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__stu_evans

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Posts posted by __stu_evans

  1. More than you need;

     

    Unified National Coarse, British Standard Witworth are general standards for threads. The other, bigger, less popular camera holding thread is 3/8-16. Just know there are other visually similar size and pitch configurations that can be incorrectly crushed into a hole.

  2. Newly bought film, placed in the freezer, has a moisture level deemed safe by the maker - likely so low the mechanics of freezing are moot. When you freeze an opened roll you introduce an unknown level of moisture to the gel which, after freezing, has every right to look like your windshield on an icy morning. That you get away with sometimes is irrelevant.
  3. If you can say that everything works right now, then money spent on a CLA will be wasted. People are quick to suggest you have the thing cleaned but really, really, really slow to pay for it. Also, sell everything separately - right down to the strap and instruction book. A package, while saving you effort, will draw a lower total price. Don't expect to be paid for the sentimental attachment I sense.
  4. Most likely they weren't extended, but if I couldn't see the legs I'd pass. Lacking information to the contrary, I assume a twisted flange implies a bent of missing lock tab - there are just too many cameras around to mess with junk.

     

    I don't think Bessas are worse than others but a slight (and readily corrected) misaligntment on a 6X9 will show up as softer ends/corners; more pronounced than with a square.

     

    Among the worst for alignment is the 28-pound Ensign. The struts aren't quite enough to hold the lens assembly at the end of it's travel, so the lens isn't consistently parallel. Also the Baldix has a knack for locking solidly but early, on-time, or late depending on it's mood.

     

    Overall, the lens alignment argument (as well as it's cousin film-flatness) is manufactured as a distraction from a lack of knowing the camera's limits.

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