walterbriggs

I believe there actually 'would' be more involvement as per the film mailers..but I think too many have likely fallen in to the B.S. that film had died.

They can be a true life-saver..I just wish mine would zoom at its highest resolution, however...

Building a rapport prior to shooting goes an incredible distance...Not to mention the person(s) you are trying to shoot without their permission and then royally piss off may very well be someone in the future you'll have contact with.

 

Photojournalism is not supposed to be a 'full-contact sport', and the above advice might be worth following. Be careful out there.

Translate NPS into "Nikon Professional Services"..They've been known to save a few hides..

 

And I agree;it's not always the equipment you use..Don't forget the artist is behind the lens..

 

Take care,

Walter

Probably next will be 'papers' to cross state lines..Sound familiar?

Hello,all..

This all came up and about after reading an account recently by someone we all know, via his blog. I recommend www.werejustsayin.blogspot.com (David Burnett)

You're going to love this!

Best to all,

Walter

Is it true in New York that soon(or resently)it is required for photographers

to obtain a permit from its Film Commission?

I do know NEWSWEEK is still operating their darkroom, but other weekly news mags are presently digital. Hope this helps.

I once saw a recommendation that a hardener be used during development of this fim. That may solve your problem, but as I had never used this film yet..I can only state what I saw in the Freestyle ad. Hope this helps!