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joseph_barbano

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Posts posted by joseph_barbano

  1. The P-150 is a good deal at about $240 even with the Hektor lens.

    There was a noticeable improvement in quality over my old Kodak

    carousel system. The biggest drawback is the tray system which does

    not prevent spillage. You have to be pretty careful with the

    straight trays regardles of the type; i.e.LKM, etc.

  2. If you get an R8, buy it new with the Leica USA warranty; do not buy

    it used; no exceptions. Pay the extra $$$ for a new one. R7's are

    good cameras, but are overpriced when used and in mint shape; about

    $1100? I've had the R7 and R8 and the R8 is just more comfortable

    and better viewfinder. R8's grow on you. R7's are nice but can be

    more diffcult to hold than an R8 when using telephoto lenses. If you

    have the bucks, spring for the new R8. My experience has been with

    R3,4s,7,and 8 is that all R bodies have about the same reliability.

  3. Watch your stuff when you lay your 803 on its side even with the

    clasp secured. I was at a night time wedding and my 50 Summicron

    somehow was able to fit through the space between the lid and body of

    the bag with the clasp secured. You have to watch those small

    lenses. Fortunately the lens was found and returned to me the next

    day. After that I kept the lenses in Zing bags inside of the 803.

  4. Her's some first hand experience regarding your question.

    I purchased a used 75-200mm Leica zoom in 1986. I was satisfied

    with the lens performance, but had always read/heard that the lens

    was a Leitz-Minolta compromise; whatever. About 7 years ago, I

    purchased a late 180/2.8 and performed some tests projected and

    louped against the zoom. I saw little difference, and returned the

    180 lens. About a year later while in contact with some Leica

    technical reps, I discovered that this individual also used the 75-

    200mm zoom. I was impressed and surprised. I guess the kicker was

    when at about the same timeframe, I was speaking with Jim Lager, the

    well known and respected Leica expert, he told me that he ALSO uses

    this lens. At that point I decided to stick with the lens until it

    was no longer useable or fixable. Now I suppose that the new 80-200

    zoom is a better lens, but I also suppose that it isn't 4 times

    better even though it costs 4 times as much the older zoom. Most

    people will not see or appreciate the differences except under the

    most extreme and, generally impractical, enlargement sizes. I'd

    recommend purchasing the 75-200mm lens if you can get one affordably.

  5. I've owned the 35-70 E60 lens for fifteen years. It's a good lens,

    versatile, durable, etc. Color and contrast are good, and absolutely

    no flare. It works well wide open. It's been a workhorse lens.

    Incidentally, about 5 years ago, I compared it against the Nikon 35-

    70/2.8. The E60 was impressively better. The biggest drawback of

    this lens, is that its closest focusing distance is about 1 meter.

    The E67 lens has the identical OPTICAL design except that the front

    element does not rotate. I've read some threads, about flare on this

    lens as well, but have no personal experience. I believe it's way

    overpriced because it's made in Germany. Optical performance should

    be identical.

    I've considered upgrading to the new f4 lens, primarily due to the

    closer focusing distance(which is about 1 foot, I think?). At 3-4

    times the price of the E60 lens, I would not expect significantly

    better performance from the F4 lens in spite of what you might read.

    I'll probably buy the F4 once my E60 dies, because I like zooms, even

    though fixed focal lenghts are slightly better. However, if I could

    get the E60 for $300, I'd buy it. If you can buy it for $300, buy

    it. You'll be happy with the lens.

  6. As backjground, I purchased a used 75-200mm Leica zoom in 1986. I was

    satisfied with the lens performance, but had always read/heard that

    the lens was a Leitz-Minolta compromise; whatever. About 7 years ago,

    I purchased a late 180/2.8 and performed some tests projected and

    louped against the zoom. I saw little difference, and returned the

    180 lens. About a year later while in contact with some Leica

    technical reps, I discovered that this individual also used the 75-

    200mm zoom. I was impressed and surprised. I guess the kicker was

    when at about the same timeframe, I was speaking with Jim Lager, the

    well known and respected Leica expert, he told me that he ALSO uses

    this lens. At that point I decided to stick with the lens until it

    was no longer useable or fixable. Now I suppose that the new 80-200

    zoom is a better lens, but I also suppose that it isn't 4 times

    better even though it costs 4 times as much the older zoom. Most

    people will not see or appreciate the differences except under the

    most extreme and, generally impractical, enlargement sizes. I'd

    recommend purchasing the 75-200mm lens if you can get one affordably.

     

    <p>

     

    regarding your request, in my photo.net portfolio, the "bullfight"

    folder was taken with the zoom using ASA 800 film while traveling in

    Spain. In the "single photo folder", the pictue of the guy praying,

    the women's face with pink head ware, and the girl smelling the

    flower were also taken with the lens. The "girl with flower" was KL

    200, with some camera movement. The other were Provia 400F. Good

    luck.

