurk here to savour the civility and sense of camaraderie that pervades this forum, plus the willingness of members to share pics and information. I have 14 fixed lens rangefinders of varied manufacture surrounding my computer workstation, most of which operate, and have been cleaned and relightsealed, several have films in them that have been there for a while! One day I will surprise us all and use a couple of them and post some pics!
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Buy that F2 Nikon, its a brick in build quality and reliability. It was the state of the art when it was introduced in the 1970s with many useful groundbreaking functions that where designed for proffesinal photojouranlists, so will still meet any needs you may require with aplomb.
You will find that there are many accessories available for it that were not very long ago still rather expensive, but have now become very affordable thanks to digital slrs.
The F2 is a true classic camera that you can keep forever as a backup or loved possession when you decide that you have learned enough techinque to make a good start in digital slr photography. I reckon you are looking in the right direction.
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Thanks to the robust binocular, scope and rangefinder division of
Leica a small improvement in the <a
href="http://www.dpreview.com/news/0511/05111702leicaimproves.asp">fin
ancial outlook</a> of the ailing company in the first half of this
financial year has been posted. However the camera division continues
to be a signifigant drain on resources with a 55% drop in sales.
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Dear daney waney it is a well known internet fact that the Canon L 70-200 f4 has serious back focus issues so steer well clear of it. Of course if you believe this you are as silly as your user name suggests.
The choice is easy. If you want to be a real man, lug the 70-200 around everywhere that you do not need to use it, and if you want to be a girly man take the 70-200 f4 instead
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In viewing your PN portfolio, you have a "good eye" with quite a few well seen images posted there. Learning a bit about the technical aspects would add that special zap to some of your portraits of people (and kids) by enabling you to adjust camera settings to get a correct exposure to emphasise the the lighting that you are seeing. In other words, give you more control.
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wot r u tlking abt stuntd abiliti to communicate u wanker Z becoz of vizul shortctz?
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If you are an experienced photographer all you need to do is go to a shop that sells Sigma lense's, look at the EX range pro type zooms, 24-70 2.8 EX, 70-200 2.8 EX, 100-300 f4 EX 120-300 2.8 EX and a 50mm Macro prime, take some pics with them, compare the pics for sharpness contrast etc against Nikkor images from your archives see if you like what you see. This will also give you an idea of how the ergonomic features of the EX Sigmas suit your camera handling style.
The Sigma EX range on the whole represent value for money, probably in excess of 90 percent performance and optically compared to a Canon L or Nikkor equivalent and a bit less in build quality than Nikon or Canon, but still very well made.
I have been using Sigma EX exclusively for editorial work and have found them to be very reliable and optically good lenses.
I have used Nikkors and L Canons when a press photographer and the Sigmas compare quite well in the real world, at a signifigant cost saving.
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The Sigma EX HSM 70-200 2.8 is a fast focusing lens, perhaps not as quite as fast focusing as a Canon 70-200 2.8L but not enough difference between them to make much difference in the real world.
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There is no history of a quality control issue with the Sigma 70-200 2.8 Ex HSM and the newer 70-200 2.8 EX HSM DG These lenses have earned a formidable reputation as fast, reliable,well built, optically excellent performers at a very reasonable price for a Medium telephoto constant aperture fast zoom.
Yes and the one I have owned for four years now, perfectly fits the description above.
The main difference besides the larger apeture is that the Sigma is quitea bit heavier and bigger overall, this may or may not be important to you on your travels
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Matthew Curries suggestion makes good engineering sense.
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the other main difference is that they are made to stand up to professional usage, which means each and every day in all sorts of situations so the build quality is very good.
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Here is my dispassionate viewpoint.What a pack of tossers, blowing hot air up each others rectums. It is rubbish that Leica is expensive but true that it is an anachronism that was a great tool in its day (1950s.) Anyone that has spent the dosh to set themselves up with a functioning DSLR kit over the last 4 years or so could have easily brought a Leica M and three lenses instead if they so desired. It is O.K to appreciate a nice outdated mechanical device for what it is, but not necessary to dribble all over it!
Some like to mentally masturbate over gear and some use it. The Leica is just a camera nothing more nothing less, and well over priced at that but I guess that there are enough mugs out there to slow the steady decline into bankruptcy of the maker for a little while yet.
As for reliability and solid build try this test. Get a I series Canon (or F5 Nikon) and a M Leica hold one in each hand and smack them together sharply a couple of time then see which one still functions!
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Ben, the best people to ask this question to would be Metz themselves. Type Metz.de into your search engine find the technical support link and a nice and helpful gent named Lutz Goeschel wil provide you with the info that you require.
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If you love your new 5D and enjoy taking pics with it go ahead and enjoy using your new camera.
If you are a pixel peeper and want to find out how many <a href="http://forums.robgalbraith.com/showflat.php?Cat=0&Number=369037&an=0&page=4#369037">Dead pixels on your 5D</a> and how bad the banding is in the shadow areas if you push the dynamic range, click that link!
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Hmmm, can't post images direct into the thread, anyway <a href="http://www.photo.net/photo/3852741">Here</a> is a link
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Oops meant to post these images
Canon EF 70-300 USM III or Sigma 70-300 APO DG Macro
in Canon EOS Mount
Posted