Sanford Posted April 8, 2018 Share Posted April 8, 2018 Panasonic GX1, 14mm, Cannery Row 3 Link to comment Share on other sites More sharing options...
Brian Posted April 8, 2018 Share Posted April 8, 2018 The pergola at West Dean. Panasonic GX7, Zuiko 9-18mm 5 Link to comment Share on other sites More sharing options...
luis triguez Posted April 8, 2018 Share Posted April 8, 2018 great lens, Brian! Olympus E-PL5. Zuiko ED 9-18 (9) 5 Link to comment Share on other sites More sharing options...
wgpinc Posted April 8, 2018 Share Posted April 8, 2018 Sony a6000 / Sony 35mm 1.8 3 Link to comment Share on other sites More sharing options...
Spearhead Posted April 8, 2018 Share Posted April 8, 2018 http://spirer.com/images/coimbrafactory.jpg 2 Music and Portraits Blog: Life in Portugal Link to comment Share on other sites More sharing options...
Bill Snell Posted April 8, 2018 Share Posted April 8, 2018 X-E1 + XC 16-50 5 Link to comment Share on other sites More sharing options...
brett_w. Posted April 8, 2018 Share Posted April 8, 2018 Untitled by c w, on Flickr 5 Link to comment Share on other sites More sharing options...
mukul_dube Posted April 9, 2018 Share Posted April 9, 2018 Nikkor 105/2.5 on Sony A7 5 Link to comment Share on other sites More sharing options...
Ed_Ingold Posted April 9, 2018 Share Posted April 9, 2018 Waymont, Ireland (Northwest) Sony A9 + Sony 100-400/4.5-5.6 GM 4 Link to comment Share on other sites More sharing options...
akocurek Posted April 9, 2018 Share Posted April 9, 2018 Canon G12 1 Link to comment Share on other sites More sharing options...
rick_drawbridge Posted April 9, 2018 Share Posted April 9, 2018 Three images from a Sony ILCE-7R, using manual focus lenses as noted. The First Autumn Evening (28mm Super-Takumar f/5.5) Newstead (28mm Chinon MC f/2.8) Evening at the Bike Shop (28mm Super-Takumar f/3.5) 3 Link to comment Share on other sites More sharing options...
Gerald Cafferty Posted April 9, 2018 Share Posted April 9, 2018 Lumix LX-100 5 Link to comment Share on other sites More sharing options...
Greg M Posted April 9, 2018 Share Posted April 9, 2018 See No Evil, Hear No Evil, Speak No Evil.. E-M1 Mark II and 12-100mm f4 M. Zuiko. Raw capture, processed in DXO Photo Lab with the Fuji Astia color profile loaded via DXO Filmpack. . Link to comment Share on other sites More sharing options...
donbright Posted April 9, 2018 Share Posted April 9, 2018 IN & OUT ART Fuji XT-2, XF18-55 [ATTACH=full]1240602[/ATTACH] Link to comment Share on other sites More sharing options...
Sanford Posted April 9, 2018 Author Share Posted April 9, 2018 That "view attachment" never works for me, just get error message. Link to comment Share on other sites More sharing options...
Karim Ghantous Posted April 10, 2018 Share Posted April 10, 2018 Mukul, that is a terrific portrait. Super good. Ed, what's with the weird artifacts? Lovely spot - one has to love that rugged coastline. Link to comment Share on other sites More sharing options...
Karim Ghantous Posted April 10, 2018 Share Posted April 10, 2018 WOW, BOB - ELECTRICITY Nikon compact that cost me $10 Link to comment Share on other sites More sharing options...
donbright Posted April 11, 2018 Share Posted April 11, 2018 That "view attachment" never works for me, just get error message. I'm settling in with the notion that getting a clean post around here is just a roll of the dice. One week it accepts my post, the next it doesn't. Is this the norm now? Link to comment Share on other sites More sharing options...
Ed_Ingold Posted April 11, 2018 Share Posted April 11, 2018 This is a three frame, bracketed HDR. This creates artifacts in the waves, which are continually moving. Usually the effect is softening or painterly, like long exposures. I need to take a closer look at processing this image. I had thought Ireland consisted of rounded hills with green meadows and hedgerows and stone fences. It has all of that, but a seriously rugged coastline too boot. I spent 9 days circumnavigating the island, much of it on the Wild Waves Road. Here, the slate rocks have been strongly tilted landward. Slate fractures easily in plates, but is hard enough to retain sharp edges under wave action. Link to comment Share on other sites More sharing options...
Brian Posted April 11, 2018 Share Posted April 11, 2018 Ed, I've made many HDR composite shots including moving seas, and the character of the moving water captured is always a surprise to me (in a good way). Link to comment Share on other sites More sharing options...
Ed_Ingold Posted April 11, 2018 Share Posted April 11, 2018 Using AuroraHD2018, there is a provision to minimize "ghosting", which I generally avoid for moving water. It helps prevent five-legged, two headed sheep, among other things. I prefer the confusion. I find HDR most useful for extracting detail in overcast skies. Many days in Ireland, the sky looked like a ping pong ball from the inside - until HDR was applied. As an alternative, tone mapping is highly effective for images with a high dynamic range, like a Sony A7Rii. As an alternative to slow shutter speeds (e.g., with a 6x ND filter), AuroraHD2018 can be used to stack non-bracketed exposures without the use of a tripod. It's not quite the same but surprisingly effective. Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now