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c_watson1

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  1. From what I've seen it sure ain't the old Superia 200!
  2. Enjoy life. Get a handheld meter, like an upscale Sekonic, with incident and spot metering. Might actually be cheaper than an iffy/unavailable repair and the cost of film with blown exposure.
  3. Hmmm...an 11 yr-old camera whose AF lacked face detection. The X-100T and subsequent models did. Read the reviews. See the difference. No clue about the kvetching re: hi-ISO shots, newer models seem trouble-free. Wedding shooters like Kevin Mullins do beautiful work with these cameras. Like Nikon? Stay there. You'd probably have a slim chance of finding an X-100V or VI anyway.
  4. Get a Fuji X-100 series or Ricoh GR digital series for street. Nikon MILCs just don't cut it.
  5. Amen. We've had our differences--especially about those lovely Mamiya 645s--but we both lament the decline in relevant posts and the revival of stone cold dead posts. Monthly check-in here for me. Wonder why bother often.
  6. Yup, that's the way my Manfrottos work. Find an eye bolt that fits and use a dog leash for a strap.
  7. How many cameras did Nikon and Canon actually sell in 2023? Wonder how many of those 5000 Leicas will actually get sold? Celeb neck candy/lifestyle prop? Only the influencers know for sure... Odds don't seem encouraging that Pentax with revive anything beyond a film p&s, if that.
  8. The RD-1 was a misunderstood pathbreaker. Not so many years later Fujifilm debuted its game changer MILC products. Right now, Sigma is still at it with its tiny FF MILC, the FP.
  9. These articles clog the aspirational online tech echo chambers. Pity the goofs who start losing sleep about not owning just-shipped merch. A difficult lesson amounts to realizing the images produced by "trailing edge" gear are often indistinguishable from those captured by stuff shilled this week by yapping online influencers.
  10. In late 2023, I'd not spend a pantload of cash on any film camera I couldn't reliably get repaired. Newer is usually better but doorstop duty can still be in the cards. A clean FE/FM variant might be the best you can do. They're tough, reliable cameras. Probably cheaper to replace rather than repair if they conk out. An FM3a is not worth the premium relative to its ancestors. Still a mystery why Nikon pushed them into the market so late.
  11. At C$17-18 for a 36exp roll of Fuji, it seems demand isn't exactly rampant where it's stocked in Toronto.
  12. Sorry but PN's issues will just transfer intact to FF, especially if who I see moving there bring their baggage along. No thanks.
  13. Who runs the site? Who mods it? At a quick glance, it looks like PN 2.0. Agree that PN is a ghost ship, though this doesn't look all that different.
  14. Recently noticed Rooney Mara in the 2015 film "Carol" being handed what looks like an Argus C3--period correct for the mid-50s setting.
  15. Show me the production numbers, not promo blather. Current film material prices are extortionate. Besides, why aren't long-gone film labs rising from the dead to service the explosion(sic) in film use? Just askin'... BTW, nice film porn still life!
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