rick_drawbridge Posted August 16, 2019 Share Posted August 16, 2019 Rick, your cache of camera outfit options is most impressive, widely varied, and your film processing and scanning is remarkably consistent no matter what you use to capture the images. Very nice. Greg, I don't know if your comment was directed to me or our fellow member Rick van Nooij. If I was the intended recipient, many thanks, and if your compliment was directed to the other Rick I can only join with you in expressing admiration for his work. Either way, thanks for taking the time to respond! Link to comment Share on other sites More sharing options...
Julio Fernandez Posted August 17, 2019 Share Posted August 17, 2019 This dock for fishing boats is relatively close to home, and a favorite subject. A portrait-oriented image to change the pace. Canon 7, 50/1.8, FP4+ in Beutler. 5 Link to comment Share on other sites More sharing options...
SCL Posted August 17, 2019 Share Posted August 17, 2019 a 1971 shot of my wife in the airport lounge at O'hare airport in Chicago. Leica M4 with a 35mm Summaron f/2.8. Plus-X developed in D-76 5 Link to comment Share on other sites More sharing options...
rick_drawbridge Posted August 17, 2019 Share Posted August 17, 2019 To keep things moving along, here are half a dozen from the Roleiflex Automat I displayed in the "What camera..." thread. There really is something special about the little 75mm Zeiss Jena Tessar f/3.5 lens. I'm becoming quite a fan of the Kodak T-Max 400 I used for this series, the film being developed in PMK Pyro. Timber Late Afternoon Padlocked 1920 P Welcome 4 Link to comment Share on other sites More sharing options...
James Bryant Posted August 17, 2019 Share Posted August 17, 2019 To keep things moving along, here are half a dozen from the Roleiflex Automat I displayed in the "What camera..." thread. There really is something special about the little 75mm Zeiss Jena Tessar f/3.5 lens. I'm becoming quite a fan of the Kodak T-Max 400 I used for this series, the film being developed in PMK Pyro. Timber [ATTACH=full]1307230[/ATTACH] Late Afternoon [ATTACH=full]1307231[/ATTACH] Padlocked [ATTACH=full]1307232[/ATTACH] 1920 [ATTACH=full]1307233[/ATTACH] P [ATTACH=full]1307234[/ATTACH] Welcome [ATTACH=full]1307235[/ATTACH] Nice lens. What I get with a Hasselblad. Link to comment Share on other sites More sharing options...
rick_drawbridge Posted August 18, 2019 Share Posted August 18, 2019 James Bryant said :Nice lens. What I get with a Hasselblad. Now that's a compliment! Link to comment Share on other sites More sharing options...
kmac Posted August 18, 2019 Share Posted August 18, 2019 To keep things moving along, here are half a dozen from the Roleiflex Automat I displayed in the "What camera..." thread. There really is something special about the little 75mm Zeiss Jena Tessar f/3.5 lens. I'm becoming quite a fan of the Kodak T-Max 400 I used for this series, the film being developed in PMK Pyro. That seems a good combination of film and developer IMO Rick. The shadows and shadow detail are excellent in those six images Link to comment Share on other sites More sharing options...
rick_drawbridge Posted August 18, 2019 Share Posted August 18, 2019 kmac said: That seems a good combination of film and developer IMO Rick. The shadows and shadow detail are excellent in those six images This series is only my third use of this combination, and I think I've got it pretty nearly right. I've ordered a couple more packs of the T-Max 400, anyway, so I must be reasonably impressed! Link to comment Share on other sites More sharing options...
Mike Gammill Posted August 18, 2019 Author Share Posted August 18, 2019 Great work with the TMAX 400, Rick. You bring the best out of every film you use. Link to comment Share on other sites More sharing options...
James G. Dainis Posted August 18, 2019 Share Posted August 18, 2019 rick_drawbridge, I can scan down the posts of this thread and immediately recognize your photos; they just stand out. These are the quality of photos I would expect to see if I were to look at Ansel Adams photography series, The Camera, The Negative, The Print. James G. Dainis Link to comment Share on other sites More sharing options...
rick_drawbridge Posted August 18, 2019 Share Posted August 18, 2019 Mike Gammill said: Great work with the TMAX 400, Rick. You bring the best out of every film you use. James G. Dainis said :rick_drawbridge, I can scan down the posts of this thread and immediately recognize your photos; they just stand out. These are the quality of photos I would expect to see if I were to look at Ansel Adams photography series, The Camera, The Negative, The Print. Many thanks for the compliments... I'm still a learner at heart and any encouragement is welcome. It's nice to know that one's efforts are appreciated. Link to comment Share on other sites More sharing options...
Bill Bowes Posted August 19, 2019 Share Posted August 19, 2019 Laundry is BORING, but this time I brought the Fed-2 kit along. During the drying, I walked about and among 15 or shots, this one appeared. Fed-2 / Jupiter-8, Pan-F, Hypercat & V800 scan. 2 Link to comment Share on other sites More sharing options...
Mike Gammill Posted August 19, 2019 Author Share Posted August 19, 2019 Very eye-catching image, Bill. Nice to see that people are subscribing to printed media. Link to comment Share on other sites More sharing options...
richard_ Posted August 20, 2019 Share Posted August 20, 2019 Mjferron - really love those gray midtones in those 2 shots ! (and with bit a grain too)…. Link to comment Share on other sites More sharing options...
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