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Artists Don't Talk Gear?....... Take a Look Here


ray .

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...and then there is <a href="http://staff.fjarmal.is/hakon/photoQuotes/ShowQuotes.asp?ID=25&Name=White,_Minor">Minor White</a>. He does pretty good talking about photography, and just barely mentions even the word camera....let alone what make, model, etc. So, it can be done. Every time i read one of his quotes.........and Aperture's Past Forward book is loaded with them.......man, do I get inspired to grab the camera and go out and shoot.<br><br>

 

Seriously, guys, I'm not dissing anybody here, I just think that there is enough gear talk, and something more akin to White's talk is very needed. And speaking to the total novice (not the seasoned pros who already know this...hopefully), i think it's good thing for them to know that they can do extremely well without the "top" gear.

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Holy Moly, this discussion migrated here too?

 

Grant grunts. Everyone responds. He must be laughing his ass

off. I know I am.

 

I recently watched a documentary film on Kubrick. There were

many interviews with Directors and DPs about how Kubrick used

gear. He started as a still photographer, and his use of gear

figured strongly in the formulation of his vision throughout his

career. What was intriguing was how much other film directors

knew about gear during those interviews. One even mentioned

the Noctilux.

 

Yes, I'm sure you start with a vision and then seek out the right

gear to accomplish it. BUT you have to have some notion as to

what is possible going in. They work in tandum. Kubrick could've

dreamed about the look of Barry Lyndon until his head exploded,

but without the Zeiss f/.07 lens being adapted to a Motion Picture

camera it would have never made it to the screen the way it did.

 

Here's a first hand example. I manage a lot of Art Directors.

Ideas and vision are what they do. Junior ADs often know little of

the limitations and abilities of both still gear and motion picture

equipment. They frequently concieve of things that can't be done

and put them in layouts or storyboards. I often use real gear to

demonstrate why it is impossible, or will cost a couple of million

$ extra to produce. They don't have to know how to do it, just that

it can or cannot be done. Equipment experience becomes

intergrated into their vision. In every pre-production meeting we

have with DPs, gear is discussed as part of fulfilling the vision.

 

Life magazine had specialist that invented gear to accomplish

things the photographers wanted to do but were not possible

until then.

 

This forum has brought me new insights as to how to

accomplish some things I want to do. Sometimes it is simple,

like wanting to use the small SF20 flash but hating the

harshness, then trying different ways to soften it until I saw Lutz's

S-Fill which did exactly what I wanted. Using ND filters on a Nocti

to shoot daylight shots with minimum DOF. Understanding the

limitations of a rangefinder when focusing off center subjects

using shallow DOF, etc, etc.

 

Discussing vision here is ephemeral, infinate and personally

biased at best. It's better just shown, and left at that. Discussing

gear is finite, directly demonstrable, and relevant to most here

due to the gear commonly used (it is a Leica forum after all).

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you really dont see the difference between talking about technique of craft relating to the camera, and asking plain and simle questions about what cameras people own? <p>

one has to do with ones mindset <i> about </i> photography, the other is just plain vanity. <p>

the majority of threads here about camera gear rarely relate to how it is used in the field, but rather talk about technical bullshit.<p>

<a href="http://www.imx.nl/photosite/leica/mseries/testm/MEM90/MacroElmar.html"> here </a> is a perfect example, in contrast to the photo quotes above by <b> photographers </b>. notice in the photographers quotes you guys posted they talk about how the camera relates to their photography. not one says how good a leica is because it gives them great edge sharpness or more lines per mm.<p>

knowing your craft is essential, as marc points out. talking about how the camera <i> relates </i> to your photography would be a much more dynamic and fruitful conversation rather than, whats your favorite lens shade or what kind of paint is used on my m-4 because now its peeling.<p>

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Like I said, if you start one on it, about lens usage in the field, I'd be the first to contribute.

 

I have in the past been doing that, asking about how to shoot people and how to interact with them and how close to get. Check my past threads.

 

I'd like you to rekindle those memories...would you?

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While I can sympathize with the desire to talk more about "vision" aspects of photography, what it really boils down to is that at some point, you need a camera in order to make that vision a reality. Cameras are tools and, like all tools eventually, have become specialized so some perform better than others at a given task. As a friend of mine used to say, "you can pound a nail in with the handle of a screwdriver, but if you can get yourself a hammer, you'll have an easier time doing it." You may have all the vision in the world, but if you need a specific 6x12 back on a view camera that has at least 7cm of rear shift to accomplish it, you're going to talk about cameras that can help you make that vision come true.

 

Sure, there's a lot of fetishism when talking about gear. And yes, for some gear is the end, rather than the means. But the right gear in the right hands can make magic. It allows the vision to become reality, as Marc pointed out. Sometimes gear needs to take a back seat, sometimes it needs to take the lead, but you can't take photos without gear any better than you can play ice hockey without skates and sticks.

 

It all kind of reminds me about Crash Davis' speech in Bull Durham about streaks: if you believe you're shooting great photos because your camera has .01% greater viewfinder brightness, or a .37 fps faster autowinder, or has 12579 zone segments in the matrix meter instead of 12560, then you are. And if trying to find that edge that makes you feel that much better about going out and making that shot, and that edge consists of feeling like you have the absolute best equipment that ever existed, who am I to argue if it works?

 

For that matter, who am I to argue if it doesn't, as long as it makes you happy?

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even better...<p>

As far as I am concerned, taking photographs is a means of understanding which cannot be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one's own originality. It is a way of life. -Henri Cartier-Bresson

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Come on youse guys. Next you'll be spitting on your computer

screens.

 

Sure, there are some threads that are nonsense. I still even

answer some because they're either funny or just dumb

entertainment. The guy asking about where the R4s was made

may appear goofy...but maybe he is concerned about reliability,

and has bought into the "German made" is better myth. You don't

have to be a Mensa member to figure that one out.

 

There's a lot of humourless folks here also. They take every post

at it's face value. That's why a troll can trigger a 50 post

response by besmerching the Leica name with some adolecent

remark.

 

Hey, are we having fun yet?

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"...just plain vanity."

<P>

You mean like your name-dropping 'gallery' post from the other day replete with boring snapshots? That was total vanity. Maybe the subject was too near and dear to your heart for you to see it that way, though.

<p>

If you want to see more discussions on technique, then <i>start</i> some. I'd listen to what you have to say.

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Ray

 

I really don't think you need to apologize to Jeff Spirer as he never apologizes to any one else - presumably because he is always right. This is really a dull discussion all of us know equipment is important, but not THAT important. To deny either end of the extreme is silly as far as I am concerned. Yes, I do agree with you though that Jeff's original comment about vision was just plain pretentious.

Robin Smith
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Some have put forward the notion that "real" artists conceive of their ideas in a vacuum and only then implement those ideas with, well, their implements. Total bullshit.

 

The truth is that the tools can be inspirations in themselves, and in almost all art the tools play a big role in enabling and channeling the creative act.

 

Listen to Jimi Hendrix. If you know something about guitar playing, you can hear him experimenting with his gear all the time, just making a voyage of discovery with his fuzz box, his echoplex or his whammy bar. These were new things at the time, and he was getting enormous inspiration just seeing what they did. We're all lucky he did so, the shit is beautiful.

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