beepy
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Posts posted by beepy
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<a href="http://www.nytimes.com/2008/02/07/arts/design/07gett.html">NY Times article on
interesting Getty Museum acquisition of Irving Penn photographs</a>.
<p>
Probably requires free subscription to NY Times.
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Photos pulled <a href="http://www.ohio.com/news/ap?articleID=373496&c=y">under obscenity
law</a>.
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<a href="http://www.nytimes.com/2008/01/27/arts/design/27kenn.html?pagewanted=all">
The Capa Cache</a>.
<br>
To the small group of photography experts aware of its existence, it was known simply as ?the Mexican
suitcase.?
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I use 2" thick 4 ft. by 8 ft. styrofoam insulation panels from the Home Depot here in the US. I
painted a couple of them. But better was I covered a few with cloth. Anyway, they are
lightweight, easy to move around, etc. If you put two together in an 'L' and tape them they
will stand upright.
<p>
I put a white baseboard on the bottom to make it look more realistic.
<p>
Pretty convenient.
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I pre-ordered through
<a href="http://www.mpex.com">Midwest Photo Exchange</a> in August and they shipped
it to me the day it arrived from Canon (saw the announcements earlier in the week that
Canon had started US shipments) - we did have a mildly amusing conversation over the $20
extra for overnight delivery vs. two day delivery - got it on December 1. I really like the folks
over at Midwest!
<p>
The camera's not bad either:-)
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Interesting article on Howard Schatz in the NY Times (oddly in the real estate section - because of the
pool he uses for his underwater portraits collected in his newest book
<a href="http://www.amazon.com/H2O-Howard-Schatz/dp/0316117757">H20</a>).
<blockquote>
<a href="http://www.nytimes.com/2007/12/16/realestate/16habi.html">Howard Schatz</a>
</blockquote>
May require a free subscription to access article.
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I stumbled across this web site <a href="http://www.holgerappel.com/index.html">
http://www.holgerappel.com</a>. Check out the archives - a variety of edgy ads - a lot about fashion, a
lot about product, and then a whole bunch of other things.
<p>
I found the imagery quite creative and edgy.
<p>
Couldn't figure out what group to post this to - I was mostly looking at the people in ads and fashion.
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Why a Wide Gamut space like ProPhoto? So, I go back to images continually. You may
repurpose them for other print devices. Use the Color Think profile viewer to see how
color spaces overlap and fall short. ProPhoto is large enough to encompass most profiles -
Adobe RGB is smaller.
<p>
Why is this important? Things change. Once you convert out of the RAW file to begin
editing, you have to choose a color space. Given different output devices, you would
simply as a last "print" step convert a master file to a print file - be it sRGB, printer/paper
profile, etc. The large color space allows you to preserve as much color information into
the final color space as possible. I faintly recall that Adobe RGB fell short of one axis in a
printer color space? or some such that I viewed.
<p>
I'm thinking the new enhance magenta ink in Epson 7880 probably exceeds one of sRGB
or Adobe RGB with the expanded gamut.
<p>
Anyway - I use a wide gamut color space for master files to preserve as much info as
possible for future use.
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Hey Sara - I responded to your props question in my portfolio.
<p>
Hey, I'm probably old enough to be your grandfather! So you listen to me:-)
<p>
I guess the confusing thing in your post was - are you trying to set up a portrait business
or are you trying to find people to shoot fine art images? If portraiture - then brace
yourself for whoever offers you money. But since you want models for free it seems you
might want to do fine art images?
<p>
Anyway, my understanding of TFP/CD is you shoot your stuff and you do some shots that
the model wants. Focus on
<a href="http://www.modelmayhem.com">modelmayhem.com</a> to start. Get some
solid images on line and shoot anyone who will show up! If you're not paying, yeah you
may get flakes.
<p>
But shoot anyone who says yes and build a compelling portfolio to get more takers for
TFP.
