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clarence1

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Image Comments posted by clarence1

  1. Spring is here so yesterday I took my first morning photo hike of the season down the neighborhood walking path with my 70-300 IS (handheld).

    I took several shots of this guy. Flipping through the files on my PC, I thought this sequence would make a funny animated GIF:

    http://crtforum.com/img/hawk-anim.gif

    I'm amazed at some of the bird shots posted here. It's a lot harder than it looks... waiting to see any bird, hopefully close enough, hopefully without a branch obstructing the view, then focus and fire before he flies off. Sounds simple, but I think birds are the toughest subjects that I've tried to shoot so far.

  2. Studebaker in the woods behind my inlaws house. Taken Christmas

    Eve. 70-300mm IS at 70mm (Av f/4 ISO800 1/60s)... I only took my

    long lens because I hoped to find some deer, but I only found hoof

    prints and droppings among these rusty cars.

    Indian Steps 5

          3
    Great portfolio Mark. Incredible variety.... scenic canyons, bull fighting, rodeo, hot air balloons, international travel. Your 70-200/2.8IS really gets a good workout. I like the whole series of native dancers here... especially the variety of shutter speeds. They really work best as a series collection. This one stood out with the overlay... an effective way to convey the motion, yet keep the crisp focus by not dragging the shutter.

    In the garden

          5

    Great portfolio. I really like this one. It'd be a fine floral close-up without the bee, but the in-flight timing makes it even better. Great focus, tight DoF, clean background, nice bokeh. I'd crop out the very bottom to get rid of the stray blossom...

    http://img87.imageshack.us/img87/5414/polferlp9.jpg

    6134049.jpg
  3. You probably already levelled the horizon, and I understand your original concern about keeping the wave level when taking the picture, but for anyone else that's curious to see how a 4 degree rotate looks...

    http://img385.imageshack.us/img385/7724/balancinghr1.jpg

    I think the honest laugh on the little girl's face is where the energy is. If the horizon is a potential distraction to you, the subjects, or some mere viewers, then level it out. But the original angle also adds a candid snapshot twist to the scene, so it works fine either way.

    Or as a compromise, if your original (non-level) print ended up in a scrapbook, it would be great to give it a slight twist on the page to orient the horizon to the edges of the page. Crooked, but straight. Best of both worlds.

    6077976.jpg

    Spring's coming

          9
    Wow. I really like this one. Three different drips: attached to the upper pipe, falling with blurred motion, and splattering after contact with fine, fast mist. Distinct secondary subjects with perfectly executed defocus (this was all optical, no post-processed defocus, right?) beyond the primary depth of field. If anything, the headlights may be a little too strong and distracting, but overall, I really like the total "simple complexity" of the scene.

    The Architect

          8
    >> I agree, although I wouldn't mind some desaturation or better still a complete b&w conversion.

    I agree... B&W would probably help the white clipping and the ashy/clay face patches on the other side. Great craggy textures.

    http://img141.imageshack.us/img141/2316/bwvo7.gif

    Grapes

          4
    The variety of colors within the bunch really caught my eye. I'd be curious to see the original shot without the shadowing and backlighting tweaks. And I checked out your landscapes... very impressive collection.
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