vetterhome1
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Everything posted by vetterhome1
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InTheLonlyHour - please view larger
vetterhome1 commented on vetterhome1's gallery image in Fine Art
Saad thanks, also to remember us concerning the golden rules not only for photographs also for paintings it makes sense to deal with it. There two well known basic ones: the Rule of Thirds and the Phi Grid divides the frame in a similar way, but makes the middle row and middle column smaller according to the golden ratio, resulting in 1:1.618:1 vertically and 1:1.618:1 horizontally … how to get? I was motivated by your comment to look again for rule models. Found this wonderful mathematical model: GODEL SPIRAL and the FIBANACCI SPIRAL. BR Joerg https://en.wikipedia.org/wiki/Golden_spiral More practical http://www.makeuseof.com/tag/golden-ratio-photography/ I mean we do it by our inspiration not by caalculations ... -
InTheLonlyHour - please view larger
vetterhome1 commented on vetterhome1's gallery image in Fine Art
Arthur, thanks for your BW version. It gives an interesting melancholic scene. The IR effects works great. However, the high tension between “life” and “depth” coming from the green tree at the left side and the lit trees at the right side is not pronounced. By the way, its not a Photoshop treatment. I used the free ware: FastStone Image viewer and Perfect Effects Free 9. BR Joerg -
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InTheLonlyHour - please view larger
vetterhome1 commented on vetterhome1's gallery image in Fine Art
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Exposure Date: 2012:04:03 16:29:32; ImageDescription: ; Make: SONY; Model: SLT-A77V; ExposureTime: 1/250 s; FNumber: f/5; ISOSpeedRatings: 200; ExposureProgram: Aperture priority; ExposureBiasValue: 0/10; MeteringMode: Pattern; Flash: Flash did not fire, compulsory flash mode; FocalLength: 35 mm; FocalLengthIn35mmFilm: 52 mm; Software: SLT-A77V v1.04; ExifGpsLatitude: 50/1 58/1 35329/1000; ExifGpsLatitudeRef: N; ExifGpsLongitude: 13/1 54/1 4248/1000; ExifGpsLongitudeRef: E;
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InTheLonlyHour - please view larger
vetterhome1 commented on vetterhome1's gallery image in Fine Art
Michael, as photographers we mostly don’t know what we will achieve as the final result. I made this shot 2013. I found it again in 2015 and I was wondering about it. I started to treat it without to change details of the original shot. You pronounced the bright structured sky and the dark tree limbs. I mean that is the point. A friend of mine, an important art collector and art expert, Georg Bruehl, said to me that each real art painting has to show up two aspects: somehow an optimistic aspect but also the end of something. It’s a luck that both aspects are in. Thanks for the comment : I wish you a Powerful 2016. BR Joerg -
InTheLonlyHour - please view larger
vetterhome1 commented on vetterhome1's gallery image in Fine Art
Tanks all for the discussions, especially David for the excellent detailed analysis. Here are the missing information’s. In general, I used a “bad lens” and simple software. - Sony SLT-A77V, ISO-200, A = 5, F =35 mm, 1/250, universal zoom for travelling: TAMRON 18-270 Di VC 3.5-6.3. - Software FastStone Image Viewer and Perfect Effects 9 free It seems to be one of my best works showing that both the equipment and the software are not the most important boundary condition to get a great result. To all of photonet friends: I wish a bright creative and powerful 2016: BR Joerg -
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InTheLonlyHour - please view larger
vetterhome1 commented on vetterhome1's gallery image in Fine Art
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InTheLonlyHour - please view larger
vetterhome1 commented on vetterhome1's gallery image in Fine Art
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InTheLonlyHour - please view larger
vetterhome1 commented on vetterhome1's gallery image in Fine Art
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