acarodp
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Waiting for our bus back to Santiago, I was attracted by the repetition and color of the phones: luckily enough, the kid just walked in and reached for the phone... Normally I get rather pissed when people walk into my photos, but not this time! Thank you for comments and critiques. -
Artist: Luca Sbordone; Exposure Date: 2014:08:10 00:47:04; Copyright: © Luca Sbordone; Make: FUJIFILM; Model: X20; ExposureTime: 1/50 s; FNumber: f/2; ISOSpeedRatings: 1600; ExposureProgram: Aperture priority; ExposureBiasValue: 0/1; MeteringMode: Pattern; Flash: Flash did not fire, compulsory flash mode; FocalLength: 9 mm; Software: Pixelmator 3.2;
© (C) 2014 Luca Sbordone
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Artist: Luca Sbordone; Exposure Date: 2012:12:29 20:41:04; Copyright: © Luca Sbordone; Make: NIKON CORPORATION; Model: NIKON D700; ExposureTime: 1/6 s; FNumber: f/2; ISOSpeedRatings: 200; ExposureProgram: Aperture priority; ExposureBiasValue: 4294967295/3; MeteringMode: Pattern; Flash: Flash did not fire; FocalLength: 85 mm; FocalLengthIn35mmFilm: 85 mm; Software: Pixelmator 3.2;© (C) 2014 Luca Sbordone
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While driving at dusk across Llanquihue, in southern Chile, we took the wrong turn and ended up on the lake pier, where kids were playing. It was just an incredible, peaceful view, with the sunset coloring the placid lake, and the snow-capped Calbuco volcano on the background... Sometimes, it is just oure chance, and these are perhaps the best moments. Thank you for comments and critiques! -
Exposure Date: 2013:01:06 00:04:24; Copyright: © LUCA SBORDONE ; Make: NIKON CORPORATION; Model: NIKON D700; ExposureTime: 1/125 s; FNumber: f/8; ISOSpeedRatings: 200; ExposureProgram: Aperture priority; ExposureBiasValue: 4294967294/3; MeteringMode: Pattern; Flash: Flash did not fire; FocalLength: 135 mm; FocalLengthIn35mmFilm: 135 mm; Software: Pixelmator 3.2; ExifGpsLatitude: 41/1 15/1 2239/100; ExifGpsLatitudeRef: S; ExifGpsLongitude: 73/1 0/1 1360/100; ExifGpsLongitudeRef: W; Replaced with new postproduction 11/6/2015
© (C) 2014 Luca Sbordone
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Hi Tom, I don't know if you did it on purpose (apart from just submitting them together) but this image, the "graffiti" one with the old lady in white and the graffiti of a black cat, and the one of the cyclist (taken, I guess in the same place as this one) ended up together in my critique queue, and impressed me very much, because they share, I felt, a common feeling of blurred humans, almost ghosts, in an space where they do not belong, as if they were but memories of a time in which somebody inhabited a now empty place. In this sense they appear as ominous and very powerful, and convinces me more and more that a way should exist on PNet for people to present and critique series of images linked by some common purpose. Of course, albums do this in part, but one cannot critique or comment on an album, and, worse, one cannot request a critique on it, as a coherent whole that tries to be more than the simple sum of its parts. Anyway, of the three, this one is perhaps the best for me. It is almost as if two different times were superimposed, as in a double exposure, with the same man first appearing at the top of the stair, then passing out if the scene on the right. The division of the space in what are almost two different scenes makes this even more effective. A very well seen image. Congrats! -
The perigee moon rises above one of the VLT ATs (Auxiliary Telescopes) at ESO Cerro Paranal observatory in the northern chilean andes. ATs are small (1.8m) movable telescopes that assist the four 8.2m VLT UTs (Unit Telescopes) when operating in interferometric mode. -
© (C) Luca Sbordone
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Hi Jack, thanks a lot for your nice words... although I see them with some delay: I have been over-busy at work and still in the aftermath of a trans-continental removal (read: boxes everywhere)... It will perhaps surprise you that I had not "seen" the carpet decoration as a rainfall untill you mentioned it, but now that you did, I cannot stop seeing it like that, and I like it! -
Visitors in Galleria Umberto I, Milano, February '14. Thanks for comments and critiques! -
© (C) Luca Sbordone
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Thank you all very much! Boris, the new frame is an experiment, if you look at the other images in this gallery they have the one I used before. I think a little frame helps on PNet with the layout the site has, but have been changing my mind about what works better... -
Hi Tom, this is an interesting photo indeed, and as Boris above said, it has a Doisneau-esque tone in it. In fact, it brought me back to a line of thought I often have about street photography when looking mainly at the work of the great french"humanistes" such as Doisneau or Cartier-Bresson: namely, many of their images have no "exceptional" things or people in them, no weird angles, pushed focals (which they anyway did not have access to for technological reasons), strongly contrasted B&W treatments... what they have is a particularly successful, synthetic documentary nature, where the normal of their time is recorded, in a non-trivial way. This makes them very effective when looked at fifty years later, because the time they come from shines through and fascinates us for both its expected difference, and its unexpected resemblance to our own. Pardon me for being so long-winded, but what I see and like here is that same virtue of showing the normal with respect and synthesis. Well done! -
Artist: Luca Sbordone; Exposure Date: 2013:12:26 12:12:42; Copyright: © Luca Sbordone; Make: FUJIFILM; Model: X20; ExposureTime: 1/15 s; FNumber: f/2; ISOSpeedRatings: 400; ExposureProgram: Aperture priority; ExposureBiasValue: 0/1; MeteringMode: Spot; Flash: Flash did not fire, compulsory flash mode; FocalLength: 7 mm; Software: Pixelmator 3.2;
© (C) Luca Sbordone
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1/50 f2.8 @400 ISO
© (C) Luca Sbordone 2013
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© (C) Luca Sbordone
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Software: Pixelmator 3.0; -
Software: Pixelmator 3.0; -
Software: Pixelmator 3.0;
