bradleycloven Posted September 14, 2020 Share Posted September 14, 2020 Try try again: 5 Link to comment Share on other sites More sharing options...
bradleycloven Posted September 14, 2020 Share Posted September 14, 2020 Try Try Try Again: 1 Link to comment Share on other sites More sharing options...
bradleycloven Posted September 14, 2020 Share Posted September 14, 2020 Unreal. There must be 37 ways to mess up posting a picture here. 5 Link to comment Share on other sites More sharing options...
bradleycloven Posted September 14, 2020 Share Posted September 14, 2020 Technical Details: Mt. Rainier Waterfall 1962 Crown Graphic Fujinon 90mm 5.6 SWD F/22 x ~1/8th second (first pic in the sun) x ~1 second (second pic in the overcast) FP4+ rated at ASA 100 Pyrocat HD in Glycol 8 minutes at 75 degrees per Rick, with a second dousing in the developer AFTER the fix, etc. Epson V800 Link to comment Share on other sites More sharing options...
rick_drawbridge Posted September 14, 2020 Share Posted September 14, 2020 bradleycloven said:Rick, how did I do? Well, in my humble opinion you did pretty darn well! Both images are really excellent, though I prefer the increased graduation of tones in the second one shot in more overcast conditions. You've certainly captured a huge tonal range, which is what the Pyro development is all about. I really don't know if introducing the developer for a second time after the fix actually increases the stain. When I started using the Pyro developers there was some debate about the practice on the net, so I just thought "Why not?", and have included it in my procedure ever since. I'll look forward to seeing more of your achievements in the world of Pyro! 1 Link to comment Share on other sites More sharing options...
bradleycloven Posted September 14, 2020 Share Posted September 14, 2020 bradleycloven said: Well, in my humble opinion you did pretty darn well! Both images are really excellent, though I prefer the increased graduation of tones in the second one shot in more overcast conditions. You've certainly captured a huge tonal range, which is what the Pyro development is all about. I really don't know if introducing the developer for a second time after the fix actually increases the stain. When I started using the Pyro developers there was some debate about the practice on the net, so I just thought "Why not?", and have included it in my procedure ever since. I'll look forward to seeing more of your achievements in the world of Pyro! My previous work in D76 always looked "flat" and "joyless". Technically acceptable, but never glorious. These in Pyrocat are at least "deep", and being the photographer and developer, the improvement made me catch my breath on first glimpse. I have a ways to go, but my what an improvement, and completely in the direction I wanted to go. Thanks again! 1 Link to comment Share on other sites More sharing options...
Rick_van_Nooij Posted September 14, 2020 Share Posted September 14, 2020 Zeiss Super Ikonta 532/16, CZJ 8cm f/2.8 Tessar. Focus and Rangefinder calibration test. 1/500th at f/4.5-ish on Fomapan 100 5 Link to comment Share on other sites More sharing options...
Bill Bowes Posted September 15, 2020 Share Posted September 15, 2020 Here is a sample of some work from Sunday with my Agfa Isolette 3 (6x6) loaded with CatLab 80 film. I am "trying" in out. More details are available in another CMC forum. Carlab 80 @ 80asa, no filter, Hypercat & V600 scan. Aloha, Bill 4 Link to comment Share on other sites More sharing options...
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