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gateway

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Posts posted by gateway

  1. <p>We've got a Velbon that is rated to hold most 35's and related lenses, and a heavier, sturdier, metal Daiwa (Japan). Heavier is better, and will build muscles during hikes, or street shooting. Heavy equip. is NOT my choice for hauling more than a relatively short distance on foot. Budget of $100 or less? Buy used!</p>

    <p>Wade, great article!</p>

  2. <p>My Yashica Mat LM was mounted on a metal tripod for shots last weekend. A friend was taking some of the shots and it greatly simplified his part.</p>

    <p>Practice dry shots (no film inside) while holding part of your body against a column, wall, or other stationary object, or standing-place the dominant arm solidly against your body-from shoulder to elbow, hold your breath while depressing the shutter button softly, and slowly (if not an action shot).</p>

    <p>Later, you can practice kneeling stances, or leaning your body-if your knees are up to it. Have fun practicin'.</p>

  3. <p>Congrats on the 'A' and the scanner!</p>

    <p>My favorite approach to shooting the A is: 1>cock the shutter; 2>take the shot; 3>wind to the next frame. This helps avoid double exposures, or leaving it cocked between photo sessions. Think 1, 2, <strong>and</strong> 3 when using this camera!</p>

    <p>-John</p>

  4. <p>The TLR cameras provide a good platform for learning. I've got two, one with knob film advance, one with crank-which is my preference.</p>

    <p>However, a system camera that accepts a variety of lenses can offer more versatility. You should consider some of the lighter weight 'system' models in medium format.</p>

    <p>Depending on the system camera, longer lenses or accessories add weight that is more easily handled w/ tripod on other level surface as opposed to handheld.</p>

  5. <p>Has your gear been stored in a cool-air conditioned environment most of the time? Based on what I've read on this forum, if the answer is yes, use it with confidence. With that said, if I was taking pictures of my oldest relative that may not be around in a year, or wanted prize winning results, I'd definitely carry/use a roll or two of new film for those types of images.</p>
  6. <p>It appears from your comments that you've been prudent in your attempts up to this point.</p>

    <p>What you might consider before or instead of the assistant idea is finding one or more <strong>mentors</strong>. Sure, you will find mentor suggestions on forums. However, working with a mentor in-person is a way to move a bit (or alot) more quickly, and without the need for communicating via posts, pm's, or emails.</p>

    <p>Find mentors in your area! Be careful if repeating what one mentor or photographer has suggested to someone else that you regard as experienced, or another mentor. Some <strong>will</strong> take this as criticism or something else-rather than a reasonable comparison of techniques or methods-which may be your intent (for mentioning it) in the first place. I really enjoy collecting technical suggestions from multiple people about a topic, though people can be <strong>very</strong> sensitive if they feel that they are being compared, or sized-up compared with their peers.</p>

    <p>I may get pummeled for saying this, professional photographers can have huge egos that get in the way of relationships (or assistants). And, one unfortunate roadblock to working with a Pro is their resisting a relationship-developing someone that may turn into the competition in their city or field of work. Keep in mind, that many an assistant have attempted to 'steal' clients, or contacts, and this is very unfortunate!!! Learn from others, and certainly don't take anything that is not offered openly/freely. You can ask any number of working people in various professions about this, including CPA's. If more of us operated fairly, or with a high level of respect for others, the world would be a better place.</p>

    <p>Have fun on your journey!</p>

  7. <p>Steve, the Yashinon lens is definitely a keeper! Yashinon was installed on the more than a few Yashica TLR models throughout the production run, and toward the end of other model's production.</p>

    <p>The same leather case fits the 124 and 124G. This 'street art' taken w/ the Mat LM w/ Portra 160NC:</p>

    <p><br /><img src="http://i247.photobucket.com/albums/gg130/Hikingman/Hobbies/aa/Forum%20Upload%20Shots/FauxCrash.jpg" alt="" /></p>

  8. <p>Kelly,<br />With your camera (tool), you can develop a much stronger comfort or confidence level by doing the following:</p>

    <ul>

    <li>First, learn each chapter in the manual until you are comfortable opening the manual to a page while sittting with a friend (and the camera), and explaining what each feature does, and when each feature would be useful. This step takes time!</li>

    <li>Second, devote a weekend to carrying your camera around everywhere, before you go out, sit with the camera turned on, and without taking pictures, review every button and knob for its intended purpose, and then go out & shoot dozens of pictures. Eventually you'll learn to note on paper, or remember camera settings that you prefer for a type of subject, lighting, background, or situation.</li>

    </ul>

    <p>Study/review basics of composition as others have mentioned, rule of thirds, subject placement, camera angle, and other topics. Choose a favorite category for the summer, such as landscapes, buildings, or street photography and practice. Give your photography time to develop, have fun, and take lots of pictures!</p>

  9. <p>How to create a diffusion effect in Photoshop? Specifically, lines or wrinkles around the eyes or an effect to soften aging skin in a portrait. These will be point & shoot digital images, or scanned from 135, 120 film, and not enlarged beyond 8x10, and using Photoshop 7. This is a topic-that I have not been able to locate in forums, or google as related to wrinkles on 'mature' people.</p>

    <p>Thanks for any suggestions,</p>

    <p>John</p>

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