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bill.akstens

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Posts posted by bill.akstens

  1. For a polarizer to have an effect on the image the sun must be approx 90 degrees to your side. It doesn't work for all angles of the sun. Play around with it outside on a sunny day - you'll see how it works just looking thru the viewfinder as you rotate the filter and point the camera around.
  2. I recommend an older Canon EOS ElanII (may have a different name overseas). In the US these used bodies go for around $130US. Very capable advanced amatuer/semipro camera in my opinion. Put the rest of the money into good lenses and they will all work with Canon's latest DSLRs when you do get one.
  3. Even if I am very diligent about backing up my digital photos, I wonder if my heirs will be so computer-savy and disciplined? I fear my digital archives will only last a generation one way or another... If any generation fails to maintain the archives it may be too late for the following generation to salvage. Some of my film negatives, stored in multiple sites, will probably survive a few generations, even if one generation fails to "maintain" them.
  4. Since nobody else answered I'll take a stab (but I'm new to flash myself). Doesn't your meter have a mode with a lightning bolt? You need to set it to that mode for flash metering. Sounds like you have yours set to "F" instead which is just for abmient light mode and won't respond to flash. The "11.4" means the light reading is between f11 and f16. You also need to set you film's ISO number in the meter when in ISO mode. I have a Gossen LunaPro Digital F meter, and the "F" in the name means it can be used for flash metering. This "F" is different from the "F" mode setting as explained above.
  5. Use a slower shutter speed to capture bright arcs of welding debris flying all over. If the shutter is too fast you'll freeze the sparks and it won't look as dramatic. Experiment, maybe 1/4 second shutter speed on a tripod. I don't think a welding helmet will be necessary for the camera, just don't get too close.
  6. At the last wedding I was a guest at, the videographer's camera had some obnoxious red focus-assist target that it projected. Never seen anything like that before. During the cake cutting this target sprayed across the bride's chest area with a large red box pattern with other corner hash marks. What would a still photographer do in that situation? If the photographer can't pursuade the video guy to turn off the pattern, the only option may be to stop the lens way down to cut ambient out and rely on a powerful blast of flash. Is this kind of viseo assist pattern common? Is it laser-based?
  7. Off the beaten path - a very small ghost town called Grafton, Utah, a few miles outside the southwest entrance of either Bryce or Zion (forget which one, it was 15 years ago I was there). It is mentioned in some library books on ghost towns - do a search. Very isolated, rural, yet fairly easy passenger car access (assuming dry conditions) maybe 15-20 minutes off the main road on a dirt "road". Has two or three standing 2-story houses and a complete one-room red clay brick schoolhouse, maybe a small cemetery. Rather isolated. We had the place to ourselves and all 3 or 4 structures were easily accessible inside and out. This was 15 years ago...
  8. Get in the habit of re-checking all camera/flash settings throughout the day, especially the settings you are most likely to need to change at different times throughout the day. For example, indoors: camera in Manual mode, flash switch set to Manual mode, flash compensation at +1; outdoors: camera in Av mode, flash switch set to high speed sync, flash compensation at -2. On my camera the metering mode button can switch if bumped, so I always recheck it through the day. I also recheck camera battery status indicator as the day goes on.
  9. I've photographed engaged couples at the beach with only an 85mm on a film body. Works fine. There's plenty of room to back up if needed for full-length shots. But it depends on what kind of images you like to create. 100mm on a film body should work fine. If you have a digital camera with 1.6 crop factor 100mm may be a bit long.
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