There are two or three that are Wonderful. The overhead of the man walking on the cobblestone street is excellent. Too bad the dog is a little blurry. The fisherman is excellent too. Nice job
I have to find a new lab. I used to go to a lab in New York that was excellent, but since I don't work in the city anymore, its just not convenient to get there. Getting the negatives rescanned tomorrow, I'll post what comes up. The film was stored in the refrigerator prior to me taking the shots, so it's not a film storage issue.
It was Millburn Camera ASAP in Short Hills. Used to go to Bleeker digital in Manhattan, but I just don't get into the city as much as I used to. I went thorough the other rolls they developed and there are more than a few with the same issue. They offered to re scan so I’m happy with that.
Sent the lab an email, they’re going to rescan them. I thought I was going nuts! I’m not ansel Adams but I’m not that bad a photographer where I was cutting everything off lol
Recently received scans back from a roll of 120 I had developed and scanned at a lab in NJ. Thought I messed up and cropped the bottom of the photo when I took the shot. Turns out the negative tells the tale. Why is the scan cropped and the negative ok?
Hoboken, NJ has some cool details, this being one. I couldn't get a head on shot, as there were telephone lines hanging down in front which would have ruined the shot. Thought about making this black and white but the colors won out. Thoughts?
Sony a7ii, ISO 320, f 5.0 200/sec
The photos are quite good to my eye. To me, black and white was always the solution to bad light. “If the light ain’t right, make it black and white” as I like to say.
Shot at a car show, and its man annoying when there's a ton of people milling around and the cars are so close together. My solution? A vignette effect. Does it work? I guess it does. I just can't get the beautiful studio look at a car show, but its the best I could do.