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Kodakrome selling cheap


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I went to a local Dollar store today and discovered that they were

selling Kodakrome 200 that was not short dated for $1.50 a roll. I

asked the lady how much they had and she told me " we have pallets of

that stuff in the back" I take this as " Kodak is unloading it to get

rid of it" I see that the days of Kodakrome numbered. BTW this is in

a small town in Tennessee so I expect it is being dumped in alot of

other places too.

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This thread is entirely speculation and rumors. There may be any number of reasons that a dollar store got a bunch of any type of film. I could come up with many more logical explanations than what I've read above. For example:

 

1. A large chain store decided to stop carrying Kodachrome on their shelves, and sent it all to a consolidator for resale elsewhere.

 

2. A distributor misordered the film and needed to salvage some money out of it.

 

3. A shipping/transit company did not handle the film as directed (i.e. temperature too high) and Kodak would not take it back. So the shipping company sold the contents of the truck/boat for cheap.

 

Hope this adds some perspective.

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If you hear (for real!) that they are going to stop making Kodachrome, don't stock up on it! Once the expiration date of the last film produced runs out, you won't have anywhere to get it processed (that's how they handled the 120 film, I understand).

 

And, I'm still seeing the "Pro" version of Kodachrome 200 selling for $20 a roll- can't imagine why they think it's worth that.

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What's so 'glorious' about it? Please show me the direct scans or scans from prints that show how great this material is, that's all I'm asking.

 

Is it better than Provia 400F pulled a stop? Is it better than E100G pushed a stop? If Kodak were to switch it's name to 'Kodak Max 200 reversal film, yet keep the exact same film, how many of you would stop shooting it?

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Two more (by <a href="http://www.photo.net/shared/community-member?user_id=502944">Karl Knize</a>):<P>

 

<center><img src="http://www.photo.net/bboard/image?bboard_upload_id=11313384"><P>

<I>Thaipusam, Singapore</center></I><P>

 

<center><img src="http://www.photo.net/bboard/uploaded-file?bboard_upload_id=9004784"><P>

 

<i>Dark canyons of dowtown Chicago. St. Patricks Day</center></I>

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Gary:<P>

I do. Rather, I like Kodachrome (especially 200), so I put up with the hassle.<P>

 

Eric:<P>

Don't thank me. That's Karl's shot.<p>

I hate to keep bringing this up, but Wilhelm says that dark stored Kodachrome will keep for 200 years. This is from a slide that was sitting in a bowl on a shelf, out in the light. It's already 55 years old:<P><center><img src="http://www.photo.net/bboard/image?bboard_upload_id=15185584"><P><i>Japan, 1948</i></center><P>

That's my mom's parents. He died when she was in high school. She (Mom's mom) died about 10 years ago. Mom has an 8X12 of this on her wall at home. Now she can see them every day. It's a good thing. Mom's dad's Kodachromes from the late 40s in Japan and from the early 60s in Cuba are all in good shape. All the Anscochrome he shot is junk. Wilhelm says that Velvia will dark store well for 60 years. Is that long enough for you? It isn't for me. I'm also looking into getting some prints done via the tri-color carbon process. It's $500 or so for a 16X20, but they'll last for 500 years. Overkill? Maybe, but that's how I work.

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I'm betting many of the posted images here weren't taken with K200. In fact, I'm sure of it, because having mounted so much of this film I know what it looks like.

 

The 'myth' of Kodachrome has come to the point where like Cibachrome images we've convinced ourselves a bad image is a good one because of some touchy-feely thing that was only a big deal 20 odd years ago. At least I have the courage to admit it. If I want contrast blasted skin tones and bleached reds I'll contaminate my E-6 color developer thank you very much.

 

I'll take Provia 400 pulled a stop over K200 any day.

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It is a shame that some of the nay-sayers here were never able to compare Kodachrome 25 to their favourite transparencies. This was the best transparency film ever made that created today's "myth". Of course some of us are dearly holding on to the last few rolls and use it sparingly until we know when the emminent final last processing day is. I will not mind if the last lab is on the moon and I have to wait 6 months for processing!

 

Ironically I contributed to the death of Kodachrome myself when I switched from K64 to Velvia 50 for my medium speed photography. I never developed an appreciation for K200 because I abused it terribly by expecting it to work with 2x teleconverters and stacked teleconverters and 1/750 shutter speeds!

 

There are those of us that will miss the Kodachrome family when they all have passed and those that will never appreciate who (I mean what) they have missed. Good luck, all!

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