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Capture in RAW 16 bit when critical. Process in a wide gamut space like ProPhoto RGB, and
convert at last step to sRGB for web or other end use.
<p>
I moved from Adobe RGB a couple years back to ProPhoto. Preserves more of the capture on
raw conversion than Adobe RGB does.
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So, I guess what I'm trying to say - you're shooting/processing digital - a white balance
card shot in the environment (and various depths in image) will allow you to accurately
white balance the scene? Gels seem somewhat more complicated than necessary for what
you are doing? I guess the gels (as stated) should balance the strobe temperature with
ambient light - but I'm sitting in a hotel conference room with fluorescent bounce up light
against an off white sound reducing tile ceiling and unbelievably a mix of halogen and
incandescent floodlights point down illuminating most of the room.
<p>
What gel combo would white balance that? Eeeek!
I'd rather sample the room with a white balance card.
<p>
Maybe I am nuts.
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I tried a white balance - masked foreground and main subject and white balanced on shirt.
White balanced bkgd with an inverted mask - but had a hard time finding anything neutral to
balance on - ended layering a masked 10% Blue (80) Photo Filter on top of background to
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Limited edition - for a given size print, artificially cap the number of prints you will make.
An edition of 10 say, each print labeled 1-10. You have to keep track of the edition sales,
it is considered inappropriate to have two '1's say.
<p>
Maybe that's what they mean. I wonder why they recommend it though - might be
prevailing style of prints sold in gallery. Limited Edition caps the number of copies that
can be made - and is used to justify a premium price.
<p>
Note you can have different numbers for each size (5 large, 10 medium, 20 small prints).
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<a href="http://www.nytimes.com/2007/10/21/style/tmagazine/21miller.html">Interesting article</a>
on Lee Miller, with slideshow of her work, and her war photography and effect on her life.
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<a href="http://www.camerapedia.org/wiki/Kodak_Signet_35">GREAT SITE!</a> I did a
Google search for th Kodak Signet 35 and found Camerapedia. Coooool site (I checked and
see it's been referenced before on photo.net - this is a reminder at most).
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I have to poke around and find a picture of the camera - I'm always interested in what these
cameras look like.
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I've been watching the students at the school I am attending part time and they have a whole
quid pro quo thing going on!
<p>
Put up an ad on bulleting board in your school. I suspect you can get student's to model for
you - and you in turn will do something for them (shoot something or model yourself). I've
seen that they have a *lot* of empathy for each other's homework deadlines!
<p>
My son is a student there - and he has helped me with my photography homework - I
understand the pressures more...
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I think Katrin's book is a workflow and approach to the digital darkroom - not a compendium
of the latest features in CS3. Having taken a workshop with her during the development of
the boo, I think the book will be very worthwhile (I have it pre-ordered).
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The title "Old New" seems to indicate the combination of the old film still in context (by
reflection of gallery in glass)...
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NIce.
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Oh, I don't know David - the potential for ironic or surreal juxtapositions boggles the
imagination:-)
<p>
(speaking from my seemingly oblivious subscriber viewpoint:-)
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Thanks. I missed this. Significant photography. What a sad commentary. And what a bar for
determination and purpose.
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If 5D is like 1Ds Mark II the *external* sync speed with random strobes is 1/125s. The sync
speed with newer Canon Speedlights is 1/250s.
<p>
Tripped me up the same way. Argh.
powder or liquid chemicals?
in Black & White Practice
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Which chemicals? Two things to consider - some chemicals in powder form can go
airborne more easily and are probably poisonous. So, you should take precautions when
preparing some things for the darkroom. The other thing though is the shelf life of some
chemicals in dry form, vs. in liquid vs. prepared for use (combining the ingredients). You
might find the powder form has a longer shelf life?
<p>
Between the two, I sometimes pick up some chemistry in a pre-pack in a bottle to which
you simply add distilled water for alternative processes I do. Keeps the airborne dust
down, good shelf life? Cheaper shipping than liquids given enough distance and materials.