echang24
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Posts posted by echang24
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I developed my first batch of color negative film. When hanging the film to
dry after the stabilizer step (I used the C-41 Tetenal Process), I noticed that
there were potentially going to be a lot of water spots.
I ended up using PhotoFlo (although I see from other photo.net forums that this
is not good for color negative film).
Is there an equivalent product/chemical for color negative film?
Thanks in advance,
Eric
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I develop my own B/W film and am interested in developing color film now that I
was given a Jobo TBE2.
The only color film (negative) chemicals I can find locally are from Kodak and
the Tetenal C-41 kit.
Question 1:
I know this is a jaded question but are there huge differences from the two
brands?
Question 2:
What are the average costs per roll from doing this at home? My local labs
charge around $7-10 dollars a roll. I paid around $20 USD for the Tetenal kit
which yields 8 rolls of 35mm or 120.
Thanks in advance,
Eric
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Thank you Ronald and Doug.
I have the lens hood on wrong.
I feel like an idiot.
Eric
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Ronald -
Can you look at this one? I am seeing the same issue on both sides. I think the original photo I reference is already dark on the right hand side of the image.
http://www.photo.net/photo/6073694
Thanks for your quick response,
Eric
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I was wondering if anyone on this thread has seen this problem.
I have a Leica M6 TTL and recently purchased a Voigtlander 12mm Heliar lens.
I took a test roll today to check out my new lens.
With the lens hood attached, I see dark edges on the negatives. The lens
appears to be so wide that it catches the lens hood!
(http://www.photo.net/photo/6073656)
Without the lens hood, everything looks normal.
(http://www.photo.net/photo/6073664).
I like the lens hoods especially since the lens cap attaches to it and not the
lens itself (http://www.photo.net/photo/6073666).
Has anyone ever seen this before? Any workarounds?
Thanks in advance,
Eric
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Does anyone need any Hasselblad Cut Film adapters? I originally bought a bunch
of Hasselblad equipment that included a bunch of accessories that I am probably
never going to use.
The cut film adapters are in good shape and I would be willing to sell them for
real cheap - I just want to find them a good home where someone will actually
use them.
The camera I bought was a 500C but these adapters are likely to fit most 500
series Hasselblads.
The adapters have part number TIHLC.
Please contact me if interested.
Eric
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I really like Kodak XTol with Neopan 1600 (EI=1600).
I use it diluted 1:1, 68F, and 7-8 minutes.
Eric
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I am about to develop a roll of Bergger 200 35mm roll film and want to know
what development times and temperatures for Xtol (with dilution) are suggested?
I have tried Massive Dev Chart on www.digitaltruth.com but there is no
recommended time for this combo.
Thanks,
Eric
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Based on this thread, I have started with this procedure for washing:
1. Fix (4 minutes)
2. Distilled water and invert 10 times
3. Distilled water and invert 20 times
4. Distilled water and invert 40 times
5. PermaWash (1 minute)
6. Distilled water and invert 10 times
7. Distilled water and invert 20 times
8. Distilled water and invert 40 times
There is neither white residue nor white speckles on my negatives. They are coming out very clean now.
Thanks to everyone's suggestions.
Eric
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Teresa -
Here is a link to Ilford's Rapid Fixer fact sheet.
Read the section about washing film on page 2.
http://web.mit.edu/vogt/Public/Photography/datasheets/Ilford/Chemicals/Rapid_fixer.pdf
Eric
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I have looked around for discussions around the differences between C and CF
lens but not much is surrounding the actual quality of image.
I bought a Hasselblad 500C set off of eBay with a bunch of B50 filters and
accessories with no lens. From the research I have done, these would fit a C
lens and not a CF.
Before I go out and just buy a lens though, I was wondering what the experts on
this forum think about the image quality from both lenses.
I have read about the physical differences but want more info about the lens
quality.
Are they about the same assuming the condition of the lenses are equal?
Thanks in advance,
Eric
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I use Photo-Flo and am careful to dilute it properly.
My issue was the wash water - switching to distilled water has fixed my problem.
BTW, do the brown spots form right away or over time?
Eric
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I have had some white speckle problems recently with my film developing. I
went with 100% distilled water and the problems have disappeared.
I have been using Ilford's Rapid Fixer and I have been doing the fix rinsing
with the "save water" Ilford method (fill, invert 5, fill, invert 10, fill,
invert 20) method.
My negatives look fine but I was just curious what they might look like if the
fixer is not properly rinsed.
Thanks,
Eric
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I have been experiementing with Tri-X 400 (EI=1600). I have been reading about
Diafine and have just purchased some.
This developer is not very well documented and what data I have found is the
part A/part B (3min+3min) development times. I have also read that some use
only part A for longer periods of time.
I am shooting for medium thick negatives and wanted to know what other
development times and techniques work well with Diafine.
Thanks in advance,
Eric
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I have recently shot multiple rolls of T-MAX and Delta 3200 films. All rolls
shot at EI 1600.
I developed the T-MAX in T-MAX developer and Delta in Ilford DD-X.
All negatives came out quite thick and easy to print.
I know this is a subjective question but I noticed that the T-MAX 3200 has
considerably more film grain that the Delta 3200 using the described
development process.
I actually like the film grain but wondered what other people have also seen.
Thanks in advance,
Eric
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I have searched through the photo.net archives but did not find the exact
solution to my problem.
I have recently begun developing my own BW film (Ilford and some Kodak).
Everything is going well but have a film curl issue. I use film clips on both
ends when drying. I dry for about an hour and a half, cut, and then sleeve the
negatives. The negative curl makes it difficult to load into my negative slide
carrier for my scanner. The place film under books is not working that well
either.
Am I not drying the film long enough? Does a mild heat source help or hurt the
curl? Any suggestions are welcome!
Thanks in advance,
Eric
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To remove the water splotches, you may want to try PhotoFlo. I have just started developing my own film and have used PhotoFlo for each roll and have never had the water marks you are talking about.
Eric
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Dan -
I like your prints. May I ask what grade of contrast filters you used to print your pictures?
Thanks,
Eric
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I am a newbie to developing my own black and white film so pardon the "stupid
questions."
I shot a roll of Neopan 1600 (EI at 1600) and developed it in DD-X (68F, 5
minutes (which is what Ilford recommends).
The negatives I have are fairly thin and I needed to use 4 or 4.5 contrast
filters to get the prints I wanted out of them.
I used to have my 3200 speed film (Delta 3200) developed by a lab with similar
results.
My questions are:
1. What are recommended soups for Neopan 1600 for minimal grain and good
contrast ouput?
2. I want to increase the development times but don't know exactly where to
start. Any recommendations?
3. What temperature do you recommend developing Neopan 1600 in?
4. Is it common to get thinner negatives when developing pushed film? Is is
normal to use contrast filters 4 through 5 in these cases?
Thanks in advance,
Eric
Cap Getting stuck on Stainless Tank
in Black & White Practice
Posted
I had the same problem with an old tank like yours. I have both Omega and Nikkor tanks. I went to a local photo store (Calumet Photo - national chain) and bought a plastic lid that works with both brands.
The lids are nice and snug - no leaks and fairly cheap.
http://www.calumetphoto.com/item/CP90791/
Eric