<p>Peter - looking to see if that look can be obtained in an all analog workflow. The only digital would be to scan the completed print if a photographer wanted to share it on the internet. It really isn't just playing with contrast and exposure, there's significant color work as well. Johnny Patience has done a nice writeup on it, breaking it down for a digital workflow. http://www.johnnypatience.com/jose-villa-colors/<br>
But, perhaps the question is unfair. It is difficult to answer without comparables - as in, sending the negatives to Richard Photo Lab for scan using Jose's colors, and then optical printing them on my own. Then, scanning those in and complaining about how crappy my optical prints look compared to the RPL scans :-). OK, I'll do just that. Might take a while to burn through my roll of Fuji though...</p>