bruno_giordan

<p>Yes, indeed great news, I still remember the ektachrome 64 professional I used to develop at home in the nineties. Great film, with pull processing I obtained some incredible results in terms of delicate colours and tonal range, with minimal grain.<br> <br />Now I just hope that Ferrania be able to actually come to light but that's just a six people team working on the project so it will take some more time, I guess.<br> My hope is that some camera producer will revive a little analog line of camera, on m part I could appreciate a new Zeiss contax.<br> I have never felt at ease with digital, in the end because I felt results to be somehow perfect but sounding subtly artificial, if not using expensive cameras.<br> Something very similar to the vinyl versus digital question in the hi-end sound reproduction. At very high level some digital machines can have stellar performance but I'm speaking of some thousands of euros/dolalrs/pound class machines, in the average hi-fi field vinyl sounds warmer and more natural.<br> With film I feel a "warm" sensation that digital simply doesn't give. As of prints made out of digital cameras, even speaking of very professional prints I see at good level exhibitions, I would say they satisfy me to a great but not surely full extent.</p> <p> </p>