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anuragagnihotri

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Posts posted by anuragagnihotri

  1. <p>Guys, <br>

    After numerous threads on 'ifs' and 'buts', i have finally bought it. <br>

    It is "imported on December'12", so the label says on the box. Guess that's safe in terms of getting a lemon (left focus). I am in no mood to check for those things though...:)<br>

    I have sold my D7K to fund this purchase. <br>

    I have exchanged my DX 35 1.8 with a 50 1.8 G.<br>

    Just thought should tell you all, who have spent some quality time answering my queries. <br>

    regards,<br>

    anurag</p>

  2. <p>Hi, <br>

    As stated in another thread, i will be purchasing a cheap AIS 180 2.8...shooting with this lens, more than anything else, should tell me if i need 70-200 F4, or a new AF version of 180 2.8 itself. Hope they bring out 135 F2 in the next 6 months...i will feel very bad if i buy a new 180 and next day they announce a 135...</p>

  3. <p>To further inform you about the current status: <br>

    35 sigma <br>

    70-200 F4 or 180 2.8<br>

    85 1.8 G<br>

    These are the lenses i have decided upon :)</p>

     

  4. <p>Andrew, yes they are no longer there, had to throw them away. <br>

    I don't mind much, because my interest in photography developed with the digital age...i had a film camera like everyone else and used to take some pictures sometimes...<br>

    Some of them were nice, and those are the ones i really miss. <br>

    By far, the biggest accident i had was losing some nice images due to foolishly rewriting large files with smaller ones...i lost this picture in the process: (Now i only have a much smaller size than the original RAW, and that too, JPEG...<br>

    Keep wondering how can i salvage this image...<br>

    <img src="http://farm4.staticflickr.com/3625/3469139302_57ca0b1a98_z.jpg" alt="" /></p>

  5. <p>Hi, <br>

    All my old film negatives have been ruined. But i do have 6mp equivalent scanned files, which are not really suitable for large printing. <br>

    If i shoot optimum prints made from these files with a high resolution camera like D800, will i be able to print them bigger? Should it be better than up-sampling the files in photoshop and then printing them big?<br>

    Any experience on this? <br>

    Thanks and regards,<br>

    anurag</p>

  6. <blockquote>

    <p>Another issue is that a DoF calculator only shows the limits where definition becomes noticeably blurred, it doesn't show how blurred an object 15ft behind the subject will be. So although the DoF calculator shows a minimal difference the actual amount of blurring 15ft behind the subject may be much more obvious.</p>

     

    </blockquote>

    <p>Rodeo, exactly what i was thinking...the DOF master doesn't tell if the trees 10 feet behind the subject will be equally blurred or not. It tells that yes, they will not be in focus. </p>

  7. <p>DOF master tells me that the difference between these 2 lenses is minimal at the most when it comes to DOF (surprise)<br>

    Example, at 10 feet, the DOF difference is just .02 feet when you shoot at 180/2.8 or 200/4...<br>

    Assuming the DOF is almost the same, will the creamy-ness of the background will also be similar? Suppose there are trees 15 feet behind the subject...which one will render them creamier? </p>

     

  8. <p>Sorry i will re-phrase my question a bit. I realize that you don't shoot a head and shoulder portrait from MFD, that is 3 feet and 5 feet. So how far one typically stands with 200+- focal length for head/shoulder and full body portrait?</p>
  9. <p>Hi guys,<br>

    Here's a question, hope someone who has knowledge of this will help:<br>

    The question is about DOF comparison of the two lenses: the new nikon 70-200 F4 and the old 180 AF ED.<br>

    One would think that the 180 will have a shallower DOF because its faster, but a stop slower 70-200 has a better minimum focussing distance...<br>

    New Nikon 70-200 F4 has a MFD of 3.2 ft...<br>

    The nikkor 180 F2.8 has a MFD of 5 ft...<br>

    Which one will have smoother/less DOF at the long end (200mm), at their respective MFDs, lets say, while shooting a portrait (head/head and shoulder)?<br>

    What if we are shooting not at MFD but a full length plus some background kind of portrait?<br>

    All wide open. <br>

    regards,<br>

    anurag</p>

  10. <p>Hi<br /> Thanks for your suggestions. Which make me even more confused...<br /> Looks like i will never be able to make up my mind on 70-200 vs 180...<br /> rest i can handle: i will definitely buy 35 and a 85 to begin with and postpone the purchase of wide zoom till i start feeling the need for it in real photographic terms...<br /> But the tele zoom vs prime (180) has me going nuts...<br>

    My heart says buy the 180 2.8...pictures will look like these...http://www.flickr.com/photos/agnihot/sets/72157631810676336/detail/<br>

    My mind says, 180 is no 135L...is old...buy the 70-200 F4<br>

    regards,</p>

  11. <p>Hi, <br>

    I have a D7000 now, with a 35mm lens on it. I have used it, but not much in the last 4-6 months that i have it. I had bought it as a stop gap arrangement because then i didn't have money to buy D800. <br>

    Well, now the D800 is going to come...and i just want to share the list of lenses i should purchase...open to modifications by all you knowledgable photographers here: <br>

    Expensive option:<br>

    16-35 F4 (landscapes/candids)<br>

    Sigma 35 1.4 (candids)<br>

    70-200 F4 (landscapes/general purpose)<br>

    Sigma 85 1.4/Nikon 85 1.8G</p>

    <p>Less expensive option:<br>

    Tokina 11-16 F2.8 (to be used at 16 on FX and rest on DX)<br>

    Sigma 35 1.4<br>

    Nikon 180 2.8 + 55-300/70-300<br>

    Nikon 85 1.8G</p>

    <p>Notes: <br>

    I really wanted to buy a tele prime so 180...will compliment it with a cheap tele zoom. Will 70-200/4 be better than this combo? Looks like 70-300 is very good till 200mm and i will also have the prime in the same money. <br>

    Not sure about wide options: 16-35 will be very expensive and mixed reports about it. Tokina is a DX lens, but i can use it at 16 on FX and generally on DX. Or i can skip both and just do with Sigma 35 1.4 and wait for a 24 prime...<br>

    What do you think?</p>

    <p> </p>

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