andrew_lee2
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Posts posted by andrew_lee2
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>What is it that "won't mount"? You can't turn it or it won't lock or you just can't get it into the mount opening?
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It won't turn, like something's blocking its path. The lens sits flush against the camera, it just won't turn to the point that it 'clicks' into the camera.
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>Any kind of protrusions on your lens?
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The little piece that stops down the diaphragm (the aperture blades), but that's pretty much it.
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FYI, this had me frustrated (I'd been waiting on these individual pieces for a long time, and for it not to work once I had everything- ugh), so I was able to somewhat fashion them all together in such a way that the lens is now sitting on the camera, but the mount is very tenuous- the lens isn't clicked into place onto the adapter, and the adapter isn't clicked into place on the body. Takes pictures just fine, however (this was what I was mainly interested in testing).
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Hello,
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I just got one of these C/Y Zeiss -> Canon EOS lens adapters:
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<IMG SRC="http://i15.ebayimg.com/04/i/04/76/a6/d9_1_b.JPG"></IMG>
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And I'm not able to mount my manual focus C/Y 50mm f1.4 Zeiss lens onto my D30
(not 30D, D30). I can mount the adapter to the lens just fine, but once this is
done, the lens+adapter won't mount on the D30. Similarly, I can mount the
adapter onto the D30, but once this is done, I can't mount the Zeiss onto the
D30+adapter.
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Anyone know what's going on? Is my issue with the lens, the adapter, or the
camera?
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Thanks,
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Drew
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(There should REALLY be a general forum for these type of questions.)
Hello,
I just bought a used Nikon FE. It's in fine condition, but it smells horribly
of cigarette (or possibly cigar) smoke. How can I get this unwanted smell off
the camera body?
Thanks,
Drew
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Excellent. Thanks, Steve!
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<i>German made Carl Zeiss lenses for Contax are much more expensive.</i>
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Thanks for stating the obvious, Martin.
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Sorry, C/Y mount lenses aren't pre-1970 (more like pre-1990), but I can't think of a single forum where this question would be more appropriate.
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Hello,
I've noticed that manual focus Zeiss lenses in Contax/Yashica mount tend to
fall in one of two camps:
- AE lenses made in Germany or "West Germany"
- MM lenses made in Japan
Does where the lens is made (Germany or Japan), or whether the lens is AE or
MM, have any effect whatsoever on the end result (i.e., the image)? German-made
lenses tend to command a premium over Japanese-made lenses, and I was wondering
if there was a legitimate reason behind this, or (more likely) it's just
another part of Zeiss myth/lore/marketing/consumer herd mentality.
Thanks!
Drew
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Ah, didn't realize there was a dedicated B&W film forum- this question probably would have been more appropriate there. Anyway. All- how does Xtol differ from D-76?
Thanks,
Drew
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Hello,
I've almost always used D-76 1:1 (and almost always Tri-X or HP5 exposed at EI
400), and I've been happy with the results. After a brief foray into dig, I'm
ready to try developing at home again. My D-76 brew appears to be expired (it's
yellowed, and a roll I had developed prior with it turned out unusably grainy,
i.e., not grainy in a good way), so it's giving me an excuse to try something
new. Would anyone like to throw any recommendations out there? If it helps, I
prefer longer tonal scales and shadow detail (i.e., versus contrasty looks) as
well as grain that tends to be sharper (e.g., same reason I prefer Tri-X/HP5
over TMax or TCN400). I don't mind grain as long as it's not 'mushy'- I'm not
trying to achieve a smooth, digital-like look. Danke!
Drew
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Took the camera to the highly esteemed Nippon Photo Clinic here in NYC; they think it's broken. Thanks, everyone.
