andrew_kenefick

Thanks for the responses, but I checked them out and it was none of them. Some day I will find it.

I took a book out an out of town library some time ago, I can't

remember the title, and I have not been able to find this book

anywhere on the internet! The library did not keep records of books

I had taken out, only those that were overdue. Anywho, What I do

remember is a bronze-ish color on a large (roughly 9x11) paperback

book with the title and some toned images on the front. The book was

on different photographic processes and toners. Each different

process had it's own section (platinum, salt, cyanotype, etc). Each

toner also had it's own section as well as one or more images to show

the toner's effect. There were also sections on combined toners

(selenium/blue, green/sepia, etc). The last pages of the book had

works by both authors. One of the authors liked to work with only

the bodies of his models by clothing their faces and some body parts

in black against a black background. These are all the important

details I can remember.

I know this sounds so vague, but I'm hope there is someone out there

knows the book I am speaking of.

help!

andrew

The one problem I anticipate is overwhelming popular culture voyeurism. Think of all the times you see old/young men watching young girls walking down the street. Now picture the man wearing sunglasses and doing a major zoom in on her butt. Finding pictures of your own butt on the internet will never be the same.

excellent post idea<div></div>

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Doremus,<br>

That was the most thorough explanation I have been able to find on the internet regarding this topic.<br>

Thank you and everyone for their responses,<br>

Andrew

I've been reading a lot of the pushing threads lately, and I have

not, as of yet, pushed a roll of film.

My question is this:

Say you have a 24 exposure roll of film, and you go out and take 12

shots in the daytime in good light, and then you go out at night,

bump the EI rating up a considerable amount, and take the last 12

shots with the intention of pushing the film. When you actually

develop the film, how do you do it? If you develop long enough for

the night pictures to come out, won't it hurt the quality of the

shots taken in the daytime?<br>

Please help and thank you,<br>

Andrew

Thanks guys. I will check into those ideas

<br>

kl ix - I could do my enlarging and such in my basement, but it would be a hassle and a nuisance to the others living here if I were to perpetually come up from the basement run upstairs, take control of the bathroom, etc... I would be much more convenient, if I can get it to work, to have everything in my basement.<br>

Again, thanks to everyone for their responses. Surely this has been answered in form or another, and though I couldn't find an answer when I searched, it's nice to know that I won't get bashed for asking a question that some may deem silly.<br>

Take care,<br>

Andrew

Hello,

I'm building a darkroom in my basement and I have everything right

except the water source/sink. Here's the problem: there is a

running water source in my basement, but I rent from this apartment,

and since I don't own it, I am unable to make modifications to the

pipes and such. Right now the best idea I have is to run upstairs 2

floors to my bathtub to wash the pictures, but I'm hoping perhaps

someone else has run into this problem and come up with a solution.

Please post with any ideas.<p>

Thank you so very much,<p>

Andrew

Scott, that sounds like a very good idea. I'm going to try that next time.

-Andrew

Thanks for the responses, guys. I've developed only about 15 rolls of B&W film, but have never seemed to run into this problem before. It's nice to be able to post here and find people who are helpful, rather than people who will just shoot you down for sounding foolish.

Regarding cutting corners: I thought about this a long time ago because it seemed to make sense for putting the negatives into sleeves, but then it must have slipped my mind because I haven't done it since. Thanks for refreshing my memory.

Toodles,

Andrew

Hello and please help!

I just developed my first roll of Ilford HP5 and many of the

negatives came out with a crescent shaped mark on them which, of

course, ruins the picture. I have never run into this problem

before with developing film. Can someone please tell me what causes

this and how to prevent it from happening in the future?

Thanks very much,

Andrew