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chris_werner

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Posts posted by chris_werner

  1. <blockquote>

    <p>Three types of degenerate are reasonably possible:<br />1. Date corruption in the original file. This will most likely make the file unreadable, but I would guess the individual bits could corrupt that might still allow for reading. Never experienced the later, but have experienced the former.<br />2. Repetitive saving of a jpeg file on itself. Each time it is saved, it is compressed a bit more.<br />3. And as several people noted above, technology advance distortion of our perception of reality.<br />I am regressing and trying to learn how to shoot film. An enchanting life voyage.</p>

    </blockquote>

    <p>I would argue that there is possibly a 4th - digital media haven't been around long enough for us to truly know what their archival properties are. My memory is a bit fuzzy here (so please chime in and correct me if I'm off) but I believe the technology in computer CD/DVD drives is a dye based process, and differs from the commercial burning process - look at the bottom of a burned CD/DVD and you'll see a color change.</p>

    <p>In any case, I'm not comfortable putting my digital files "on the shelf" as it were, so digital belt and suspenders for me, 2 hard drive copies plus multiple optical media, moving to new hard drives every few years.</p>

  2. <p>Wow. My first reaction was that I am speechless. My second is that I have the words to express my emotions, but dare not speak them - I don't think they would pass the muster of political correctness.</p>

    <p>I guess even that may be considered a provocative thing to say. So let's suffice it to say that as the father of 2 daughters, I'm outraged and saddened.</p>

  3. <p>Linda,</p>

    <p>You are describing a low light situation, and one where a longer lens is often called for, which the smaller more compact cameras aren't as ideally suited for. But, frankly as long as you will use whatever you get, you just work within the limitations of the equipment - part of the challenge really.</p>

    <p>There are many directions you could go with this. The "simple" answer is a DSLR with a normal to tele zoom. But a better way to approach it to me would be - what's your budget? Start there, we'll give you some ideas, and you can tweak your thinking as we go. :)</p>

  4. <p>Johann,</p>

    <p>Why did you sell the Canon? And the Nikon before that? You might want to be clear on that point before moving to a 3rd system. The K-x I think offers two things Nikon and Canon don't - extremely small size for a DSLR, and a nice array of prime APS-C lenses.</p>

    <p>But you mention neither of those. On the surface it feels more like you're looking in a different equipment direction to scratch some unnamed or unknown itch. That's an expensive way to scratch. Rather than seeing a camera and and going COOL! (and I say that as one who is a bit of a gearhead, so I understand), be clear on what you want in a system and why you have now sold the 2 most popular systems in the market before moving forward.</p>

    <p>Just my 2 cents.</p>

    <p>Chris.</p>

  5. <p>It's looking at examples like that that leave me thinking people that pixel peep to the level of complaining about noise in a photo like that have never shot film. I don't see noise, I see a pleasant texture to the background that would have been considered a positive with a 35mm camera.</p>

    <p>Ugh. I know what - let's go pick a fight with some Canon guys about bokeh! :D</p>

    <p>Just kidding of course.</p>

  6. <p>Man that brings back memories! Particularly if I hold my thumb over the SE. I still think I took my best pictures as a teenager / young adult with my K1000 and 50mm f2. :)</p>
  7. <p>I'd suggest taking another roll in and insisting on getting the entire length back. Without being able to look at the negatives it's a bit of a guessing game. You might consider a more pro level lab if you didn't use one the first time. And explain to them that you need the whole negative back to diagnose a possible camera issue; that might motivate them to comply.</p>
  8. <blockquote>

    <p>One very good exercise is to put a prime (non-zooming) lens on your camera and go out walking around with it. You will see any number of potential shots that you can't get with the focal length you are carrying, but the challenge is to find another picture (another way of framing) that works with the lens you have with you. </p>

    </blockquote>

    <p>Craig hit on one of the main reasons I dislike zoom lenses. Working with a fixed focal length puts me into a mode where I take what's given me, I make more of the opportunities, and I've found that the structure is beneficial to my results. I have no doubt that this bespeaks of some artistic inadequacies on my part, but when I have a zoom on the camera it's like the process becomes an equation with one too many variables.</p>

    <p>As you continue to explore this I would encourage you to try this approach, even if it's only by setting your zoom to a specific focal length and making the decision not to change it for the session, or even just a certain number of shots. I think you'll find it to be a rewarding experiment.</p>

  9. <p>Roberto.</p>

    <p>If you have Canon, no reason to change to Nikon - I'd scratch that off the list and just evaluate the different Canon models. One thing I think you'll find is that the high ISO performance has improved dramatically in the past 10 years. I'm not very familiar with the different Canon models, but I'm sure you'll get some good advice here. Plus, I'd suggest reading through threads in the Canon forum.</p>

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