Mike Gammill Posted March 21 Share Posted March 21 Greetings, all, and welcome to our new thread. Post all the images you like from any film camera. I'll start with a few from the Maxxum 9xi and Kentmere 100. Lens noted in description. For the first two images I revisited the railroad tracks next to West Point's Transportation Museum. This time I used a Sigma 18-35. Both shots made at the 18mm setting. The first shot looking north and second one looking south. 9 Link to comment Share on other sites More sharing options...
Mike Gammill Posted March 21 Author Share Posted March 21 Downtown West Point around Sunday noon. The church traffic had just cleared out. Lens was Tamron 24-70. 6 Link to comment Share on other sites More sharing options...
Mike Gammill Posted March 21 Author Share Posted March 21 Gas lantern. Same lens as above. 7 Link to comment Share on other sites More sharing options...
Mike Gammill Posted March 21 Author Share Posted March 21 Central School in West Point. It was built in 1928. I attended for grades 5-8. Taught there from 1979-1986. Both of my sons attended middle school there, Also with 24-70. 7 Link to comment Share on other sites More sharing options...
Mike Gammill Posted March 21 Author Share Posted March 21 One more. Looking forward to seeing everyone's images. Row of bulldogs. 7 Link to comment Share on other sites More sharing options...
mjferron Posted March 21 Share Posted March 21 (edited) I mentioned in another post my Rolleicord V was loaded with EDU 100. It actually was loaded with Ilford Pan F. Results were good considering the screw up. Developed in Lmax 1-5 for 5 minutes. Deck of a local wine bar. Metallic chairs on said deck. Shops in the old downtown section of the city. Benches in front of shop. The C250. Edited March 21 by mjferron 11 Link to comment Share on other sites More sharing options...
James Bryant Posted March 21 Share Posted March 21 Beginning of trail to top of Mount Le Conte, GSMNP. 1984. Nikkormat FT2, Nikkor 50/1.4, Kodachrome. 6 Link to comment Share on other sites More sharing options...
James Bryant Posted March 21 Share Posted March 21 Trailside stream, GSMNP. 1984. Nikkormat FT2, Nikkor 50/1.4, Kodachrome. 7 Link to comment Share on other sites More sharing options...
James Bryant Posted March 21 Share Posted March 21 Looking down on the way up to Le Conte, GSMNP. 1984. 8 Link to comment Share on other sites More sharing options...
James Bryant Posted March 21 Share Posted March 21 Cabins Le Conte Lodge, GSMNP. 1984, Nikkormat FT2, Nikkor 50/1.4, Kodachrome. 8 Link to comment Share on other sites More sharing options...
James Bryant Posted March 21 Share Posted March 21 Dining Hall Le Conte Lodge, GSMNP. 1984. Nikkormt FT2, Nikkor 50/1.4, Kodachrome. Reservations are required and hard to get. Also the only way to get there is by trail. Supplies were brought in by helicopter for the season, supplemented by supplies brought in on lamas packing up the trail. 8 Link to comment Share on other sites More sharing options...
Rick_van_Nooij Posted March 21 Share Posted March 21 (edited) Deer at the local park, last November. Leica IIIg, Summicron 50/2 and Fomapan 100 Edited March 21 by Rick_van_Nooij 8 1 Link to comment Share on other sites More sharing options...
bruce_z._li2 Posted March 21 Share Posted March 21 A recent trip to Denver Colorado, the mile high city. The light is intense due to the high altitude, and colors are very vibrant too. I used a travel friendly Lomo LC-A compact camera, Fujicolor C200 (Japan) film, Bellini C41 home processed. I suspect my LC-A is under-exposing a bit, which accentuate the color and contrast a bit more. The corner Union Station Reflections Modern street mural Red brick wall 9 1 Link to comment Share on other sites More sharing options...
rick_drawbridge Posted March 21 Share Posted March 21 Some from a Nikon Nikkormat EL using a 35-85mm Vivitar Series 1 f/2.8 lens. The film was Arista EDU Ultra 100 developed in Spur Acurol-N. Grasses Abstract # 70 Disrepair No Pay Wave S is for Shiny Survivor 11 Link to comment Share on other sites More sharing options...
luis triguez Posted March 22 Share Posted March 22 Voigtländer Nokton SC 40 on Leica M4-.2. Fuji Superia X 400 (first one desaturated with PS) 9 Link to comment Share on other sites More sharing options...
