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<p>with 85+ G of photos (4,500+ files). Fortunately, most of them are crap or redundant but finding and processing the keepers will keep me busy for quite a while. How this will play out in terms of the numbers of usable photographs is unclear but, from what little I've seen so far, I'm optimistic.</p>

<p>I took a K-5 and a K20D as back-up, the Tamron 18-250mm, DA 15, Sig 24, FA 31, A 50 (macro), A* 135. and the Sigma 100-300mm (along with the A 2x & AF 1.7x TCs) for special occasions Accessories included a light Gitzo monopod, cleaning gear, CP filters, laptop and batteries, chargers and lots of SDHC cards. It <em>was</em> a lot to carry but worth it from my POV. </p>

<p>I'd intended the Tamron 18-250mm as my "jump off the bus and shoot" mainstay but Clara commandeered it and the K20D for much of the trip so I ended up shooting mostly with the primes. I was constantly changing lenses and that was challenging at times (and I did miss some shots on that account) but I managed it with zero fumbles. </p>

<p>Mysteriously, I was in great demand as a photographic<em> subject </em>(!) I don't think a day went by when I wasn't asked at least once to pose for p&s photos with some Chinese teenagers. I suspect perhaps, on the basis of my long hair and generally disheveled appearance (as expected, we experienced very hot, humid weather), they mistook me for some burnt-out rock star. Clara suggested that I go into the "Have your picture taken with the weird-looking westerner" business. </p>

<p>Some early returns:<br>

Door God (A* 135mm)<br>

<img src="http://dadipentak.smugmug.com/photos/i-TSm6GPW/0/XL/i-TSm6GPW-XL.jpg" alt="" /></p>

<p> Grandmother & Infant on the train (Tamron 18-250mm)<br>

<img src="http://dadipentak.smugmug.com/photos/i-h86PLnP/0/L/i-h86PLnP-L.jpg" alt="" /><br>

Hong Kong Sunset (DA 15mm ltd)<br>

<img src="http://dadipentak.smugmug.com/photos/i-wqcPmT2/0/L/i-wqcPmT2-L.jpg" alt="" width="800" height="457" /></p>

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Dave,

 

The news of your photographic award-winning exploits had preceded you. By the time you made it to China, you were a

marked man indeed. But we knew you first!

 

Nice second shot. I look forward to seeing your gallery.

 

I'm also impressed you shlepped all that gear. Well worth it I'm sure.

 

ME

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I second all the above motions regarding your

moonlighting activities as a model..

Love your second shot..the other two are not to

be sniffed at either.

THow many sherpas did you have carrying all

that glass?

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<p>Thanks for the welcome backs, guys. I've been stalling in responding so I could post one of Clara's shots of me being photographed but but that's been delayed (connecting to the internet can also be a challenge here in Baltimore occasionally.) Stay tuned.</p>

<p>The schlepping really wasn't a problem: I got a proper Lowepro shoulder bag for the trip and it and a change of clothes and a poncho (all useful padding) fit into my eBag carry-on for flights. The big Sigma was buried in my check-through (also eBag--great stuff, btw) and carried with a BlackRapid strap when used (primarily on the boat trip in Guilin.) We did do a<em> lot </em>of walking (but generally at a pretty easy pace.) and it <em>was</em> hot & humid but hey, I'm from Baltimore: I sweat very well and wear supplex. For the record, Clara only carried gear when using it.<br>

<img src="http://dadipentak.smugmug.com/photos/i-bHtwmns/0/L/i-bHtwmns-L.jpg" alt="" width="480" height="600" /><br>

The thing is, while this was a return (triumphal, I'd say) to her country of origin for Clara, and a chance to visit relatives in Guangzhou for my wife, it was a once-in-a-lifetime photographic expedition with proper gear for me so it just made sense to take my very best. It was fast-paced, though: no time for deliberate set-up, to wait for the right light (or, sometimes, even adjust settings)--a "shoot everything all the time with the best you've got" sort of foray.</p>

<p>I might mention that lens-changing was made a bit more interesting by the fact that after losing the lens release button on my other K-5 the week before we left (yes I have two and that really paid off under the circumstances), I took the precaution of rigging a tape-over on the one I took with me. It looked a bit goofy but really didn't get in the way and I would have gone berserk if I'd lost that button mid-trip.<br /> <img src="http://dadipentak.smugmug.com/photos/i-r2x5vRv/0/M/i-r2x5vRv-M.jpg" alt="" /></p>

<p>Except for a little cosmetic damage, the gear held up very well--except that the focusing on the FA 77mm did punk out just when I needed it most at the family reunion repast. I'm hopeful Eric can put it right.</p>

<p> </p>

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<p>In response to popular demand: <br>

<img src="http://dadipentak.smugmug.com/photos/i-SmsNtcN/0/L/i-SmsNtcN-L.jpg" alt="" /></p>

<p>Looking at this, I guess it's understandable why it seemed an irresistible photo op (and, if you suspect I'm trying to figure out how to lose the guy, you might be right--except that it was Clara who took the photo ;~) </p>

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<p>Great portrait of Clara, Dave; maybe the best you've posted so far.</p>

<p>Looking forward to more pics. As for your success as a photo accessory, you should learn from the superheroes at the Chinese theater in LA and remind those people that you accept tips. You could've probably got a free flight out of it :-)</p>

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