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developing and EI for Fomapan 400


johncox

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<p>I've settled on Foma 400 (Freestyle branded) for a film to try out and I could use some help with the correct EI and developing times to start at.<br>

I want to get images like this; untitled with a less grain and slightly less contrast. I'm using a 6x12 Da Yi panorama camera so I'm not too worried about the grain. I'm planing on pulling the film to get the contrast I want, but should I start at 250 or 200? I'll probably start in TMAX developer since I have a lot of that.<br>

Thanks in advance,<br>

John</p>

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<p><img src="https://farm6.staticflickr.com/5562/15166498695_6b0b2fe3f7_z.jpg" alt="" width="640" height="496" /></p>

<p>Depending a bit on the type of developer you should expose between iso 200-320.<br>

Here an example (120 roll film 6x7cm) of FP400 E.I. 250 in <em>Rollei Supergrain</em>, a type developer like <em>AM74</em> (Amaloco) which you more or less can compare with <em>Kodak Tmax</em> developer (semi-compensating, box speed).</p>

<p>In the Fomapan 400 data spec you can directly see that even in the speed enhancing type developers like Microphen the film speed is limited till iso 320 or iso 250 Fomadon Excel W27/Xtol.<br>

http://www.fotohuisrovo.nl/documentatie/F_pan_400_en.pdf</p>

<p>Best regards,</p>

<p>Robert (Dutch Foma distributor)</p>

<p> </p>

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<p>Thanks, that helps a lot. I'll start bracketing at +/- 1 stop at 200 and subtract a minute from dev time to lower contrast (the massive dev chart has this film at 7-8 minutes so I think I'm fine at 6).<br>

I'll post results when I the film shows up.</p>

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<p>If you're trying any film for the first time, the first thing to do is shoot it at its rated speed and develop it at times recommended by the manufacturer. You may be happy with it like that. And even if you're not, you need that as a baseline reference for anything else you're going to do.<br /><br />You can, however, kill two birds with one stone. On your first roll, bracket your shots. Shoot each photo at least three times -- at what the meter says for the official ISO plus one stop under and one stop over. If you want, go as far as two stops under and over. Shoot in half-stop or third-stop increments if you like. Do all of this with some average scenes, not a black cat in a coal bin or polar bears on snow. Keep notes of what's what. Develop according to manufacturer's recommended time. Look at your negatives and see which exposure you like best and that will tell you what ISO works for you. <br /><br />Once you've got that dialed in, you can do further experiments with development time. But see how things look with the recommended time first.</p>
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<p>I like the technical information given by Foma for that film for speed achieved at G-bar 0.6 and only wish that Ilford and Kodak would produce similar charts.</p>

<p>I think I would go with E.I.200 and use stock Xtol for 7 minutes at 20*C as my starting point.</p>

<p>Thank you for the link Robert.</p>

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<p>This is <em>the latest Fomapan 400 data sheet</em>. A few minor changes like the <em>Clear Polyester layer</em> is changed in the text etc.<br>

http://foma-cz.cs4.cstech.cz/en/fomapan-400</p>

<p>On the Foma web site you can select Czech, Russian, English, French, Spanish, Chinese language. For me very easy: Only Chinese and Spanish is a problem for me :)</p>

<p>Best regards, na shledanou, paka paka, cordialement, groetjes (is Dutch BTW),</p>

<p>Robert / Роберт</p>

<p> </p>

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<p>The starting point should be the rating established by the manufacturer.</p>

<p>You certainly can establish a new rating, but the objective of doing that is to compensate for the variations introduced by YOUR shutter, YOUR lens, YOUR choice of chemicals, YOUR processing sequence (including how YOU agitate), YOUR desired contrast range target, and the way YOU will convert the negative to a print. In other words, because a personalized EI is PERSONALIZED, no one can tell you what to use.</p>

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