fabio b

once in a lifetime, mrs Cano

very powerful image! hope to see more.

tones are muddy - really low contrast, low def - difficult telling why

don't really believe all people - too centered means perfect shot.

pretty nice, elena

fantastic, as all from you.

very good work, jenna g.

really well done. good luck

very nice pictorial mood

great abilities are shown here

well, i always believed down town was a some different kind of place.

this all with a bloody finepix - hope it is a joke

fantastic

nice pic - as all of yours: obvious you have a incredible land to picture. please let us guys see more.

pretty nice

first selfportrait i've seen in this mood. needs to be appreciated a lot, marta-eva.

 

uhm, if i'm coming to leon, maybe you can show me how do you managed to do this way?

very impressive: i wonder to be the first to comment

 

an example to all us

for maria pia: per essere sincero, sei troppo gentile - in realta', come per tutte le doppie esposizioni, perlopiu' e' troppo difficile prevedere il risultato, a meno di farlo in photoshop: sul negativo, la parola giusta e' imprevedibile. nel mio, certamente.

sono molto colpito dalla capicita' di creare immagini che sono essenzialmente tavolozze di colori - pensavo di dire textures, ma sono ancora meno strutturate - quelle di vecchie navi sono ancora piu' vicine a un immagine di caos.

 

for not italian friends:

 

i'm very interested in your images, that are so close at a colour table: i was thinking at textures, but with less visual structure. some of your wrecked ship pics are almost a rapresentation of chaos

nice to read your comments: you all are too much kind with this one.

 

answers:

for jaike: is a real landscape shot, from a single negative on portra vc 400, without any post processing - in facts, is a double exposure of a little harbour in south west italy, taken with a contax g2.

i agree with andy - absolute correct composition: if you can post one with in-focus face, that will be perfect

i'm trying to understand if i can sell out all my nikon gear - this

one has been taken with an f4 + 18-35mm@18. i'm not using a tele lens

over 135 since my 20ies, so why keepinf an f4?. all times i see a

developed roll i can distinguish nikon from contax-g ones. more, i've

a bag of pentax 35mm contraptions, all beloved, with strange lenses

in it, as a 3.5/28 shift. so,please help me some 2cents.

almost any suggestion will be appreciated

nice, with a beautiful near plan rendition. but: weak far objects, and no strong subject.

i'll be glad to see more from you.

this is an unintentional double exposure. as for myself, i never

thought i'll made a double exp - but using a new camera in darkness

changes your actions, if not your sense of life. i've not had any

post processing: i'm not able to do, anyway