horace_lai

<p>Okay great. I will order the adapter now. Thanks!</p>

<p>Do you mean this switch?</p> <p><img src="http://s32.postimg.org/k7ngo19oj/IMG_20160506_150013.jpg" alt="" width="360" height="480" /></p>

<p>Here is the threaded part of the lens. I have measured the diameter to be 42mm. Does that automatically mean it is a m42 mount? If so I will probably buy this:</p> <p>http://www.ebay.com/itm/High-Quality-Fotga-M42-Mount-Lens-to-Sony-NEX-E-mount-Adapter-Ring-NEX-/191822387376?hash=item2ca98158b0:g:fDQAAOSwxp9W32B7</p> <p><img src="http://s32.postimg.org/d8g5mpy9v/IMG_20160506_133758.jpg" alt="" width="640" height="480" /></p> <p> </p>

<p>Hi,</p> <p>I would like to get an adapter to fit this on my Sony A6000 if it is possible. But first I need to know the mount type for this lens. The mount seems to be of a threaded type instead of the more modern types where a quarter turn would lock it in.</p> <p><img src="http://s32.postimg.org/4tm8gjnlv/IMG_20160506_121242.jpg" alt="" width="640" height="480" /></p>

<p>Hi James,</p> <p>Sorry. I meant to answer you but I forgot to type it in :)</p> <p>Yes I plan to do color but if b&w is easier then I may reconsider. So basically for b&w I can use a safe light? I did not know that the processes are different.</p> <p>Thanks again,<br> Horace</p>

<p>Thanks everyone. I have learned a lot. I always had the idea that a darkroom had one of those safelights and the film would not expose to that.</p> <p>I guess the best alternative is the kitchen station with the dark bag, since there is no way to do this without being blind basically.</p>

<p>Hi,</p> <p>Only film developing for now, no enlarging. And then I will probably buy a cheap scanner that can scan negs. If the scans look good I can take it to the local shop for a professional scan.</p> <p>I thought about the bathroom but I don't think it will be a good idea since the wife might need to use it when I'm in the middle of film developing. Also my storage room is outside my apartment (on the same floor, in the same shared hallway) so it kinda gives me some room to make a mess if I make a mess.</p> <p>I would prefer having a safelight so I can see myself loading the film into the canister, assuming they are not too expensive.</p> <p>I think it is a viable idea. Or maybe not? :)</p> <p>Horace</p>

<p>Hi,</p> <p>I will be moving to a new apartment in 2 months where I will get a storage room. I had an idea to make that room light sealed, put a red light somewhere, and use those plastic cans to develop film. I was wondering what would be some good low budget equipment recommendations for me to get started?</p> <p>I have just started shooting 120 and am planning to have a kit that works for 35mm as well.</p> <p>Thanks,<br> Horace</p>

<p>I looked at that site you recommend, Igor Camera. Seems like a better route to go compared to eBay. Unfortunately it is based in the US which means a large duty that I have to pay once it gets here. But I understand the idea. I have googled this list of Camera stores in case anyone is looking for something similar but based in Europe.</p> <p>http://camerapedia.wikia.com/wiki/Camera_and_photography_shops</p>

<p>The Fuji GW line looks very tempting for a nice rangefinder. The GW690 looks very attractive.</p>

<p>Here are some listings that I find attractive</p> <p>Swedish listings:<br> http://www.tradera.com/item/340239/256129340/rolleiflex-mx-k4a-1954<br> http://www.tradera.com/item/340239/256253448/hasselblad-500c-planar-80mm-magasin<br> http://www.tradera.com/item/340239/256253437/hasselblad-500c-sonnar-150-objektiv-magasin</p> <p>Ebay:<br> http://www.ebay.com/itm/NEAR-MINT-MAMIYA-C33-Professional-Medium-Format-w-105mm-F3-5-From-Japan-1072-/162040075794?hash=item25ba575612:g:STQAAOSwKfVXEgJp<br> http://www.ebay.com/itm/Excellent-Mamiya-C33-professional-w-sekor-DS-105mm-f-3-5-61321-/322077600416?hash=item4afd522aa0:g:BpQAAOSw95lXExVU<br> http://www.ebay.com/itm/Exc-Mamiya-RB67-Pro-SD-Medium-Format-w-Sekor-C-127mm-F3-8-From-Japan-1047-/162040630579?hash=item25ba5fcd33:g:pzMAAOSwZ8ZW~vpv#viTabs_0</p> <p>I find myself leaning towards the system cameras more. Yes the weight is more but the thought of being able to buy and replace a faulty part easily rather than the entire thing or fiddling around with screws makes it a lot more attractive as a long term solution.</p>

<p>About the shipping prices, it's not the shipping that is expensive, but the import duty, which is around 25% plus administrative fees.</p> <p>Although I am starting to feel like it is just better to ship directly. Just simpler</p>

<p>Hi guys,</p> <p>Lots of great tips. No I am not against 6x4.5 format. I an open to all MF formats, which makes my decision making harder. The Fuji seems like great value. Not completely sure about the electronics though. I guess this camera does not work if the electronics go bad?</p> <p>These range finders should be able to match the TLRs when it comes to slow shutter speeds, due to the lack of mirror flap, is that correct?</p>

<p>Some progress: I have ruled out the Mamiya 6 and 7 due to cost and inability to find one locally so I can take a look before buying one. I think the only way I will be able to shell out that much money for a camera is to not buy online. It is a more modern camera but it does seem more fragile compared to these other heavy boxes :)<br> <br /> I live in the same town as the Hasselblad HQ, so perhaps it might be easier to get service done here. I will have to confirm.<br> I see 2 Hasselblad 500C on the local listings here for around $650 USD. One with a planar 80 and the other with a sonnar 150, whatever those names mean. This camera seems to be the most robust looking one of all the ones I've seen online.<br> <br /> Mamiya TLR, Rolleiflex, and RB67 would be around half that price so it is still attractive. The age of the Rolleiflex puts me off a bit though.</p> <p> </p>

<p>It seems like they are all American? I am situated in Europe, so it will be quite expensive to ship back and forth.<br> How much did you pay for these repair services?</p>