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echang24

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Posts posted by echang24

  1. I developed my first batch of color negative film. When hanging the film to

    dry after the stabilizer step (I used the C-41 Tetenal Process), I noticed that

    there were potentially going to be a lot of water spots.

     

    I ended up using PhotoFlo (although I see from other photo.net forums that this

    is not good for color negative film).

     

    Is there an equivalent product/chemical for color negative film?

     

    Thanks in advance,

     

    Eric

  2. I develop my own B/W film and am interested in developing color film now that I

    was given a Jobo TBE2.

     

    The only color film (negative) chemicals I can find locally are from Kodak and

    the Tetenal C-41 kit.

     

    Question 1:

    I know this is a jaded question but are there huge differences from the two

    brands?

     

    Question 2:

    What are the average costs per roll from doing this at home? My local labs

    charge around $7-10 dollars a roll. I paid around $20 USD for the Tetenal kit

    which yields 8 rolls of 35mm or 120.

     

    Thanks in advance,

     

    Eric

  3. I was wondering if anyone on this thread has seen this problem.

     

    I have a Leica M6 TTL and recently purchased a Voigtlander 12mm Heliar lens.

     

    I took a test roll today to check out my new lens.

    With the lens hood attached, I see dark edges on the negatives. The lens

    appears to be so wide that it catches the lens hood!

    (http://www.photo.net/photo/6073656)

     

    Without the lens hood, everything looks normal.

    (http://www.photo.net/photo/6073664).

     

    I like the lens hoods especially since the lens cap attaches to it and not the

    lens itself (http://www.photo.net/photo/6073666).

     

    Has anyone ever seen this before? Any workarounds?

     

    Thanks in advance,

     

    Eric

  4. Does anyone need any Hasselblad Cut Film adapters? I originally bought a bunch

    of Hasselblad equipment that included a bunch of accessories that I am probably

    never going to use.

     

    The cut film adapters are in good shape and I would be willing to sell them for

    real cheap - I just want to find them a good home where someone will actually

    use them.

     

    The camera I bought was a 500C but these adapters are likely to fit most 500

    series Hasselblads.

     

    The adapters have part number TIHLC.

     

    Please contact me if interested.

     

    Eric

  5. I am about to develop a roll of Bergger 200 35mm roll film and want to know

    what development times and temperatures for Xtol (with dilution) are suggested?

     

    I have tried Massive Dev Chart on www.digitaltruth.com but there is no

    recommended time for this combo.

     

    Thanks,

     

    Eric

  6. Based on this thread, I have started with this procedure for washing:

     

    1. Fix (4 minutes)

    2. Distilled water and invert 10 times

    3. Distilled water and invert 20 times

    4. Distilled water and invert 40 times

    5. PermaWash (1 minute)

    6. Distilled water and invert 10 times

    7. Distilled water and invert 20 times

    8. Distilled water and invert 40 times

     

    There is neither white residue nor white speckles on my negatives. They are coming out very clean now.

     

    Thanks to everyone's suggestions.

     

    Eric

  7. I have looked around for discussions around the differences between C and CF

    lens but not much is surrounding the actual quality of image.

     

    I bought a Hasselblad 500C set off of eBay with a bunch of B50 filters and

    accessories with no lens. From the research I have done, these would fit a C

    lens and not a CF.

     

    Before I go out and just buy a lens though, I was wondering what the experts on

    this forum think about the image quality from both lenses.

     

    I have read about the physical differences but want more info about the lens

    quality.

     

    Are they about the same assuming the condition of the lenses are equal?

     

    Thanks in advance,

     

    Eric

  8. I have had some white speckle problems recently with my film developing. I

    went with 100% distilled water and the problems have disappeared.

     

    I have been using Ilford's Rapid Fixer and I have been doing the fix rinsing

    with the "save water" Ilford method (fill, invert 5, fill, invert 10, fill,

    invert 20) method.

     

    My negatives look fine but I was just curious what they might look like if the

    fixer is not properly rinsed.

     

    Thanks,

     

    Eric

  9. I have been experiementing with Tri-X 400 (EI=1600). I have been reading about

    Diafine and have just purchased some.

     

    This developer is not very well documented and what data I have found is the

    part A/part B (3min+3min) development times. I have also read that some use

    only part A for longer periods of time.

     

    I am shooting for medium thick negatives and wanted to know what other

    development times and techniques work well with Diafine.

     

    Thanks in advance,

     

    Eric

  10. I have recently shot multiple rolls of T-MAX and Delta 3200 films. All rolls

    shot at EI 1600.

     

    I developed the T-MAX in T-MAX developer and Delta in Ilford DD-X.

     

    All negatives came out quite thick and easy to print.

     

    I know this is a subjective question but I noticed that the T-MAX 3200 has

    considerably more film grain that the Delta 3200 using the described

    development process.

     

    I actually like the film grain but wondered what other people have also seen.

     

    Thanks in advance,

     

    Eric

  11. I have searched through the photo.net archives but did not find the exact

    solution to my problem.

     

    I have recently begun developing my own BW film (Ilford and some Kodak).

    Everything is going well but have a film curl issue. I use film clips on both

    ends when drying. I dry for about an hour and a half, cut, and then sleeve the

    negatives. The negative curl makes it difficult to load into my negative slide

    carrier for my scanner. The place film under books is not working that well

    either.

     

    Am I not drying the film long enough? Does a mild heat source help or hurt the

    curl? Any suggestions are welcome!

     

    Thanks in advance,

     

    Eric

  12. I am a newbie to developing my own black and white film so pardon the "stupid

    questions."

     

    I shot a roll of Neopan 1600 (EI at 1600) and developed it in DD-X (68F, 5

    minutes (which is what Ilford recommends).

     

    The negatives I have are fairly thin and I needed to use 4 or 4.5 contrast

    filters to get the prints I wanted out of them.

     

    I used to have my 3200 speed film (Delta 3200) developed by a lab with similar

    results.

     

    My questions are:

     

    1. What are recommended soups for Neopan 1600 for minimal grain and good

    contrast ouput?

    2. I want to increase the development times but don't know exactly where to

    start. Any recommendations?

    3. What temperature do you recommend developing Neopan 1600 in?

    4. Is it common to get thinner negatives when developing pushed film? Is is

    normal to use contrast filters 4 through 5 in these cases?

     

    Thanks in advance,

     

    Eric

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