MarcelRomviel Posted March 22 Share Posted March 22 Pentax Espio Fuji Color C200 7 Link to comment Share on other sites More sharing options...
rick_drawbridge Posted March 23 Share Posted March 23 Some from a Bronica ETRs with a 150mm Zenzanon MC f/4 lens. The film was Kentmere 400 developed in Spur Acurol-N. Hub Birch Kawasaki Schizophrenia Shopping Bucket Touring 6 1 2 Link to comment Share on other sites More sharing options...
bruce_z._li2 Posted March 23 Share Posted March 23 From my mini-test of four mini amigos: half frame cameras! These are all Diptych from an Olympus EE-S with D.Zuiko 30/2.8 lens, manual exposure (meter is dead), Ilford Pan F+, Adox FX-39 II 1+9. Heart of a fountain Darker and lighter side of heart Festive lights 7 Link to comment Share on other sites More sharing options...
bruce_z._li2 Posted March 23 Share Posted March 23 These are all Diptych from a Fujica Half with Fujinon 28/2.8 lens, manual exposure (meter is dead), Ilford Pan F+, Adox FX-39 II 1+9. Giant wheel of bricks Finite and infinite 8 Link to comment Share on other sites More sharing options...
chuck_foreman1 Posted March 23 Share Posted March 23 (edited) Greetings Fellow Film Fanatics..... tough act to follow here.. so much excellent work!! My meager offerings are so plebian. I mentioned catastrophes last week..umm ....last time I posted. A complete 120 roll for no explanation was completely fogged. It came out of the camera Ok.. I can't imagine what happed. This roll was from a Yashica Mat 124.. .it wasn't just dodgy looking ..it was completely exposed .. edges and all..as if someone unfurled the roll in daylight and then developed... very disappointed, and then to add insult to injury the roll in the Tourist II, besides being pretty crappy .. wasn't very tightly wound and seems it was also fogged with traces of the backing paper in the emulsion...two 120 rolls fit for the trash... Meanwhile, I've re-shot the Tourist II with moderate success... if you consider leaky bellows and double exposures success. Well all was not totally lost in my developing session. The second roll I put through my (new to me ) Contax IIa with the Sonnar 1.5 was OK. I felt the results lacked a bit of contrast. The weather was overcast..but still?!? Tourist II 4.5 Anaston (closed ) ...need to make a photo with the extended (leaky) bellows. Contax IIa 1.5 Sonnar From the Kodak Tourist II... apparently there are some light leaks in the bellows....might try to patch them as it doesn't seem tooo bad From the Kodak Tourist II .. while semi sharp, I think the "fog" from the leak brings the contrast down. My recent favorite subject St Anthonys in Oberkassel Fountain Nymph....wanted to test the RF.. seem OK! Not too sharp!? Must've moved Office Bldg Similar theme as the previous Some sculpture in the city St Peter Kirche in the city .. the weather was overcast.. the photos are a bit drab The back of said church Edited March 23 by chuck_foreman1 6 2 Link to comment Share on other sites More sharing options...
bruce_z._li2 Posted March 24 Share Posted March 24 Hi @chuck_foreman1, I kinda like the light leak from the Tourist II. It looks almost like an omen from above. And I reckon you enjoy the Anaston f4.5 lens on the Tourist II? It is a very good one. Link to comment Share on other sites More sharing options...
chuck_foreman1 Posted March 24 Share Posted March 24 (edited) Thanks for the kind words. .I have now looked at the camera "very!" closely with high powered light and there are quite a few small holes that may not be "burning" a leak , but I think is causing an overall fog.. I may leave it be.. ..fixing things that aren't really broke..usually ends up with them, being ...well-- really broke! The lens was really a motivation ..these pre-war Kodaks have really caught my fancy. Having one in the large,,,albeit 620, format is very welcome. Edited March 24 by chuck_foreman1 Link to comment Share on other sites More sharing options...
AJG Posted March 25 Share Posted March 25 You mentioned that you thought that the contrast was low on your Contax 50 mm f/1.5 photos. Were they made with outdated film or old developer? My experience with my copy of that lens has been that the images have been sharp and have had good contrast, especially for a lens of that vintage. That's why I question the film and/or developer since they could account for this issue. Link to comment Share on other sites More sharing options...
gary green Posted March 25 Share Posted March 25 I *finally* finished the roll in my Kodak Retina Type 010 with the USA Ektar. There's still a light leak that showed up in only a couple of frames so I'll have to track it down. Flic Film Ultra Pan 100 developed in HC-110. 5 1 1 1 Link to comment Share on other sites More sharing options...
chuck_foreman1 Posted March 25 Share Posted March 25 12 hours ago, AJG said: You mentioned that you thought that the contrast was low on your Contax 50 mm f/1.5 photos. Were they made with outdated film or old developer? My experience with my copy of that lens has been that the images have been sharp and have had good contrast, especially for a lens of that vintage. That's why I question the film and/or developer since they could account for this issue. Thanks for the feedback... interesting too. When I took possession of the camera, I shot a roll and shared some pics with the seller... he commented accordingly, old chemicals.. date film etc... Try Try Try again 🙂 Link to comment Share on other sites More sharing options...
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