slow

I have an 67II and I dont use any tripod for field work no miror lock up nothing and I have all photos sharp.Only in studio I use tripod manfrotto 058B with manfrotto 308 probal for various situations.......

@@@@@hey warn that the camera may be damaged if using another flash than a dedicated Pentax..

 

Hehhehehe all companys says that.....Its no problem I use vith my P67II Sunpak 120J ,Metz 45CT-1 Nikon SB 80DX and an set of Balcar clasic 1500 and I have not yet any problems :)

I write now 12 mails to photo.net every time is problem some MAILOR

DEMON write me back its imposible to send mail hehe .....lol..... so

I will send money in evenlope for one year to photo.net

 

PO Box 545

Carlisle MA 01741

U.S.A.

 

or I dont know

I see an Ilford SP 816 by my dealer he told me this is the film like

ilford sfx I dont know I dont see for now any pictures taken with

this type of film.

look at this link ilustrated loading

 

http://www.goshen.edu/~marvinpb/bulkldr.html

Im finish now i hawe good result.The process is 1+5 6minutes at 20° and film have more contrast.This is good because I must show in the school 4 pieces of same film developed in diferent developers at the same temperature.But thanks eny way. When I finish with this I will show the pictures.

Aha ok thanks. But I will try enyway with small piece of film 5minutes +1,5 or 2 more and see what hapend with film.I hate this tipe of job but I must to do this for schoolThe program have an name confer progression.

On the bottle of tetenal dokumol a see dilution 1+5 for films and

time 2,5 minutes in 20° but for which films is that? I have an kodak

t-max 100asa normal exposed and Im try to developing this film in

diferent developers I have only this 4 Agfa Rodinal,Amaloco

am74,Ilford ilfosol s and T.dokumol.I dont reely trust to dokumol and

this short time?

So if enybody try this dokumol for film pleas tell me........

http://hotwired.lycos.com/webmonkey/99/23/index3a_page4.html?tw=design

 

Check this page page 4 and 5

 

I use for cross an old dia films i buy them for small money about 0.5� per film and its the best for cross experience.Must be an dummy to buy an new film for crossing.

All of the films is something special maybe is the best kodak ektachrome 320 tungstean film.

I use A.Rodinal always and have no problem with films I use agfa and kodak.For small tanks is 1+25 and 1+50 verry good choice for large only 1+25 1+50 not because temperature fall down quick maybe is this an problem.

I work with all films with normal water and when Rodinal says 5minutes for film I take 7minutes every time 2minutes more.I dont know what to explain this but films are better.

When I cant buy Rodinal I buy amaloco am 74 and ilford ilfosol s thise two are also best try it.

Now I find this foma you can buy it per kg and costs 20� per kg here are the product info...

 

PHOTOGRAPHIC EMULSION

 

In general

There are technically given limits for the use of photopapers. To extend these limits and so to support the creative power both amateur photographers and professionals, this universal emulsion was developed. By its correct use, the results limited only by users´ own imagination, can be achieved. The photographic emulsion enables creating works of great value both in artistic and photographic respect. Of some importance is the fact that standard results can be achieved provided the correct emulsion handling procedure is applied.

The photographic emulsion is made by using the most modern production technology. The emulsion features medium contrast and extremely

high covering power which enable gaining a wide scale of halftones even by a relative high yield of 3 to 6 sq. m per 1 kg of emulsion. For the

majority of common applications (particularly on smooth surfaces), only one layer of emulsion is sufficient to be spread. An advantage of this

high-speed emulsion are short exposures which make large size enlarging possible. With the majority of developers, this emulsion gives a neutral

to mildly warm image tone.

The emulsion can be spread on the most different bases, as e. g. wood, textile, glass, china, ceramics, metals, leather, stone, concrete, plaster etc.

What is, however, important is the photochemical inactivity of the base. This condition not being met, the base should be treated with a suitable

waterproof layer (e.g. epoxide varnish, etc.). Another important requirement is a good wetting power of the base surface. To ensure good coherence of the emulsion to the base, the non-wettable surfaces should be treated with a suitable preparation layer before spreading the emulsion.

Example of a preparation solution composition:

 

Gelatine (1 % solution) 100,0 ml

Chrome alum (10 % solution) 0,5 ml

Ethanol 96 % 4,0 ml

 

With this solution, only thoroughly clean and dry objects should be treated.

 

Packaging

The photographic emulsion is supplied in light-tight PE-bottles. The commercial packaging consists of a cardboard box containing:

Photographic Emulsion 1 kg (Open in darkroom only!)

HARD Hardener 15 ml

 

Yield

l kg of emulsion is sufficient to prepare an area of 3 - 6 sq. m according to base type, surface quality and thickness of the layer spread.

 

Processing

Due to a high silver content and a relatively thick layer when spreading the emulsion manually, energetic developers are recommended, e.g.

Fomaton LQN and Fomatol P from the FOMA product line. To effectively stop the development, Fomacitro citric acid-based stop bath is suitable.

For fixing, Fomafix fixer is recommended. Corresponding baths of other manufacturers can be used as well.

Warning: It is important that a perfect fixing and an adequately long washing be cared about (at best in running water), otherwise the resulting photographic image would not be long-term stable.

 

FOMA HARD Hardener

This special hardener is supplied together with the emulsion. The hardener ensures good mechanical resistance of the layer spread; its use is therefore recommended for all aplications. It should be added directly to the emulsion melted, the recommended volume being 15 ml per 1 kg of emulsion. According to individual requirements concerning the hardening grade of the emulsion layer, this volume can be varied to some extent. Instead of the hardener supplied, other suitable hardeners can also be used, e.g. formaldehyde (1 - 5 ml of 10 % solution per 1 kg of emulsion), or in combination with the same volume of chrome alum solution (10 %).

