lou korell

My AF lenses:

 

20-35 2.8D,

35-70 2.8D,

28-70 2.8D AFS,

70-200 2.8G VR,

85 1.4D

 

The last three are the ones I use most (w F6 camera). They are fantastic lenses! For digital, I'm Canon.

 

Lou

Krikalev and Phillips are outfitted with Kodak CDCS 660 digital cameras, one with a 400 mm lens to resolve tile features down to 2.5 inches (6.3 centimeters), and the other with an 800 mm equivalent for photographs down to one inch (2.5 centimeter) in resolution.

 

That's on the ISS. I believe the shuttle astronauts do have Nikon digitals but I'm not sure which models.

 

I'm looking for some detailed info and most available info that is published is older and doesn't go beyond the D1.

Just looked at the image again. Showing her putting on lipstick with your title would clarify any questions and there would be no need for further explanation. That would have been a bit more fun as an image.

 

Lou

The original is much easier to look at because at least all of the elements are clear. If you are "reporting" on a particular moment that is meaningful to the subject, trying to make it artsy doesn't add to the image (diffused glow) in fact it distracts too much.

 

At least, your title "extra protection" is a little easier to try and imagine when you can see clearly what she put in front of her dress. The original works much better IMHO.

 

Lou

When I decided to introduce digital into the weddings I was shooting, I only had the Digital Rebel (300D). It was very difficult to do the kind of shooting I wanted to do with that camera. If you can be slow, still, and have time to check your results, it is a super camera. Even though the XT is better than the 300D, the 20D is a tough camera to beat for features. I use two of them also for weddings and really like the results. That said, I still have a long way to go before I can do with digital, what I was very comfortable doing with film. But the Canon gear is great and the fast prime lenses are beautiful.

 

Lou

Actually Rich, Joe's clients come to him because they don't just want the group formals. They go to him because they buy art and they want their wedding pictures to fit their lifestyle. His photographs can hang on a wall next to any of the great artists with no problem.

It's very special work, and he's a very unique person. The really cool thing is, as talented and successful as he is, you won't find a warmer and more "real" person than Joe. What a credit to photographic art!

 

Lou

Really nice start for doing digital. The example you posted on the forum above is way over angled for my tastes. It looks like they are falling over. Otherwise the other angled shots on the gallery are a bit easier to look at. I'd keep those types of shots to a minimum as the more you include, the less impact the good angle shots will have.

 

Lou

"I'm sorry if this is a stupid question, but what is a "flash bracket (like a stroboframe quick flip)?" Thanks, Ben"

 

A flash bracket is a device which you screw into the camera's tripod socket. It will allow you to connect a flash above the camera lens to make it higher than using the hot shoe (where you would usually connect a flash) on the camera. Ideally you want the flash a good distance above the lens to help eliminate shadows and harsh, direct lighting. Stroboframe is a leading manufacturer of these devices but there are a few more that are also very popular like, Custom, Newton, and others.

There are quite a few photographers who do "destination weddings", but their advertising does not have to be obnoxious for them to get bookings. Word of mouth and solid work seem to be the key for those people. I know a few and they are exceptionally good at what they do. The ones who pretend to have that kind of reputation probably don't see much of a payoff from phony ads because they can't deliver what is advertised.

 

Lou

All of them! :) Bet you can't buy just one.

 

Ok, in all seriousness you will probably want to have at least one 800. If you are shooting more than one person it will be a good idea. I use an 800 as a key light and 400's for side, back or backdrop lighting. you will probably do what most do when they start using the ABs - want more.

 

It's good to have at least three to play with but you can get by with just one for a while. Lots of great shots can be done with just one light.

 

Get the heavy duty stand. LS3900 I think it is called.

I have the barn doors and will get the grid set, but I opted to buy a Photoflex MultiDome instead of the AB softbox.

 

Enjoy!

 

Lou

Alien Bees - the way to go! They are great and the price is right, and the service is terrific. These are a high quality product. If you ever get a little higher budget, don't hesitate to add White Lightening to your list of equipment. both AB & WL are made by Paul C. Buff. IMHO, the best deal in lighting.

The use of filters for weddings is kind of an older technique mostly used to "spice up" traditional wedding portraiture. with the modern trend towards photojournalistic styles and more creative composition, the use of filters has diminished drastically. Most pros who do weddings are using Photoshop to add effects or enhance the look of portraits. Personally, I wouldn't complicate your wedding experience by juggling filters. Concentrate on composition and capturing the moment. Also, I think the main goal is to try and get the most natural skin tones possible. Filters may not be the answer - the correct films and/or for digital, the most accurate camera settings - will give you the results.

Just my $.02

 

Lou

Thanks everyone. I have the adapter and it is very sweet. The setup is full of cables, but it works very well.

 

Lou

I have a new 503CW and a Metz45CL-4 flash. Is it absolutely necessary

to have the SCA 390 adapter module to get TTL or is it only to get a

few extra features? Since both camera and flash support TTL, is the

adapter a must have?

 

Thanks,

Lou

I just tried my SB-24 with my Digital Rebel. It works in the manual mode best because you have to turn it way down or you will blow out the exposure. It puts out more direct light than the camera needs.

I believe the trigger voltage is 6V which should be fine for the Rebel. I'm going to try it with a softbox on camera and see what I get. I really like the way it works on the camera; you just have to play around to find the most appropriate exposure.

 

Lou

I got a couple of sets of the Hasselblad strap clips and attached them to the wide version of the Domke Gripper strap. It's very comfortable and strong. The Hassie straps are too thin and abrasive for me. If you are using an older all-metal lens, prism, etc., the optech type is very uncomfortable since it bounces with weight. The Hassie, IMHO, does not bounce well around the neck!

I actually like handholding my cameras more than using a tripod and with the Hasselblad, you really need a sturdy tripod - a bit of an investment to risk falling over!

Best of luck on your trip!

 

Lou

I have been using the older 50C for quite a while and it is one sturdy and sharp lens. I use it for group pictures at weddings and have even done some portraits with it when the situation called for it.

 

The only downside to the older lenses is that you have to search for accessories and then pay a premium for them. Ebay usually has everything sooner or later though.

 

The older lenses are much cheaper than buying new and I don't find that they are optically inferior to the new ones. I actually prefer the older chrome series because they look cool and are all metal. They will hold up for years under hard working conditions.

 

The 40, 50 & 60 are all desirable tools, but I would recommend having the 50 and the 100 in your bag for overall coverage. You can do a lot with those two lenses.

 

My $.02

 

Lou

I use a Metz 45CL-4 for weddings with my 500c/m's. I also use a Lumedyne mini cycler for a power source. I find that it is always enough light, and in fact is way more than I need on occasion.

 

The Metz flashes are all very easy to use and will give years of good service. My back-up light is a Vivitar 283, which puts out lots of light and can be purchased new for around $70!

 

I know people who use the Quantum Q-flash, but I have never liked it myself.

 

The 45 and 60 series Metz flashes are top notch professional tools. You probably will not be disappointed with any of them.

 

My $.02