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Hello,
This is an embarrassing question, but I just took delivery of a used Nikon D1,
and it appears to only record blank white files? This is regardless of which
lens [of two I have here] I use, a 55/3.5 AI Micro-Nikkor, and a 50/2 that is
probably NAI; both are MF. I've fiddled around with seemingly all the settings
and searched online to no avail. I admit, these big auto cameras with a zillion
buttons, settings, and features (even though the D1 dates back to 1999) are a
bit much for me, since I'm accustomed to simple, fully mechanical MF cameras,
but I don't believe I'm overlooking anything totally obvious. I'm using a Lexar
256MB CF card, which I doubt is the issue. Anyone know what's going on?
Thanks so much.
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Hello,
Is it possible to have an AI lens that
1) does NOT have holes in the "ears"
2) does NOT have the second row of aperture engravings?
I just got one (an old-style 50/2) from KEH that was listed as AI, showed a
picture of "holey" ears in the product photo (even though it may have been
stock), and even says "AI" on the plastic baggy that came with the lens, but
the lens has the characteristics I mentioned in items #1-2 above, plus it does
something funny with the mirror (not sure what, but I hear it) when I
mount/dismount the lens from the camera body.
On the other hand, it doesn't have the "pointy" ears (or collars, if you will)
of the non-AI lenses. The ears are rounded, they just don't have holes.
I'm strongly inclined to believe that they sent me a non-AI version but wanted
to just be completely sure.
Thanks!
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Very thoughtful responses. Thanks.
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Pretty sad assessments. Are digital cameras no better than computers, then? (And I realize that's more of a philosophical question than my original post was intended to be.)
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Specifically, how does the D1's viewfinder stack up to viewfinders in current-
generation consumer DSLRs? My point of reference is the D80- the only DSLR I've
had any experience with.
More broadly speaking, how does the D1 stack up against current-generation
consumer DSLRs? Aside from obvious things, like the fact that the D1 looks like
a beast, was meant for pros, was at the cutting edge of technology at the time
(~ 1999), 2MP v. a zillion, etc., what are some of the less-obvious practical
differences between this and the el cheapo DSLRs of today like the D40 or
Canon's Digital Rebel?
For you current owners out there, are they still holding up, and have they aged
nicely?
The fact that these can be had for CHEAP right now (around $300 and falling, it
seems) is very tempting indeed. Of course, the flip side to that is, how low
will they go? Canon D30s were going for about $500 a couple years ago and those
seem to have fallen to around $300 today as well. Will dealers be practically
giving these away another few years from now?
Thanks!
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I'd like to get an SLR prime lens to take pictures of small products -- say,
other cameras ;) -- for selling on fleabay and such. My question is, what's a
good single focal length to get for this purpose? Normal, like 50mm? Short
telephoto, like an 85mm? How about macro lenses, like a 50mm macro or 60mm
macro?
Thanks a lot. If you think a prime lens is absolutely terrible for this
application then I guess I can consider zooms, but I do prefer primes. Also,
this will be used with a DSLR and I know about the focal length field of view
crop (~ 1.5x), so if you say that 50mm is a good focal length to have, then I
would know to get a 35mm lens, etc. etc. Thanks!
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No way, Michael! Thanks for that link!
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Cc: sliu :)
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I'm sure this comment will elicit some negative reactions, but to me these pictures are wonderfully non-digital :)
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Some pretty good stuff here, Paul. Are you familiar with the photography of filmmaker Wim Wenders? If not, I think you'd like his stuff.
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I was reprimanded once for walking on the 'heath' at Trinity College. Ah, fun times.
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I think I went to this a few years ago, thanks to Diego K. A good time, tons of quality stuff on display.
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<i>Andrew..the OM3 was only made in black, the OM4ti was made in black and also in a very poorly wearing pale titanium colour, the OM3ti was only made in the dark grey titanium you mention.</i>
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Pity. Unfortunately, I'm one of those people who happen to care about these types of things (and I am man enough to admit it) :) I find the dark grey titanium finish very desirable, so it's a shame the 3ti is so overpriced.
not able to mount C/Y Zeiss lens to D30 via adapter; what's going on?
in Canon EOS Mount
Posted