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Ugly Lens Competition


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<p>Of course we all buy lenses that perform as well as possible within our budget.<br>

Cosmetically it is interesting how lenses vary.<br>

Take the Nikon 'Pro' lineup.<br>

The 14-24 - Looks good.<br>

The 24-70 - Looks good.<br>

The 70-200 looks so ugly. I appreciate that (in the centre at least!) it could resolve individual hairs on<br>

the Mother-in-Laws moustache at 200 yards but it is just so 'industrial' looking. Sort of cosmetic 'design' you<br>

might have seen from some eastern European tractor factory in the 1930's.<br>

Does cosmetic lens design influence your choice of which you buy or is it just performance?</p>

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<blockquote>

<p>"why can't Canon and Nikon make their DSLRs in different colors, imagine a Red D3 or a Blue 1Ds Mark III"</p>

</blockquote>

<p>Careful what you wish for - before you know it, they'd probably go all like-a-Leica and offer you snakeskin-covered grips and chrome bling for punitatively expensive amounts... ;-)<br>

My vote for the ugliest lens? My wife brought home a Schneider perspective control lens for her work 1Ds mkII which was a heck of an ugly thing, though apparently very good at what it does...</p>

<p><img src="http://img.thefind.com/images/TAC7LP-mYBrDNAbPpQwMqTmpySVF-XmZycUMGSUlBVb6-uXl5XpJGQUZ-SX5ZZkpqfl6yfm5-pm5iempxfqZJam5xfomZsYmBnpZBekMDAA*?m=1&g=1" alt="" width="150" height="150" /><br>

...actually, seeing it there makes me realise it looks better on the screen than it did in person. Or maybe that's a different model, I dunno...</p>

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<p>It's got to be performance over looks every time, so I'll go for black and white every time.<br>

My very first SLR was a Zenith B that came with the very ugly Industar 50/3.5 lens, which looked like the optical equivalent of a wart. I ditched that as soon as I could and replaced it with the optically superior 50/2, but I seem to remember that at the time I wanted the change because the f2 made it look like a "proper camera".</p>

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<p>John,</p>

<p>Our aesthetic senses are totally different! Thank goodness I don't put up photos for review, you'd hate them. I like the appearance of that Schneider lens. It looks very purposeful, and it's far less boring than yet another barrel full of glass.</p>

<p>It doesn't matter though. How tools look doesn't make any difference. My Olympus OM-1 and Zuiko lenses were the prettiest photo equipment I ever had, but I traded them in for a scanner, so I could digitize the slides I made with them.</p>

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<p>There are no ugly lenses, just as there are no beautiful lenses. They are nothing but a product of form following function. When conversations start about how equipment looks instead of what it does, the photographers need to refocus their energy in a more productive area, shovel snow or mow the lawn, depending on where you live. ;-)</p>
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<p>The only appearance-related considerations in a camera or lens that matter to me are inconspicuousness. I like for them to be black, with a minimum of chrome accents. I think it would be great if Canon would offer black versions of their big L glass. The official justification for the white is that these lenses often sit in the hot sun and stay cooler if they're white, but I bet the real reason is that one can easily recognize a Canon "big white" from 250 feet. Advertisement. I don't mind the red ring, though. It's a tasteful enough thing.</p>

<p>Oh, my nomination for the world's ugliest lenses would go to the "zebra" Meyer-Optik Domiplans. They are also as anti-ergonomic as ugly.</p>

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<p>Graham - I agree with you on the Nikon 70-200 VR. It's not a very "attractive" lens.</p>

<p>The Nikon 18-55 kit lens is not a real looker either. When I grab a D40 I'd prefer to use my Nikon 18-70, but then I have to take a flash unit since the 18-70 creates shadows with the built-in flash.</p>

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<p>Generally I'm not too concerned about looks if the performance of a lens is what I need. But ... I consider some older Russian, East German and minor West German lenses to be really 'goofy' - if not totally ugly. The "zebra" CZJ, Isco and Steinheil lenses in particular can be real oddballs, both physically and cosmetically, and often look weird when mounted on a camera of more refined appearance. Tho' they're arguably a good match for some of the equally "goofy" contemporary cameras ... Fortunately, modern "ugly" lenses are rarely in this league.</p>

<p>Still, as they say, "one man's <em>fish </em> is another man's <em>poisson</em> " ...</p>

<p> </p>

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<p>I wouldn't say it is an overriding factor in what I buy, but it influences me a bit. For example Sigma went through a number of cosmetic iterations of some lenses from the late 80's to the late 90's, but in some cases there were no mechanical/optical revisions to those lenses. I tend to like Sigma's final cosmetic design for their manual focus gear, so I tend to try to buy that stuff when I have the option. So it does influence my purchasing, but if I know x manufactuerer's 24mm lens is better then y manufacturer's 24mm lens, but y is uglier, I am still going to get y's.</p>
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