rick_drawbridge

Cameras and lenses noted. Sony A7R : Sony FE 24-240mm f/3.5-6.3 OSS Sigma DP3 Merrill : Sigma 50mm f/2.8 Macro Sony A7R : Sony FE 24-240mm f/3.5-6.3 OSS

Some from a Canon EOS 100 Elan using a Canon EF 28-105mm f/3.5-4.5 II USM lens. The film was Fomapan 100 Classic developed in Spur Acurol-N. Autumn #13 Linear Signage The Very Last Surplus Signage The Beast

For the 30th. Minolta Alpha 7 ; Minolta 28-85mm f/3.5-4.5 : Arista EDU Ultra 100 : Spur Acurol-N Frond

Three from a Sony A7R using a Sony FE 24-105mm f/4 G OSS lens.

Some from a Nikon F80 using a 28-85mm Nikkor f/3.5-4.5 lens. The film was Fomapan 100 Classic developed in Spur Acurol-N. Kaleidoscope Possibly Encore Almost a Fountain Barrow and Baskets

Back to another old favourite, partly to celebrate the lovely Canon lens.

Some from a Bronica ETRs using the 150mm Zenzanon MC f/4 lens. The film was Kentmere 400 developed in Spur Acurol-N. Park Morning #5 Park Morning #3 Anzac Day Park Morning #1 1894 Park Morning #7

For the 22nd. Canon T90 : 35-70mm Canon FD f/4 : Fomapan 100 Classic : Spur Acurol-N Testing the Fomapan #2

Three from a Nikon D600 using a Nikkor AF 28-80mm f/3.5-5.6D lens.

From recollection, the sprockets that move the film are situated in the middle of the film gate, and after the last sprocket hole on the film passes over the sprocket no further film will be loaded despite further movements of the winding handle. This leaves about an inch of film protruding from the receiving cassette. The original 12 shot cassettes contained enough film after the final frame to load a short length of blank film into the cassette following the final exposed frame. There's quite a good description of the system here: http://www.artdecocameras.com/resources/using-rapid/

Three from a Nikon 1 v1 using the 1 Nikkor 10-30mm f/3.5-5.6 Lens.

Nikon D600 : Nikon AF-S Nikkor 50mm f/1.8G Nikon Coolpix S100

For the 17th. Canon A1 : 28-80mm Soligor C/D f/3.9-4.9 : Arista EDU Ultra : Spur Acurol-N Sparkle

Some from a Canon A1 with a 28-80mm Soligor C/D f/3.9-4.9 lens. The film was Arista EDU Ultra developed in Spur Acurol-N. A Change in the Weather Estrella Scrolls The Heritage Shop The Morning News When the Rain Came

Cameras and lenses noted. Sony A7R : 85mm Staeble-Telon f/5.6 Nikon 1 v1 : 1 Nikkor 10-30mm f/3.5-5.6 Nikon Coolpix S100 Sony A7R : Minolta AF 70-210mm f/4

Gary Green said : "A thumbs up for "Going Up", Rick. That shot has a classic film noir cinematic feel to it." Yes, I'm a great admirer of the film noir genre, that sense of impending danger an otherwise ordinary scene can generate in the viewer. I'd tried to convey this in the "Stormlight" image, with the scene lit by those intense rays of sunlight that shine from beneath gathering clouds. Thanks for the comment! @ kmac Humphrey Bogart? Good choice, though I'd prefer Wednesday Addams...

Some from the Praktica BC1 I pictured in the "What camera..." thread. The lens was a 35-70mm Pentacon Prakticar MC f/3.5-4.5 and the film was Arista EDU Ultra 100 developed in Spur Acurol-N. Morning and the Walnut Cordyline Australis (young cabbage trees) Going Up Two Eras Stormlight

For the 12th. Nikon F90X : 28-105mm Tamron AF f/4-5.6 : Arista EDU Ultra 100 : Spur Acurol-N Taro

I've just taken a film out of this Pentacon Praktica BC1, so we shall see what develops. It's a simple camera, nicely constructed and a pleasure to use.

Some from a Minolta Alpha 7 with a Minolta 24-105mm f/3.5-4.5D lens. The film was Ilford FP4 Plus developed in Spur Acurol-N. @ Medici 9 AM Abstract #73 Autumn Grasses Conversation Providore

For the 5th. Minolta Alpha 7 : Minolta 24-105mm f/3.5-4.5D : Ilford FP4 Plus : Spur Acurol-N

Cameras and lenses noted. Nikon 1 v1 : 1 Nikkor 10-30mm f/3.5-5.6 Sony A7R : 85mm Staeble-Telon f/5.6 Nikon 1 v1 : 1 Nikkor 10-30mm f/3.5-5.6 Sony A7R : 85mm Staeble-Telon f/5.6

Some from a Nikon F100 with a 28-85mm Nikkor f/3.5-4.5 lens The film was Arista EDU Ultra 100 developed in Spur Acurol-N @The Truckstop Elements # 85 For the King Toys for the Boys Utilities

Some from a film shot early on Easter Sunday, using a Canon T90 and a 35-70mm Canon FD f/4 lens. The town was practically deserted, rather an eerie feeling. The film was Arista EDU Ultra 100 developed in Spur Acurol-N. Easter Sunday #6 Easter Sunday #4 @The Truckstop Easter Sunday #3 @Adelaide Eliza's Easter Sunday #5

I'm stuck inside due to some inclement weather, and cleaning some of the old cameras. These Yashica Electro 35 GSNs are such pretty cameras and they have the iconic 45mm Color-Yashinon DX f1.7 lens, and I'm tempted to take one out this weekend, if the weather clears.