garrido_manuel
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Image Comments posted by garrido_manuel
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Does the "Fence" starts and ends in the same place? Have we closed that circle?
These questions, the realation this image establish with music and poetry are what really matters at the moment we stand up in front of art. Moreover, is what face us with that questions, that pursue as till our last days, what shows the connection beetwen images and our minds. Best regards from Argentina.
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I think is an awesome photograph; However, I have just one thing to say about its composition. I would have corrected the right arm of the dancer on the left of the photo, the way this arm is laying on her knee shows something unreal and heavy, and all the other bodies are perfect. Best regards from Argentina... -
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In a first glimpse I found this image really interesting and I couldn't see anymore; however, I have some doubts about that hand, I am not sure, but not only for the shape but also for the position It seems to be "your hand". I would be very interested to know how this photo was made... I look forward to hearing from you, best wishes from Argentina. I am very interested in your work, specially in your portraits, I was surprised with the eye-closed images and the manipulation of hands, I hope seeing more...
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There is something in several portraits that make me wonder about feelings, thoughts, customs, and many subjects related to life. When you make a portrait whit the allowance of the person you are shooting, there is something very strange that seems to figure the image that is going to emerge from the celluloid. There is a huge distance between shooting an object than a mind, when you make a portrait you are showing a mind that is interacting with yours. In that moment you are trying to construct an image of that mind that you have in front of you; however, the human being that is in front of the camera shows you what he thinks he looks like. It's very difficult to answer some questions about portraiture, perhaps it would be interesting to begin with these ones, Why do we make portraits? How do we make portraits? And for whom? Perhaps you think these are dull questions; however, I would like to challenge you to answer them. I make portraits; in the last two years I began a series of portraits that became an obsession, when I see this selection of portraits I doubt about the possibility of showing mines in a similar selection, there is something different I can't describe. 03:05 a.m. Buenos Aires, Argentina, South America. -
There is something in several portraits that make me wonder about feelings, thoughts, customs, and many subjects related to life. When you make a portrait whit the allowance of the person you are shooting, there is something very strange that seems to figure the image that is going to emerge from the celluloid. There is a huge distance between shooting an object than a mind, when you make a portrait you are showing a mind that is interacting with yours. In that moment you are trying to construct an image of that mind that you have in front of you; however, the human being that is in front of the camera shows you what he thinks he looks like. It's very difficult to answer some questions about portraiture, perhaps it would be interesting to begin with these ones, Why do we make portraits? How do we make portraits? And for whom? Perhaps you think these are dull questions; however, I would like to challenge you to answer them. I make portraits; in the last two years I began a series of portraits that became an obsession, when I see this selection of portraits I doubt about the possibility of showing mines in a similar selection, there is something different I can't describe. 03:05 a.m. Buenos Aires, Argentina, South America.
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These are portraits of students in the Faculty of Social Sciencies
in Buenos Aires...
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These photographs were made in the "Club de Trapecistas Estrella del
Centenario". The main idea in this work is to dimension the spaces
from different angles from those we usually look at the acrobats. The
idea is to continue observing and go on working in the same images
until I get my sight trained to see from the heights...
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These photographs were made in the "Club de Trapecistas Estrella del
Centenario". The main idea in this work is to dimension the spaces
from different angles from those we usually look at the acrobats. The
idea is to continue observing and go on working in the same images
until I get my sight trained to see from the heights...
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in Portrait
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