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Stands Out



From the category:

Family

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Simply gorgeous. The composition, light ,clarity & textures are all superb. Mesmerizing image that one couldn't draw one's eyes away.
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Please note the following:

  • This image has been selected for discussion. It is not necessarily the "best" picture the Elves have seen this week, nor is it a contest.
  • Discussion of photo.net policy, including the choice of Photograph of the Week should not take place here, but in the Help & Questions Forum.
  • The About Photograph of the Week page tells you more about this feature of photo.net.
  • Before writing a contribution to this thread, please consider our reason for having this forum: to help people learn about photography. Visitors have browsed the gallery, found a few striking images and want to know things like why is it a good picture, why does it work? Or, indeed, why doesn't it work, or how could it be improved? Try to answer such questions with your contribution.
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A golden mask behind a curtain of lace. The eye, however, does show a glimmer of life, I think.

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The photo exhibits originality with the half-hidden eye. That potential is lost for me by the wax-like excessive processing (lips, eyes, overall tonality) of the face and the too-important and detailed curtains that questions whether they or the person are the main subject here? Is the objective simply to produce some form of eye candy? Perhaps the use of more conventional post exposure and placing less lighting on the curtains might help to improve the photo. A good idea, possibly of questionable execution.

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Preference can certainly influence how we respond to various styles of work.

But just looking at the composition and the use of light, textures etc, the image really is pretty well done. There is a nice balance between the brightness of the child's face and its darker surroundings, with the heavier left side bringing overall balance to the image. The smooth texture of this so dominant face is a nice contrast against the detailed pattern of the lace, which I feel is subordinate enough to not confuse what is the primary focus but adds to the overall image interest. The almost black center of the eye rivets us with its gaze and becomes the most dominant element of this image. A nice detail is the way the scalloping of the left edge of the curtain matches the face's features is also very nice. In these respects, the image has been well put together and seen.

The issue might be whether it has just lost its photographic quality, which I think it has. There is little or no "documentary" evidence left in the child's face. It has become more of an illustration, an airbrushed effect, and largely removes any sort of individual character from the subject..

I am not sure what Emanuel is using on his portraits but it looks a lot like one of the popular apps for finishing portraits. The one I am thinking of, in particular, can create very plastic results to more subtle and sophisticated ones as well--the latter saving much time in hand work and yet preserves the photographic qualities. The results are controlled by adjusting a great number of user controlled variables. Here, and in many others in Emanuel's portfolio, we see the elimination of photographic evidence in favor of that more illustrative look and what I feel is the loss of that individual character.

This is a popular style with many.

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I think this image clearly demonstrates the power of digital photography to transcend the limits of the traditional photograph and become a true artistic tool for all seasons. It is a photo graphic. Wonderful composition exquisitely executed. Bravo!

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Virginia, a photo graphic, as related to but distinct from a photograph, is an interesting way to describe this particular image. Of course, there is still no bright line between the two terms, or even agreement that these distinct categories exist, but I for one like the descriptive term you've applied to this POW.

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