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Which non-photographic artist(s) inspire your work?


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Maybe this has been asked before. Do any of you get some of your

ideas and/or inspiration from the work of artists?

 

I am quite a magpie in my tastes but find strong compositional

ideas in the English landscapes of people like Frank Newbould, Eric

Ravilious, Edward McKnight Kauffer and the engraver Thomas Bewick. I

get ideas about light, space and sky from James Turrell. (He has

installed a couple of his 'Skyspaces' here in the UK in Cornwall and

the Kielder Forest.)

 

What I am asking is not 'which artists you admire most as artists'

but which artists give you direct ideas or inspiration that helps you

with your photography.

 

At risk of being flamed (and despite believing firmly that

photography IS practiced as art and that there ARE many great

photographic artists living and dead) can I ask you to list your

favourite non-photographic artists? Thanks.

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FRANK HURLEY, He was the photographer for the Shackelton expedition to

Antarctica 90+ years ago. For those who don't know about this

expedition and rescue feat, one of the most amazing efforts of human

endurance, research it. Frank Hurley captured it on motions picture

film and glass plates and did so in a level of photographic excellence

that is amazing to me. Truly an inspiration to me.

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Painters: Paul Cezanne primarily--structure and color. Also Hans

(Jean) Arp who reminds us that art is fun. Also Paul Klee who showed

that you can make art out anything with the kitchen table as your

studio.

 

Writers: William Carlos Williams ("Say it: no ideas except in

things"). Wallace Stevens ("Death is the mother of beauty"). James

Joyce (epiphany). Raymond Carver (minimalism). Anton Chekhov ("My

holy of holies is the human body"). Leo Tolstoy ("All happy families

are alike; each unhappy family is unhappy in its own way"). Heinrich

Heine ("Wo wird einst des Wandermuden/Letzte Ruhestatte sein?").

 

Composers: George Gershwin (esp. "Rapsody in Blue," "American in

Paris," "Porgy and Bess"). Mozart (everything). Beethoven (the

whole package). Music goes through my brain as I photograph.

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Most painters from the Bay Area Figurative Art movement of the

'50s-'60s. David Park, Elmer Bischoff, and Richard Diebenkorn

are a few who to mind. Kind of a naive, sparse on details,

approach to figuration, that captures just the essence of human

subjects. Which I'd like to emulate in photographs. Also Robert

Arneson for his irreverent attitude and quirky ceramic figure

sculptures.

www.citysnaps.net
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Great question, Trevor.

 

I find Bach, Frank Lloyd Wright, Winslow Homer, Mannerist painters, any of the Wyeths, Miles Davis, Barber, Copland, and some fiction by Ann Packer, Leif Enger, Ivan Doig, Raymond Carver, and Rick Bass to be helpful. Not that it translates into good photography, but it's helpful nonetheless.

 

The writers, in particular and most recently, have the ability to create wonderful environmental portraits and images of characters that I would like to emulate in photographs.

 

-Nick

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Movies have been an influence on my photography, not to mention other aspects of my life. There are so many incredible images and ways of looking at the world in films. Many films of the early sixties- "To Kill a Mockingbird", "400 Blows", "Los Olvidados", "Lawrence of Arabia", and "Bicycle Thief" before that group, to name a few, come to mind.
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Films of Fellini, Truffaut, and black and white film noir like Bogart in 'The Big Sleep', etc. Those are photographic though I suppose...

 

For me I always come back to Goya, Velazquez, van Gogh, Picasso, and Guston as powerful non-photographic visual influences... Miles and Dylan as poetic... George Herriman, the creator of 'Krazy Kat' for precious human spirit...

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Thanks for an interesting question.<br>

Japanese compositional ideas penetrated Europe in the second half of the XIX century, and were directly and conscioulsy used by Impressionists. <br>

Those in my view are the most useful artistic ideas for photography. The process of Japanese influence is described pretty well in "Japonisme" by Siegfried Wichmann, for a while my most read book . I tired of it afterwards, and am looking for stimulation in various works, unsystematically, but the list of the topics in that oevre speaks for itself:

ornamental patters - diagonal compositions - composite formats - trellis and grille - truncation and oblique angles - posts as spacial dividers - the silhouette - and more.

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Interesting concept, one that I never really thought of. I take my photographic inspiration from other photographers, not painters or the like, or at least not yet� While not answering your question exactly the way you want, artists that I like are: Van Gogh, Thomas McKnight, Norman Rockwell, (how�s that for an eclectic bunch) and I like cubism and abstracts very much, but no names come to mind. Why I mention this, cuz I think it�s interesting that the kind of art I like, is remarkably different from what I do photographically.
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Hmm, forgot to mention contemporary painters Kiefer, Polke, Richter, Schnabel, and earlier on- Rothko, de Kooning, Diebenkorn, etc, Francis Bacon. As a painter these are more direct influences, but they are always in my visual landscape in any case. Then dance/sound- Merce Cunningham and John Cage. Writers DH Lawrence, Henry Miller, Keroac, Conrad, Kafka, Tolstoy, Lewis Carrol... Comics Sid Caesar, Ernie Kovacs, Marx Brothers, Chaplin, Keaton- for spirit of ingenuity and anarchy... The list could go on and on, and who is to say all of one's cultural background and time spent with it doesn't fit in somewhere in what you do and how you react as a photographer? I think it does.
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More artists, who have not been mentioned yet: (i) Hélène Grimaud, pianist: her interpretations are overwhelming on all scales, from the tiny little details to the overall line, and are ideal emotional communications [see {rather hear} in particular her recording of the Brahms piano concert #1 op.15]; (ii) Vermeer, the light, the colour [to make it on topic: in my experience, in particular Leica glass helps to achieve similar colour rendition]; (iii) Orson Welles [OK, he might not count as entirely non-photographic].
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