 

Emulsion handling procedure

In a well-darkened room furnished with a suitable safelight illumination (identical with the illumination recommended for fixed-contrast FOMA photopapers), the emulsion is melted at about 35 to 40 oC in a water bath. Under continuous stirring, necessary additives are added to the emulsion close before its use: particularly the hardener (to ensure the mechanical resistance of the emulsion layer during processing), sometimes also Fotonal wetting agent (to make the emulsion spreading more uniform).

The way of emulsion spreading should be adjusted to the shape of the respective object and tested in advance. After heating up to 30 oC, horizontal areas can be furnished with a single emulsion layer by spreading the volume proportioned before. Having set to a jelly, the layer can easily be dried in vertical position. Flat, not very coarse surfaces can be covered by a brush. In both last-named cases, 2 - 3 layers should be spread, the next one every time after the preceeding layer has been thoroughly dried. Regarding nonuniformities caused by the manual emulsion spreading, a yield of only about 3 sq. m per 1 kg of the emulsion should be taken into consideration in both these cases.

Note: For each application only a necessary emulsion amount should be taken away from the stock and melted. The non-spent emulsion should not be re-chilled (contains hardener!).

 

Storage

The photographic emulsion should be stored in darkness, preferably in closed original packagings (other chemically inactive packagings can also be used, e.g. PE- and PP-bottles, glass and the like). An important storage condition is a stable temperature ranging from 4 to 10 oC. The emulsion, however, should not be allowed to freeze. Although disinfectants have been added to the emulsion during production, the emulsion should be handled with care to avoid contamination with bacteria and moulds. The above conditions having been kept, a shelf life of the stock emulsion (without hardener) of about 6 months can be taken into account.

 

Recommended way of packaging waste disposal: After a thorough rinse out, PE-, PP-bottles and cardboard boxes are recommended to discard in special containers intended for the salvage of scrap plastics and assorted paper respectively.

 

This product is manufactured and marketed in conformity with a quality system according to the international standard ISO 9001.

 

I have one simple question.Is anybody here try to work with black

&white phptographic emulsion.Foma have an one in dust type and

tetenal in liquid.So I will try in the future to make some portrets

on the stone.Before this I will be hapy if someone give me self

instructions how to do that.Dealers say every time the same .BUY AND

TRY AND YOU WILL SEE.........

I have found now 288 pages Nikon sales guide 2001-2003 for free by slovenien distributer.Thank you all for help.

 

kind regards

Yes you can buy but only problem is an price which is to high for me.Example nikon strap AN 14 costs in italy 10� in Austria 30-50�, Germany 26-40� in Slo I dinnt try because have we some takses and the price is probably the same like germany and austria....

 

If you have an special price tell us and America will come to You,

 

Libary cobiss and other stuf is an last exit I try to find an original brochure....

 

regards

This individual brochures is only for the dealers not for a small people.I live in Slowenia this state is an dummy center of the world.All products mustI buy in Italy or Germany.If anybody have this brochure in pdf or something like that pleas send it to me

 

manual@email.si

 

regards

Nikon company send nothing i write to them 10 times.An answer is every time the same.THANK YOU FOR USING OUR PRODUCTS.....hehehe MR.ROBOT.I will try to find this book like Todd says.I need this book for find some nikon pieces an viefander neutral glass to protect it for nikon fe,fm2,fm3a,f4,f100...

Where can I find all nikon acessories together.I dont know I have

never seen an page with all or catalogue with them?

I have read in an CHASSEUR DIMAGES and they said on an end of the year 2004 come an new pro.analog camera not specific.Nikon change F series every 8years Im think this is an new F6 why not.

I know this but i buy this lens for only 20� new cost many more.Im not hury will find this filters before I die :)Maybe some lucky on photokina this month.

The foam in in my holder is in good condition.I have not seen an old one without this foam and I will not buy it when is in bad.This holders is an unusual products.I know many people also profesionals but they never heard anything about this holders because the screw filters is an numero uno for 90% of people.

I think its easy way to buy an gelatine filters an old ones is not expensive 2-5� pro stuck,maybe in the future an new one AF-3 or AF-4 in europe it cost 100� + 62mm Adapter Ring for AF-4 Gel Filter Holder 40�.This is not good prices for an couple metal sheet.I try to find an old one........

 

regards

If i understand corect i need an adapter ring Step-Up Ring (Lens to Filter)60mm to 62mm b+w have an one,and generals brand 62mm-52mm Step-Down Ring (Lens to Filter) because i dont have an lens vith 52mm screw.Hehehehe thats funy i only need this af-1 gelatine filter holder for an ultraviolet photography and ir with total dark filters because its easy to get sharpnes just open and close gel.filter holder

 

regards

Look at this picture here http://beta.sloweb.net/14lc27_UVNikkor5.jpg

In the front side of gelatine holder is an filter ,its not gelatine filter its normal filter.

Im going to Photokina messe in Köln in september 25-30 and i will se about this holder and other unusual things........

 

regards

I dont find anything in search engine about nikon AF-1 gelatine

filter holder just prices and pictures .I have an old one at home

with no gelatine filters but i see on the net UR-2 look like adapter

for screw filters i dont know what this is.I need just one ring for

this holder to place my 62mm filters on it(have 30filters no rason to

buy an new gelatines).

And one more question this my AF-1 holder is made for an 52mm i hear

nikon produced it for 62mm and 77mm also.Its also hard to find all

nikon equipment together on the net.....

 

regards from slovenia

I try to make an contact with this www.kievcamera.com but no lucky.Maybe is an team going to vacations i dont know.I will buy next year nikon fisheye lens and fuck them fucking russian lens,only problems with an equipment and products of russia or maybe i grow out in wrong place hehe :)

 

regards