  7. I purchased a used 75-200mm Leica zoom in 1986. I was satisfied with

    the lens performance, but had always read/heard that the lens was a

    Leitz-Minolta compromise; whatever. About 7 years ago, I purchased a

    late 180/2.8 and performed some tests projected and louped against

    the zoom. I saw little difference, and returned the 180 lens. About a

    year later while in contact with some Leica technical reps, I

    discovered that this individual also used the 75-200mm zoom. I was

    impressed and surprised. I guess the kicker was when at about the

    same timeframe, I was speaking with Jim Lager, the well known and

    respected Leica expert, he told me that he ALSO uses this lens. At

    that point I decided to stick with the lens until it was no longer

    useable or fixable. Now I suppose that the new 80-200 zoom is a

    better lens, but I also suppose that it isn't 4 times better even

    though it costs 4 times as much the older zoom. Most people will not

    see or appreciate the differences except under the most extreme and,

    generally impractical, enlargement sizes. I'd recommend purchasing

    the 75-200mm lens if you can get one affordably.

    In my portfolio, the "bullfight" folder was taken with the zoom using

    ASA 800 film while traveling in Spain. In the "single photo folder",

    the pictue of the guy praying, the women's face with pink head ware,

    and the girl smelling the flower were also taken with the lens.

    The "girl with flower" was KL 200, with some camera movement. The

    other were Provia 400F. Good luck.

  8. I purchased a used 75-200mm Leica zoom in 1986. I was satisfied with

    the lens performance, but had always read/heard that the lens was a

    Leitz-Minolta compromise; whatever. About 7 years ago, I purchased a

    late 180/2.8 and performed some tests projected and louped against

    the zoom. I saw little difference, and returned the 180 lens. About a

    year later while in contact with some Leica technical reps, I

    discovered that this individual also used the 75-200mm zoom. I was

    impressed and surprised. I guess the kicker was when at about the

    same timeframe, I was speaking with Jim Lager, the well known and

    respected Leica expert, he told me that he ALSO uses this lens. At

    that point I decided to stick with the lens until it was no longer

    useable or fixable. Now I suppose that the new 80-200 zoom is a

    better lens, but I also suppose that it isn't 4 times better even

    though it costs 4 times as much the older zoom. Most people will not

    see or appreciate the differences except under the most extreme and,

    generally impractical, enlargement sizes. I'd recommend purchasing

    the 75-200mm lens if you can get one affordably.

  9. I purchased a used 75-200mm Leica zoom in 1986. I was satisfied with

    the lens performance, but had always read/heard that the lens was a

    Leitz-Minolta compromise; whatever. About 7 years ago, I purchased a

    late 180/2.8 and performed some tests projected and louped against

    the zoom. I saw little difference, and returned the 180 lens. About a

    year later while in contact with some Leica technical reps, I

    discovered that this individual also used the 75-200mm zoom. I was

    impressed and surprised. I guess the kicker was when at about the

    same timeframe, I was speaking with Jim Lager, the well known and

    respected Leica expert, he told me that he ALSO uses this lens. At

    that point I decided to stick with the lens until it was no longer

    useable or fixable. Now I suppose that the new 80-200 zoom is a

    better lens, but I also suppose that it isn't 4 times better even

    though it costs 4 times as much the older zoom. Most people will not

    see or appreciate the differences except under the most extreme and,

    generally impractical, enlargement sizes. I'd recommend purchasing

    the 75-200mm lens if you can get one affordably.

  10. I purchased a used 75-200mm Leica zoom in 1986. I was satisfied with

    the lens performance, but had always read/heard that the lens was a

    Leitz-Minolta compromise; whatever. About 7 years ago, I purchased a

    late 180/2.8 and performed some tests projected and louped against

    the zoom. I saw little difference, and returned the 180 lens. About

    a year later while in contact with some Leica technical reps, I

    discovered that this individual also used the 75-200mm zoom. I was

    impressed and surprised. I guess the kicker was when at about the

    same timeframe, I was speaking with Jim Lager, the well known and

    respected Leica expert, he told me that he ALSO uses this lens. At

    that point I decided to stick with the lens until it was no longer

    useable or fixable.

    Now I suppose that the new 80-200 zoom is a better lens, but I also

    suppose that it isn't 4 times better even though it costs 4 times as

    much the older zoom. Most people will not see or appreciate the

    differences except under the most extreme and, generally impractical,

    enlargement sizes. I'd recommend purchasing the 75-200mm lens if you

    can get one affordably.

  11. I've been using Leica R for about 17 years in combination with zooms

    and fixed focal length lenses. The zooms, dollar for dollar, are a

    good entree, and the quality will exceed your expectations. Leica

    purists (whomever and whatever they are) might disagree; many whom

    have no first-hand experience with Leica zooms. You will still get

    those "knock your socks off" results with zooms as well as the

    versatility over fixed focal length lenses.

  12. Give your friend a new Leica M-6 with a 50mm f/2 Summicron lens. I'd

    recommend black chrome for it's durability. It's a camera that your

    friend will keep and enjoy his/her entire life. This camera/lens

    combination is timeless, and it will also retains its value. It

    truly epitomizes quality and usability.

     

    <p>

     

    Stay away from used equpiment unless your friend is extremely

    familiar with Leicas. The new equipment warranty, called PASSPORT,

    comes in handy since it covers any damage to the equipment for 3

    years.

     

    <p>

     

    Current prices are about $1995 for the M-6 (minus $150 rebate,

    currently underway) and about $995 for the lens (rebate applies here

    as well). Buy from a retailer that specializes in Leica. They're

    more knowledgeable and compeitive on prices. I recommend Tamarkin in

    New York, Don Chatterton in Seattle, Jim Kuehl is Iowa, or Sam Shohan

    at Classic Connections in New York. You can find more specifics in

    Shutterbug magazine.

     

    <p>

     

    Good luck.

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