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New Rollei ATP-V1 Technical Pan is available


Fotohuis RoVo

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A new sucessor of the Technical Pan film is available:

 

http://www.fotohuisrovo.nl/documentatie/Rollei%20ATP_englisch_mail.pdf

 

ATP-V1 is the results of the cooperation between Gigabit and the Rollei/Maco

company (Hamburg-Stapelfeld).

 

Here some results of this interesting Technical Pan film with two different low

contrast document developers:

 

http://www.flickr.com/groups/bw_film-dev_combinations/discuss/72157602234971784/

 

Best regards,

 

Robert

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How does this film compare to Kodak Imagelink HQ and FS films in the areas of grain, sharpness and spectral sensitivity? The HQ and FS films are available in 120 size from Film For Classics. I still have plenty of Kodak Technical Pan in 35mm format but my experiments with the HQ film in 35mm format shows that this is an excellent film too.
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Robert;

 

it's a travesty you call this film TECH PAN. It is not TP by any stretch. It does however have some TP Qualities, and I would promote it on its own merits. Our 1st tests have been very good. Kodak can be Quite nasty when it comes to trade name disputes BTW.

 

It is important to express that this is NOT copex or microfilm. It is a good replacement for TP.

 

I find it also disturbing that photonet allows other companies to post business links and not others. This is a terrible double standard.

 

Robert;

 

it's a travesty you call this film TECH PAN. It is not TP by any stretch. It does however have some TP Qualities, and I would promote it on its own merits. Our 1st tests have been very good. Kodak can be Quite nasty when it comes to trade name disputes BTW.

 

It is important to express that this is NOT copex or microfilm. It is a good replacement for TP.

 

I find it also disturbing that photonet allows other companies to post business links and not others. This is a terrible double standard.

 

There will be a page dedicated to this film on my website, which I wont mention because the photonet god will have a fit. Public venues should be equal to all.

 

[posted on an assistants log in]

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The official name on the Rollei Data sheet is Technical Pan ATP-V1. If Kodak doesn't like this they can address to Rollei/Maco in Hamburg-Stapelfeld.

 

http://www.mahn.net/DL_MAHN/ATP_V1_e.pdf

 

So far I have no info about this film and Rodinal but I will try the Rodinal developer in a high dilution either (1+150 - 1+200). Maybe it works. Diafine could be also a possibility.

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I will give you a link to a very usefull website in English and German language about B&W film sensiometric data:

 

From the writers of Way Beyond Monochrome:

 

http://www.darkroomagic.com/

 

and (in German)

 

Schwarz-Weiss Magazine:

 

http://www.schwarzweiss-magazin.de/

 

A full sensiometric document manual (Systematic Tone Control) including test- and grey cards and wedges can be ordered by Heiland Wetzlar (Germany) or their int. distributors:

 

http://www.heilandelectronic.de/download/systematic_tone_control.pdf

 

Together with a B&W Heiland densitometer you have full control on every film - developer- and photo paper combination, including the understanding of all graphical information and data.

 

http://www.heilandelectronic.de/download/trd_series.pdf

 

To give you some information about international (excl. Dutch/German 19% VAT) prices for above mentioned books and instruments:

 

* Way Beyond Monochrome: Eur. 40,-

 

* Systematic Tone Control: Eur. 70,-

 

* TRD-2 B&W densitometer: Eur. 490,-

 

Best regards,

 

Robert

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Hello,

from the process of this thread, I recognize clearly, the genuine tecnical-pan-enthusiasts

did not announce themselves.

Very harm!

References to the rights to use the name (the name "Technical Pan" is in use since 1994

by MACO-Photo-Products e.g. "TP 64c"-also I found no name-copyright at

the european patent-office)helps the interested people on phototechnic not for shure.

Regards

Walter

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JP - about the density curves, it will take some reading and experimenting before you can take a characteristic curve and imagine how that looks on a negative. Try looking at characteristic curves for the film(s) you use most and look at highlight, medium-tone, and shadow detail and contrast, and compare that to the slopes of the curves in each section. The steeper the curve, the more contrast in that particular tonal-range.

 

It describes how dense the negative is compared to each of the zones.

A film that is good at capturing shadow detail will have its Log(D) rise above 0 quickly.

A film with low shadow contrast (most films) will have a relatively flat section in in the lower Zones (0,1,2,3) before it begins its straight-line section.

Highlights usually don't behave the same way - they will continue going up fairly quickly for most films.

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Hello again,

The reference to the Rollei PAN 25 is not correct, because the PAN 25 is a normaly

graduated panchromatic halftone-film.To complete: Also a reference to microfilms

or the Rollei Ortho25 helps nobody who is willing to explaining with the pan-technology.

Why? Panchromatic films have a solution from 130 up to 150 lines per mm.

Microfilms are working with a solution from 300 to 600 lines.

A correct developed Rollei Tech Pan gains a solution up to 900 lines. (1:1000).

Regards

Walter

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Hello,

some words about the difference between microfilms and the Tech-Pan-technology:

Tech-pan-technology allows you to take pictures in the infrared-sphere. For the sience of

astro-photography it is an important application.

The Rollei ATP has a long extended IR area. Therefore you should use real black filters

if you want outstanding IR-pictures.

Regards

Walter

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Hello from the genuine tecnical-pan-enthusiasts. I was very sad to see Kodak's Technical Pan film discontinued which is why I was delighted to hear of the Rollei ATP-V1 film coming out. I just today received my test rolls which I am anxious to try. When I have results I will post them. I've never posted images here on Photonet, so I will have to learn quickly. Once I learn I will post what I have of the Kodak Techpan for a comparison. I would also like to hear what other photographers are saying about this and what developers they are using.

 

My friend Robert has been very gracious with providing links to datasheets. I hope I am able to provide some photos that make people want to try this.

 

Cheers from Pennsylvania,

 

Dorothy

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  • 2 weeks later...

I just received my test pack of ATP-V1 and have shot and developed one roll - reated at ISO32. Rollei RLC developer, made up with distilled water, 6.5 mins with constant agitaion for 1st min and then 10secs at 3min and 5mins. Ilfostop, and Ilford Rapid fixer, last two rinses in distilled water - no wetting agent. I've attached an example. The full size version is available at http://www.forthmedia.com/atp-v1-01.jpg but beware it's 11mb. What I want someone to help with is the little black specks that cover the image. You can see them best in the light front of the house at left. These are not real BTW. Also look at the chimney area. None in the sky which is completely bleached. I have other examples of this. Any ideas? I develop 1 or two rolls a week, normally tri-x, and don't get this sort of thing

 

Cheers

 

Richard<div>00N9eN-39475584.jpg.4dc63aaa756819db27a1faa5bc1e413e.jpg</div>

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  • 3 weeks later...

Hello,

 

There is a related discussion on a Digtialtruth forum, although the person is using Rollei

Infrared film. Although, the discussion starts off as "blame the film" it seems a correction

to their scanner settings eliminated the problem. In looking at your image I am thinking

that this looks to be a similar kind of issue.

 

http://www.digitaltruth.com/forum/viewtopic.php?

p=2218&sid=74bd2b0f560331e6b424783ec9f323ff

 

Kind regards,

 

Mike Boylan

 

Toronto, Canada

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