pericles
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Posts posted by pericles
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Hi everybody, thanks for the comments! Since I am not very familiar with all the treads, any
idea to whom do I have to send my print? Or has to be decided yet
thanks in advance
pericles
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Hi Eric and all, I would like to join the swap.
Thanks
Pericles
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You have to remember that when you scan in color, the image will be build in pixels at the
rate of one third each chanel (RGB) So, if the final image is 9 MB then each chanel will take 3
MB. When you convert from RGB to gray scale or b&w, you eliminate 2 of the 3 chanels
(usually leaves the red one) and you finish with an image with 3MB. The best solution is to
only desaturate the image, the result will be a file that has the 9 MB and still will be an RGB
file, with lots of info on it.
In silver-based negatives, the original image is also a color one.
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I teach a class of History of Photography and one excersice I give my students in
regard of the truth in an image, is to show them a set of pictures with captions
choosen by me (they do not know this) and after they discuss each image and come
to a conclusion, I show them the same set of images with another caption and
suddenly all the arguments they built around the previous set, falls down. It is a way
to show them that the phrase "a single picture tells more than a 1000 words" does
not apply anymore. A picture with a caption is more powerfull than the true, and
sometimes lethal, and examples abound: the Stanlin era, the Hitler era, and now days
all of those who have an agenda based in the naïvite of the common people, as
always.I do not think you have to lead people with captions, the image can stand on
its own, giving a chance to the reader to arrive to a conclusion about what they see.
Pericles Lavat
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Hi: I just bought a Leica Full frame neg carrier (it has antinewton glass) and want to know how to clean one of those and what to do to keep off the dust, without damagin the coating
Thanks a lot in advance
Must-see photographers
in The History & Philosophy of Photography
Posted
As a Teacher of History of Photography I think it is best to start from contemporary
photographers and then go back to establish a connection with older photographers.
We cannot dismiss the visual education the younger generations have had since they were
very young and therefore (because it has been my experience) you have to hook them with
images from their own time and then go back to the main sources. For example, they can
see images from Flor Garduno and then go back to the roots (Graciela Iturbide, Alvarez
Bravo, both Manuel and Lola, and in the case of mexican photography they have to study
Weston and Tina Modotti.
They need to see first how great contemporary photographers see the world they are
observing and they will relate to this very easy because the students are aware that those
images were taken in their time. And then go back and teach them about the Great
Masters like HCB, Adams, Frank,etc.
Pericles