bob_himmelright
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Posts posted by bob_himmelright
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<p>Basline-neutral, slope-under, slope-over, slope corrected?</p>
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<p>The photo labs probably don't like to turn it off because apparently the "hold" button only applies to color corrections, not DSA settings unless they've set up the noritsu to apply it to them too. They have to click each image and change the grain reduction.....That said, there are several default correction settings that they can have stored in the noritsu computer, they could create scan chanels with grain reduction off, medium and high, and have them listed as such on the computer screen.</p>
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<p>Pretty sure it was designed to export as lossless tifs. The lab I had one at exported to disk as a tif as well until we created a jpg cd setting</p>
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<p>
check it out!</p> -
<p>Sorry for resurrecting an old thread, but the online software Costco uses to download orders can be configured by the lab tech to route to specific printers based on size, paper surface or auto correction on/off. The old way of costco profiling was one printer profiled, the other not. The newer way is apparently one printer profiled glossy, one lustre in labs with multiple printers. Once set up, the software automatically routes orders appropriately.</p>
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<p>it's the SA-21, and it's 100% normal.</p>
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<p>Turns out it's because of the paper width Costco uses. All soft prints(not poster boards) are printed on the epson on 20 inch paper. Epson only supports border less printing on 24 inch paper on the 7880</p>
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<p>don't HDMI and DVI use the same protocols for transmitting video data? Also, there are cables available with HDMI on one end and DVI on the other.</p>
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<p>be careful opening it. The film should be wound back into the 35mm cassette directly under the winder. Opening the other side can expose the flash capacitor which is powerful enough to make a nail gun able to pierce both sides of a BSA issue canvas tent.</p>
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<p>Nikon scan and my coolscan V work fine under windows 8 64bit. There is a trick to it that's posted on photo.net...instructions are for vista, but it works in my case as well.</p>
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<p>If they still have ilfochrome products, it won't be for long, they have been discontinued for quite some time now.</p>
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<p>ABSOLUTELY 100% SHOULD HAVE BEEN COVERED IN YOUR TRAINING! To more directly answer your question, probably not, but yes it could cause chemistry changes beyond what is expected when they cool off. If evaporation compensation is correctly configured for your machine it will have less of an impact.</p>
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<p>Ian, your issues are most likely personal issues with the techs. Each morning paper is calibrated using the master magazine. Modern equipment both fuji and noritsu automatically calculates how to adjust every other magazine based on that up to a finite amount of days. Fuji equipment will warn you if a supplementary calibration print is needed in each magazine as you load it, but noritsu won't. It sound like the techs are exceeding those limits. </p>
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<p>Does anyone know of any real labs in this city? Not walgreens/walmart, but a real lab?</p>
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<p>Wonderful John, I'll let you know what I find out....once our lab equipment is delivered. This will probably take a while since we are slated to open in mid october, and our parking lot is just now being paved.</p>
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<p>For test rolls, costco is the place to go! Under $2 for the negs, then 10cents a print at time of processing. Base 16(3072x2048) scans to disk at $2.99!</p>
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<p>John, sorry for not chiming in sooner, I've just moved for my job and I do currently have access to the noritsu manuals at my old location. I seem to remember seeing a spec in the manual about it, however, my company is making the shift back to fujifilm equipment. If we receive a refurbished noritsu from another store I will be able to answer definitively(at least for the particular model we get). If not, your best bet is to contact NAC. I would like to add that since the noritsu is a line scanner, the film passes over a slit through which the CCD is exposed. Because of this, different models of film carriers may have slightly different effective resolution/scanning area. A 135/240-AFC-II may very well have a slightly different size than the 135-240-AFC-I film carrier, and almost certainly differs from the 135-AFC-II, 135-240-AMC-II and 135/240MMC-II film carriers.</p>
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<blockquote>
<p>You have very good or very trusting friends. Make sure you have some insurance for anything you borrow, unless you are willing to accept the risk yourself for replacement of the lens.</p>
</blockquote>
<p>JDM, a very good friend, who I've trusted with my complete kit a number of times before he got his own DSLR</p>
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<p>I'm going camping for 2 weeks in Monongahela National Forest in WV. As it stands, I have an 18-55is, 70-300 and sigma 70mm macro in my kit. I'm wondering, I have the ability to borrow EITHER a canon 15-85 OR a tokina 11-16. Which one would you all recommend, the 15-85 to replace and get a little wider than the 18-55 or the 11-16 to compliment it?</p>
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<p>Mine does, and the party line is that once it requires a MAJOR repair, that's it. Those things cost about $25 every morning just to get up to temperature, and I'm sure Costco isn't making back even that money over the course of most days.</p>
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<p>you need to load your ERTS with the INSIDE of the backing paper facing the lens, not the outside!</p>
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<p>Pretty sure I have a packet of technidol! Do you want it if I can mail it to you?</p>
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<p>maybe your mother has a costco, cvs or walgreens near her? you can order online with them and she can go pick the photos up, assuming she still drives, no shipping charges!</p>
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<p>NEITHER! kodak portra 400 or fuji pro 400h</p>
Black and White at Costco
in The Digital Darkroom: Process, Technique & Printing
Posted