jim_read

August 27, 2004

Jim Read thinks this is wonderful and would to hear from you, jemraid@ortahcbtinternet.com removing the ortahc.

July 2, 2003

would love to do a drawing of this one and I would be doubly grateful if you would email me. My address is: jrbham@chatrobtinternet.com Thanks Jim pls remove the chatro

July 2, 2003

Lovely shapes and forms, the curves are so beautiful. Would be ever so grateful if you would email me Kat. My addy is jrbham@btinternet.com Thanks - Jim

July 2, 2003

Lovely photo, nice lines in the petals, would be very grateful if you would contact me. My email is jrbham@btinternet.com. Thanks - Jim

May 27, 2001

Brilliant Joe, worthy of Cartier Bresson.

I love the 'closeness' feel about it, in fact looking at it again its worthy of Andre Kertesz!!

May 24, 2001

This looks very mannequinesque. lovely lighting, and a very dramatic picture.

May 24, 2001

This is a contemporary image done by someone who knows that this has been done hundreds of times before and who needed to transcend the act of merely copying. The picture succeeds in doing this, admirably. Thank you Katrina

May 23, 2001

The contrast between Jenny's hair, her back and the material is too great, a reflector to lighten her back would have made all the difference, to get some idea of what a photograph will look like in these circumstances squeeze your eyes nearly shut and you will see the shadows as deeper pools of tone and be able to correct for them. Otherwise the idea is good and you and Jenny should spend some more time exploring it.

May 23, 2001

I'd looked at the second one first, this one has a harmony about it that is not present in the other. It's surprising what a shift in position can do to an image. It has a tranquillity about it but I still feel the 'waiting'. Oooh and the B & W one after cropping is much better Duotone might improve it even more.

May 19, 2001

love the colours, very well done indeed, you got it just right!

May 19, 2001

Lovely composition, the still water makes it perfect.

May 18, 2001

It has a classic feel about it and improves dramatically with the horizon on the upper or lower third.

May 15, 2001

OK Anthony you may not be as good as Albert, but if you've only just made a start this is good, very good. If you can, do lots more work with your model, she is very good as well. Together you will produce some great work. Stick at it.

May 14, 2001

This is what I would call a 'cool' photograph, I'm 57 by the way, it has a good feel about it. My eye is led through by the right pillar on a third to the left side of the distant archway, also on a third.

May 14, 2001

Might be the name of the place through the arch, redundant workers behind the camera. As for the arch, it should be crooked, no doubt it was. Superbly tackled and presented, well done Jeff.

May 13, 2001

Beautiful portrait, very subtle tones, love the highlights.

May 13, 2001

I love woodland pathways, they are so difficult to photograph both from an artistic point and from a technical point, here the two meet perfectly.

May 12, 2001

It does happen, the combination of a perfect model and a sympathetic photographer, together they make Art.

May 12, 2001

Curves make images beautiful, these curves are almost erotic. There are many images of this subject, anyone can see why, this one floats to the top of the pile.